I'm not at the Outsider Art Fair 2020 Annual Post Children's Art Art Brut ?

The Outsider Art Fair snuck up on me this year, and while I haven't gone in a decade, for the same amount of time I've tried to come up with something interesting to share during the season.  This year the showing of Children's Artworks of the 1930s from the Kuniyoshi Collection made a choice easy, as I've been fascinated by the relationship between schooling and art creation a long time.  The psychological aspects of development through exposure to public schooling and mass media is relatable to both Outsider Art and and that of trained artists, children and otherwise.  I've collected some good examples of art from the age of development in which artists become artists…and the tools and techniques provided through schooling.  There is a period when artists decide they have become artists. 

From the start, I've avoided refrigerator art.  I suppose every child for the last hundred years in the United States has been handed paints and brushes in class at some time.  However, it is the exceptional students I look for.  Quirky examples with both beauty and some wonder…those with a little extra drive and motivation.  In each case, I will link to further pieces which have been posted here.  Hopefully, what will be revealed is a dozen categories of interest.

An example of the broad strokes and "folky" art of a child.  The subject matter is important, as Lou Gehrig was likely a hero to the artist.  This is an example of what I call Refrigerator Art.  If you are a parent, you'll understand. Anonymous c. 1939  Original Post

Boys like to draw war and weapons.  It is unfortunate we live in a world in which they are common.  Still, the most lovely and interesting work can be characterized by the same creative impulses which arise in in a child in a manner similar to that of talented adults.  Kenneth Hetrick 1931 
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In this case, it is a schoolgirl drawing the Man of Steel and Lois.  A good example of art influenced by popular culture, yet still showing an individualistic approach. Audrey K. circa 1950 
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Handmade books by children are common.  Here,  a schoolgirl creates a nice one using the preferred paper of children.  Manila!  Darlene Olds 1934  Original Post

Pages from a miniature cookbook 4" x 6" created circa 1940 - 1945 by Carol Birkett and her friend Patty.  Original text directions and a few clipped from magazines.  Original Post

The cover of a handmade sewing manual created as a class assignment. The woman on the cover is reading her own book!  Anonymous Circa 1950? Original post

Story of the Corn from scarecrow to the popper!  A narrative by an anonymous 19th century child.
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Art lessons in crayon.  Anonymous practice design reflecting school training circa 1910.  
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Dazzling detail on an Ohio schoolhouse by Ora Maxwell circa 1890.  It is often difficult to determine if a drawing is "folk art" or "art by a child" as  any distinctions can blur.  Original Post

A Jester performs.  An example from the numerous "coloring books" distributed in the late 19th century.  This drawing was copied from a commercial example provided for students to replicate in their own hand.  Anonymous circa 1900 Original Post

 

Circa 1880 Frederich Froebel paper weavings created by children in some of the more enlightened schools.  The educator and scholar was responsible for fitting lots of children into a world where color worked and lines mattered.  Anonymous Original Post

Examples of pre-punched sewing cards which were popular in teaching situations from 1880 on.  Young woman were taught the skills of domestic chores...and the subject matter was often religious.  Moral instruction while learning dexterity.  Anonymous completed sewing cards.
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The last examples are cheating, as they were drawn by a "Magic Pattern" toy from the 1930s or so.  Similar to the later common Spirograph!  Still, likely "drawn" by a child.
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There are plenty of other beautiful examples of art created by the young.  I avoid the psychological and developmental implications when looking for examples to collect.  I'll leave that up to the educators!  Many more examples are found on the blog.  
OTHER EXAMPLES OF I'm not at the outsider art show ARE FOUND ON THE BLOG WITH A CLICK...but one can just browse. See also this CLICK.  Many of the examples here were self published in my book Eccentric Folk Art Drawings of the 19th and 20th Centuries available in a paperback or an affordable instant download.

I'm Not at the Outsider Art Fair Paris 2019 Edition post Anonymous Drawings of Startled 1950s Women

A surprising group of drawings by an anonymous west coast shut-in at this point known only as Ms. Daisy.  Each is 9" x 12" and there are hundreds. Each drawing has the date created on the reverse and most have a weather report!  (Cloudy today, sunny and hot, smog, etc…)  She lived into her 90s, and while institutionalized drew one every few days from 1952 until tapering off in the 1960s.

I have never had such a large group of work consecutively dated. The artist's work improves a bit over the years, but each retains this rather stark, naive singular look. One note in the reverse indicates "there is a convention on television so we can't watch our programs" leading me to guess these are an assortment of entertainers, soup opera stars and models of the 1950s.  Another note reveals workers are "removing the trees across the road." Only a few are identified by name but many could be identified.

I cannot say if the artist had training, or if the results were produced through practice. There are no duplicates.  Hundreds of 1950s women, each which reflect the times and the persistence of the artist. The overall effect of a dozen lined up is wonderful.

I will scan a few more soon. 

Six anonymous (Ms. Daisy?) Drawings of women 1957 - 1958.  Collection Jim Linderman

You might also enjoy the book Eccentric Folk Art Drawings: Obscure Drawings of the 19th and 20th century, a 250 page book of similar discoveries available from Blurb.com in softcover or an affordable ebook.  The link leads to a ten page preview and ordering information.  Thanks!

A few of the other outsider art fair posts are available HERE

Annual I'm not at the Outsider Art Fair 2017 post. Are Cartoonists Outsider Artists? Elizabeth Stohn and Fred Johnson

These drawings were done from 1918 to 1919 by Elizabeth Stohn.  Ms Stone was a child at the time, and was something of a "cross-category" artist.  Part Schoolgirl art, part naive, part trained (as she had just completed her "art school training" by correspondence school. )  Certainly not what is generally considered "outsider" art, though that term is pretty widely applied as far as I can tell.  These are folky and charming, but not really folk art either.  Outsider Art? Nah.
 
While thousands of women studied art and (like Ms. Stohn) aspired to be an artist, even naming early woman artists is hard.  They were screwed over ever since they were here in every field.  Why should art (or comics, for that matter) be the domain of men?  Plus, here is a secret…they were often better than the men and never received the credit.  They were lost and laboring as "anonymous" in quilting, needle-point, and other acceptable near domestic arts.   

Labels appropriate to Ms. Stohn could maybe include "rebel" too.  I have written about her life and how she was one of the first women to use "thought and caption" balloons.  That post sorta went mini-viral in the comic book world, being picked up by comic historians and such.  The Comics journal linked to it as well. One day I hope to scan her entire "graphic novel"  From Poverty to Luxary (sic)

I remember respected art scholar and dealer Randall Morris saying something like "Cartoonists have their own school, they aren't outsider artists" and I don't differ with him.  Still there are many standards being applied on the walls of the outsider art fair, and each show will continue the mixed blessing of being labeled as an outsider. 

"I know it when I see it" was used to describe pornography by Justin Potter when ruling in a landmark obscenity case heard by the Supreme Court in 1964. I am pretty sure he threw his hands up when he said it.  "I shall not today attempt further to define the kinds of material I understand to be embraced within that shorthand description ["hard-core pornography"], and perhaps I could never succeed in intelligibly doing so. But I know it when I see it..." he said.  We should avoid that esteemed opinion when evaluating outsider art.  

A wonderful group of  "comic books" were one of discoveries at the last Outsider Art Fair.  I'll guess he took some courses too, but it is a guess.  Dan Nadel would be the person to ask. I sure would love to see them, but as I say, I wasn't there. 

(There was another Johnson (real name Ferd or Ferdinand Johnson) working at the same time in Chicago, and he became quite well-known among other cartoonists.  Same fellow? I can't tell…I didn't go go cartoonist school! (joke)  It was certainly not the same fellow,  but neither of them were being "obsessive" about drawing.  They were just doing what comic book artists do.  That would be filling page after page with drawings.  Ask Gary Panter, a great artist who is not an outsider.  He published a massive book containing his sketchbooks.  Read the great essay on Frank, the outsider HERE by Dan Nadel.  There were other great cartoon artists (Basil Wolverton, Windsor McCay for example) and there were plenty of bizarre comic strip artists who were visionaries.  Mr. Nadel knows his stuff…See the magnificent volumes he put together on some HERE. Any library specializing in any art must have these two books.  Like the books displayed at the last outsider art fair, he reveals dozens of quirky and magnificently talented artists, be they self-taught or not.

Ponder on what an outsider artist is, and if the work you are appraising fits some arbitrary non-definition like Justice Steven's frustrated legal opinion of smut, ponder more. Everyone has their own concept. But can we agree, at least, that if one went to art school, he isn't an outsider?  Outsider Art...I know it when I see it.

Other articles in the I'm Not at the Outsider Art Fair series are HERE.  See also two books on Folk art Outsider art by the writer Jim Linderman HERE and HERE.