Nyla Gladine Thompson (1927-1969) Texas Outsider Art by a Polio Victim The Landscape Paintings Collection Jim Linderman

Nyla Gladine Thompson was 9 years old when began to suffer infantile paralysis. She began painting at age 13 with a brush held in her mouth. She painted this way for 20 years, becoming well known in the several Texas towns she lived in. Among her fans was first lady Eleanor Roosevelt. These works date to 1955 or so. Nyla Gladine Thompson works in oil, circa 1955 Collection Jim Linderman

Art Brut from Detroit Michigan Sam Mackey

The little known work of Sam Mackey is shown here from several institutional collections. Mr. Macky was the grandfather of Tyree Guyton, creator of Heidelberg Project, a long standing (and constantly changing) folk art environment in Detroit. Mr. Guyton has said his grandfather was an inspriation on his own work. I am not sure how widely Sam Mackey's work has been publicly shown, if at all. Some 25 years ago I was fortunate to see of number of originals in New York courtesy of a friend who had the work sent to him for approval. Great work, and work which I believe is quite scarce. The art here is dated circa 1987 - 1992. Crayon and pencil on paper. Images of Sam Mackey work from the following sources: Knight Foundation The Wayne State University Collection For art and artists(blog) University of Michigan Museum of Art

Outsider Art from The Seaside Psychiatric Hospital in Waterford Ct circa 1950-1970

Tempura or watercolor paintings on paper said to have been produced by a patient at the now abandoned Seaside psychiatric hospital in Waterford, Ct. I don't know about that, but they are very interesting. Group of paintings by F. Jennings circa 1950 - 1970. Collection Jim Linderman

Albert Freeman Pair of Folk Art Portraits c. 1940 Collection Jim Linderman Outsider Art

Albert Freeman is another artist we might not ever know much about. I believe his work was discovered by Robert Cargo, long time collector, dealer and advocate of southern 20th century American folk art. I was recently pleased to find he had donated significant portions of his collection (particularly a wonderful collection of African-American quilts) to the Birmingham Museum of Art. While not illustrated, they acquired a dozen or so Freeman works. I find several good examples of his work online. Most are portraits like the pair above, although a small painting of a lion is illustrated in the outsider art chapter of Wendy Lavitt's Animals in American Folk Art in 1990. All were done on scrap paper and found cardboard. Mr. Freeman was active from 1940 to 1950. Untltled (Man and Woman(pair of portraits) circa 1940. Collection Jim Linderman

Self Taught Primitive Painter Israel Litwak 1867 - 1952 Vase with Flowers collection Jim Linderman

Israel Litwak was born in Russia and immigrated to Brooklyn in 1903. After his long career as a cabinet maker, he began producing lively and unique drawings and paintings which he shared with the Brooklyn Museum. They gave him a one man show! He was included in the seminal book They Taught Themselves: American Primitive Painters of the 20th Century. See a similar work (without peeping gentlemen) in the Brooklyn Museum collection HERE ISRAEL LITWAK UNTITLED (VASE WITH FLOWERS) 17 X 20 1940. COLLECTION JIM LINDERMAN / DULL TOOL DIM BULB

I'm not at the Outsider Art Fair 2020 Annual Post Children's Art Art Brut ?

The Outsider Art Fair snuck up on me this year, and while I haven't gone in a decade, for the same amount of time I've tried to come up with something interesting to share during the season.  This year the showing of Children's Artworks of the 1930s from the Kuniyoshi Collection made a choice easy, as I've been fascinated by the relationship between schooling and art creation a long time.  The psychological aspects of development through exposure to public schooling and mass media is relatable to both Outsider Art and and that of trained artists, children and otherwise.  I've collected some good examples of art from the age of development in which artists become artists…and the tools and techniques provided through schooling.  There is a period when artists decide they have become artists. 

From the start, I've avoided refrigerator art.  I suppose every child for the last hundred years in the United States has been handed paints and brushes in class at some time.  However, it is the exceptional students I look for.  Quirky examples with both beauty and some wonder…those with a little extra drive and motivation.  In each case, I will link to further pieces which have been posted here.  Hopefully, what will be revealed is a dozen categories of interest.

An example of the broad strokes and "folky" art of a child.  The subject matter is important, as Lou Gehrig was likely a hero to the artist.  This is an example of what I call Refrigerator Art.  If you are a parent, you'll understand. Anonymous c. 1939  Original Post

Boys like to draw war and weapons.  It is unfortunate we live in a world in which they are common.  Still, the most lovely and interesting work can be characterized by the same creative impulses which arise in in a child in a manner similar to that of talented adults.  Kenneth Hetrick 1931 
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In this case, it is a schoolgirl drawing the Man of Steel and Lois.  A good example of art influenced by popular culture, yet still showing an individualistic approach. Audrey K. circa 1950 
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Handmade books by children are common.  Here,  a schoolgirl creates a nice one using the preferred paper of children.  Manila!  Darlene Olds 1934  Original Post

Pages from a miniature cookbook 4" x 6" created circa 1940 - 1945 by Carol Birkett and her friend Patty.  Original text directions and a few clipped from magazines.  Original Post

The cover of a handmade sewing manual created as a class assignment. The woman on the cover is reading her own book!  Anonymous Circa 1950? Original post

Story of the Corn from scarecrow to the popper!  A narrative by an anonymous 19th century child.
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Art lessons in crayon.  Anonymous practice design reflecting school training circa 1910.  
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Dazzling detail on an Ohio schoolhouse by Ora Maxwell circa 1890.  It is often difficult to determine if a drawing is "folk art" or "art by a child" as  any distinctions can blur.  Original Post

A Jester performs.  An example from the numerous "coloring books" distributed in the late 19th century.  This drawing was copied from a commercial example provided for students to replicate in their own hand.  Anonymous circa 1900 Original Post

 

Circa 1880 Frederich Froebel paper weavings created by children in some of the more enlightened schools.  The educator and scholar was responsible for fitting lots of children into a world where color worked and lines mattered.  Anonymous Original Post

Examples of pre-punched sewing cards which were popular in teaching situations from 1880 on.  Young woman were taught the skills of domestic chores...and the subject matter was often religious.  Moral instruction while learning dexterity.  Anonymous completed sewing cards.
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The last examples are cheating, as they were drawn by a "Magic Pattern" toy from the 1930s or so.  Similar to the later common Spirograph!  Still, likely "drawn" by a child.
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There are plenty of other beautiful examples of art created by the young.  I avoid the psychological and developmental implications when looking for examples to collect.  I'll leave that up to the educators!  Many more examples are found on the blog.  
OTHER EXAMPLES OF I'm not at the outsider art show ARE FOUND ON THE BLOG WITH A CLICK...but one can just browse. See also this CLICK.  Many of the examples here were self published in my book Eccentric Folk Art Drawings of the 19th and 20th Centuries available in a paperback or an affordable instant download.

Outsider Art and Art Brut? It's a Piece of CAKE Paul K. Schimmack Bakes and Decorates an Astrology Chart

As much as I hate to start a new trend in "outsider art" I present here what was likely the first CAKE made with obsessive scribbles.  The medium?  SUGAR.  So there you go…a visionary piece of cake!  

There is an art to making cakes (and Schimmack was good at it) but when was the last time you saw some Art Brut applied with a frosting bag?  Among the proclamations made of sugary goo is that a trip to Neptune at 60 miles an hour will take over 20,000 years, so eat a big lunch before you go.  The artist/baker also indicates the weight of the moon.

Paul K. Schimmack was a bread and cake maker by trade (he was named Secretary of the Washington Wholesale and Retail Bakers Association in 1910)  As you can see here, his shop "The Lion Bakery" was capable of "40 buns in one minute!"   The building no longer stands. A house was placed there in 1922. Still, if one can say "he is better known" for a guy not known at all…it was his astrology art for which he is best not remembered today.  It is fair to speculate the great share of his work was eaten, but this recent discovery of a second obsessive diagram produced over 100 years ago is a good time to explore what is in the historical record.  This one has missed being included in the record as it was consumed after the picture was taken.

Astrology, of course, is the most intricate and detailed bogus system in the world!  Wiki calls it a pseudoscience, which means not science at all.  It is an early scam and continues to be.  I rank it just ahead of "magnet therapy" and Phrenology…the science of bumps on the head. 

Paul K. Schimmack's work "The Weather Shark Predictor" of paint on tin is now in the Balsley collection and it has appeared in shows, in a 1997 issue of Folk Art Magazine and in at least one catalog.  It is something of a masterpiece.  The artist seemingly registered a print of the piece in 1913 as "a work of art" titled Farmers Morning Glory Chart with the US Copyright Office.  It was published by the Schlesinger Company.  I believe "work of art" means a postcard, as the company was also responsible for the once common"Indian with headdress" postcards, though they did also publish lithographs for wall display. No publisher is indicated on the postcard here of his cake concoction, but it dates to around the same time.

Folk Art Magazine Spring 1997

A more typical image from Schlesinger Brothers Publishers

The Daily Republican (Monongahela, PA) of March 31, 1931 gave Mr. Schimmack a nice feature and asked him for a few predictions. "Inch downpour of rain during May followed by a rainy June. July, August, and September will be moderately dry. During November and October the rainfall will be medium and a general cyclone will strike the eastern states, causing shipwrecks and endangering tall buildings. Schimmack forecasts a general peace-making among all nations with the end of the year 1931.  Several years earlier, the paper had gone to Shimmack for his prediction on the Dempsey - Tunney fight!  Dempsey will enter the sign "with the support of the moon" while Tunney has Mercury behind him. 

In 1927, the Lincoln Star (Nebraska) filled lots of space with his predictions.  They called him a "weather shark" and astrologer.  The numerous, if mundane "crop reports" ran for several inches of copy.  Most notable was a "A big flood In California" and "The lion will show his teeth the first part of March, but that month and April will be relatively springlike."

Schimmack was also apparently the "go-to" guy for the Pittsburgh Press.  They called on his expertise in the January 26, 1932 issue.  "The change In weather will start to be noticeable today or tomorrow, however. Prom then on, there will be blizzards, sleet, snow, rain and ice. Eastern States will be paralyzed. "Coldest days will be Jan. 27, 28, 29, 30 and 31; Feb. 1, 3, 5, 6, 19, 22, 23. 24, 25, 27; March 2, 13. 18, 29, 31; and April 6, 7, 9 and 17." The Washington seer also predicted heavy snows in Pittsburgh and New York Feb. 22, 23 and 24. The groundhog will see his shadow; rivers will be at flood stage about the end of March and this district will experience a "white" Easter Sunday, he said."

He was referred to as the "astrological seer of Washington Pa." and that he had been "observing and charting planets for nearly 50 years…he's delved into histories of floods, cold spells and droughts for as far back as 1832, noting positions of planets for each."  Whew. 


The Spring 1997 issue of Folk Art magazine illustrated Mr. Schimmack's "Weather Shark Astrological Chart" along with a notice of an exhibition at the American Visionary Art Museum.   The piece is in the collection of John and Diane Balsley.  It also appears in the catalog of the exhibition.  A large color image of the piece is available HERE from the Ricco - Maresca Gallery. 

"Illustrative Astronomy" by Paul K. Schimmack  Photo Postcard 1910 Collection Jim Linderman