Occupational Vintage Photo: Whiskey Still, Worker and Fiddle. Circa 1900.
Collection Jim Linderman
THIS is how to open a film. Above is an original still photograph from the stunning opening of the film Crime Without Passion being produced. Enjoy this clip...and marvel. Film making at the highest level, and 85 years ago. Still 8 x 10 promotional photograph collection Jim Linderman
Here, Dorothy Hudgens recreates the Morton Salt Girl (invented 1914) in her presumably school age manner. The piece comes from a folder dated 1926. Dorothy Hudgens lived with two artistic sisters. All were pretty good! Still I wonder about branding young children.
Outsider art fans might be interested in this piece by the artist James Castle. Same time period, same salt? James Castle piece is taken from the web, I am afraid I don't know who owns the work.
Collage c. 1925 Dorothy Hudgens. Collection Jim Linderman.
Thanks to Natalie Curley Antiques.
Among outsider art enthusiasts, The phrase "real deal" comes up often. Those who have become familiar with the material know what it means. It could be a certain look to the work. It can also be as much the artist's motivation as skill. Harry Bentz is what once would have been called the work of a Sunday painter or a folk artist. An amateur. Maybe he was an American primitive. Maybe not.
Actually the most accurate label would be Cowboy Artist. Mr. Harry Bentz was the real deal when it came to roping, riding and even mining. A real cowboy who made art. Untrained, but highly motivated to learn and create.
There are a few brief biographies. My guess is that Bentz found himself some time and started using it to make art. In the 1960s he painted what could be some 200 works. Along the way, he learned that through some primitive xerox (ayup) and a goofy photo stat process of some sort (ayup) he could make editions! Of a sort. The cowboy took advantage of modern technology available to the common man. Again speculating, I believe the artist wanted something to sell in a rack alongside his paintings at events. How many of these could range into the hundreds.
As with many primitive painters, he used found material to paint on. Some were uneven, large boards. Many of the sketches are on the reverse of used paper from the Bureau of Mines.
Apparently Bentz was working on a book. Among his papers are handwritten captions for "Sketches of the West" which would have been 60 pages.
The drawings would not have been shown art fairs, but at western events. In some ways, as far outside of the contemporary art world as one can be. He fished, hunted, broke horses, played the guitar and took out pack teams as a hunting guide. In 1951 he became a member of the Rodeo Cowboys Association. He began serious painting while working on a ranch near Kennewick, Washington. Reflected in his work is the life he lived.
All paintings and drawings collection Jim Linderman.
Love during wartime, Vietnam Edition. Identified as "house girls" on reverse. Anonymous photographs, circa 1970 Collection Jim Linderman One of a continuing series on Dull Tool Dim Bulb.
Trench Art with a twist, but not all trench art was made in a trench. Generally, the term refers to art sculpture made from expended artillery shell casings. Nothing to do but stay down, cringe at the incoming and hammer copper. However this group of decorative items was made by a different group of soldiers. As noted on the reverse of the image, These fine examples were made by disabled soldiers as they recuperated. The material is taken from the remnants of old copper stills. Prohibition provided the material! World war one ended in 1918. Prohibition started in 1920. Must have been a bitter pill to have fought for your country only to return without having even a beer.
The Trench Art of the Great War website refers to pieces like those above as convalescent soldier art. The Wikipedia entry for Trench Art suggests "Outsider Art" as a related category.
Original undated, anonymous 8 x 10 press photograph circa 1920. No credits on photograph.
Collection Jim Linderman
It's Niuglo's huge camera! Largely a mystery, the staff photographer of Pin up magazine VEA was an unrecognized master. In this cover photograph from 1954, he places a model next to a massive antique camera. He appear to have been staff photographer for VEA magazine from 1941 to 1954. He also sold work to Star Magazine. Niuglo is likely a palindrome of his surname Olguin. He also produced and sold postcards of beautiful Mexican Women, possibly at tourist shops and through the mail.
VEA magazine (Mexico) 1954 collection Jim Linderman.
El fotógrafo personal de Pin up revista VEA era un maestro desconocido Niuglo. En esta fotografía de portada desde 1954, pone un modelo junto a una antigua cámara masiva. Parecía haber sido fotógrafo para VEA revista desde 1941 a 1954. También vendió la obra a la revista Star.
Niuglo es probablemente un palíndromo de su apellido Olguin. Curarmepara produce y vende postales de hermosas mujeres mexicanas, posiblemente en tiendas para turistas y a través del correo.