Jim Linderman blog about surface, wear, form and authenticity in self-taught art, outsider art, antique american folk art, antiques and photography.
Showing posts with label African American Art. Show all posts
Showing posts with label African American Art. Show all posts
Cleo Crawford. Obscure African-American painter
A great, forgotten painting by African-American artist Cleo Crawford executed in 1938. Crawford lived in Haverstraw, New York. He unfortunately passed away shortly after his work was included in a Sidney Janis show and later the book “They Taught Themselves” in 1942. It also appears in Herbert Hemphill’s “Twentieth Century American Folk Art and Artists” in 1974. The other day I saw an eBay seller offering “Giclee print on canvas” reproductions! Ugh. My guess is that this was never approved by the legitimate owner.
Cleo Crawford “Christmas” oil 28 x 40 1/2” Sidney and Harriet Janis collection, Museum of Modern Art
Black Jesus Last Supper Outsider Art collection Jim Linderman
Black Jesus Outsider Art. The Last Supper, mid 20th Century. Signed by RAY (unknown)said to be from Virginia.
Collection Jim Linderman / Dull Tool Dim Bulb
Art Brut from Detroit Michigan Sam Mackey
The little known work of Sam Mackey is shown here from several institutional collections. Mr. Macky was the grandfather of Tyree Guyton, creator of Heidelberg Project, a long standing (and constantly changing) folk art environment in Detroit. Mr. Guyton has said his grandfather was an inspriation on his own work. I am not sure how widely Sam Mackey's work has been publicly shown, if at all. Some 25 years ago I was fortunate to see of number of originals in New York courtesy of a friend who had the work sent to him for approval. Great work, and work which I believe is quite scarce. The art here is dated circa 1987 - 1992. Crayon and pencil on paper. Images of Sam Mackey work from the following sources: Knight Foundation The Wayne State University Collection For art and artists(blog) University of Michigan Museum of Art
Blanch Ackers African-American Artist from Arkansas, Michigan.
Blanch Ackers moved from Arkansas to near Detroit, Michigan in 1943. In 1985 she found employment in a Foster Grandparent program and was introduced to art by Christine Hennessay, an art teacher. She was over 70 years of age when her first drawings were produced. Essentially "memory paintings" the work reflects strongly the African-American experience in the Southern United States where she spent her childhood.
Blanch Ackers passed in 2003 at the age of 88. Ms. Ackers has a wikipedia entry, and her works are held by the University of Michigan Art Museum
Blanch Ackers. Five untitled drawings, c.1990 Collection Jim Linderman
African-American Quilt Drawings by Sarah Mary Taylor of the Delta
A pair of interesting drawings by African-American Quilter Sarah Mary Taylor of Yazoo City, Mississippi. Circa 1993. Known widely for her quilts, I suspect she may have done several hundred drawings before passing on. These are surprising for their unusual form. Most of the drawings I have seen were designs based on her standard, repeated quilt figures. Hands, human figures and animals. I've always wondered if anyone has her original templates for quilting…and if she even used them! Free-hand pieces here represent a house (with a figure inside tucked under a quilt?) and numerous irregular squares. If Ms. Taylor made a "house" quilt, it would look more like this drawing than the traditional quilter's house form or pattern. Lots of crosshatching. The floating figure on the other piece? A melon abstraction within four corners. Cosmogram?
Ms. Taylor was born near Betonia, Mississippi in 1916. A cook, a nanny and a field hand. Also from Betonia at the same time? Skip James. A blues musician of staggering talent who would have been performing around the area at the same time. Sarah would have been 14 at the peak of his depression-era career. Betonia had a population of less than 200 in 1900, and has only 500 now. Could she have missed him busking? He recorded a dozen or so sides in 1931 then went missing until musician John Fahey and others located him in the 1960s.
This is deep Delta. Betonia is right down highway 49 from Yazoo. I wish I had asked her if she remembered Skippy James. Both come from the same place, after all. The musician has the same root as the artist. Same well.
The drawings are now, as far as I know, in private hands. The one I gave my avid-quilting mother is lost.
Two drawings by Sarah Mary Taylor circa 1993 Private collection
Outsider Art African American Yard Show Sculpture Alabama c. 1990 Photographs by Jim Linderman Television in the Driveway
Outsider Art African American Yard Show Sculpture Alabama c. 1990 Photographs by Jim Linderman Television in the Driveway high atop a pole. See also the BOOK and EBOOK by Jim Linderman In-Situ: American Folk and Outsider Art in Place available HERE.
Fantasy Drawings by African-American Artist Asa "Ace" Moore collection Jim Linderman
All Original Drawings circa 1935 collection Jim Linderman
MAKE SURE TO SEE BOOKS AND EBOOKS BY JIM LINDERMAN HERE
Reverend John Ruth Bible Garden
Subscribe to:
Posts (Atom)