Comic Genius Jefferson Machamer (Book Review from the Past)

Once you see a Jefferson Machamer drawing, you can spot another all the way across the room without your glasses on. (That is if you can FIND one...I've looked over a year and only found the one here) He must have been a wonderful fellow, as he was willing to teach others his craft for $3.00 (The price of his book "Laugh and Draw with Jefferson Machamer" when it was published in 1946) I don't think he sold many, as it is fairly hard to find today, but if you are an aspiring artist or just enjoy spending some time with a book, this is a good 'un. I hadn't seen it (or owned it) before bestowing the first annual vintage sleaze "Lead in his Pencil" award to him last year, if I had I would have also added a cash prize! Since he passed away in 1960 the check would have to be posthumously deposited, but still. As you can tell, I'm a shameless fan of his work, and if my posts generate any interest in his work my work is done. He doesn't even have a Wikipedia entry! Sheesh. Just one more example why the web is only good for last weeks gaffes.

As I wrote on my first Machamer post HERE his career was considerable, lengthy, productive and even legitimate. He published work in Collier's magazine as well as hundreds in the Humorama line of gag books. One brief entry on the Fantagraphics site claims artist Gary Panter is a fan...who wouldn't be? Some collectors say his women looked like men...with the shoulders he put on them, it is a good point, but let's just call them healthy. Maybe his models "pumped-up" before posing like every Hollywood glamor boy does before going on camera.

Over 100 large sized pages and every one crammed full of tips, examples, jokes, clever asides, advice and wisdom, this book is due for reprinting. Until then, used book dealers have a few around. Find one with a dust jacket!


Laugh and Draw with Jefferson Machamer Greenberg Publisher 1946 (OP)

Original Drawing "The Date Caper" by Jefferson Machamer, circa 1955 Collection Jim Linderman

Charlie the Canco Robot Goes to Atlantic City

Canco makes an appearance at the National Canners Convention in 1950. The radio controlled giant, also known as "Prince Alloy Can" went to Atlantic City not to gamble or, despite how it looks, to "get a little." He went to advertise the housewives best friend, the tin can. No, cans are not tin. By now, you should be so used to the misnomers we've lived with all our lives, you should assume nothing is named correctly. The Tin Can is Steel. (And increasingly, Aluminum) Not only that, the early "tin" cans were sealed with Lead. In the U.K. "tin" cans are lined with Bisophenol A, which leeches into the food (and your child's head.) But he looks so LOVEABLE! Well, I guess.

While I am on the topic of misnomers...it seems they come in entire sentences as well! Next time you see that Toyota commercial which claims "we are spending a million dollars an hour to improve our technology" and "make our cars safe" what they mean to say is "we're fixing your brakes."


Charlie the Tin Can spokesrobot Original Press Photograph, 1950. Collection Jim Linderman

What does YOUR Swimming Suit Reveal? Summer 2010

It is SUMMER today. I am thrilled not only because I'm a summer boy...but that it is time to crank out new editions of my famous series "What Does Your Swimming Suit Reveal" ! (a favorite anywhere your laptop can, and will, get clogged with sand.) The first entry of the year includes not only the suit...but the entire HOUSE. A bathhouse to be specific. Anyone passing by can open the working door to reveal a postcard size image, in this case overdressed bathing beauties of 1905 being photographed by a "form fitting fan" with a camera. Some earlier "What Does Your Swimming Suit Reveal" entries are HERE...and as a BONUS I am including my favorite bathing suit snapshot of all time which proves that when real women have fun, they both perspire and sweat. HAPPY SUMMER.


Private Bath House Gag dated 1905 with inserted postcard Collection Jim Linderman

Untitled Anonymous Snapshot, circa 1950 Collection Jim Linderman

WINNERS Best Makeovers 1928 Fashion Photography, Vogue, and Plus-Sized Magazines.

In 1909, Conde Nast purchased Vogue. Some believe that was the origin of modern-day fashion photography. Conde Nast, in case you do not know, is the name of an individual, not a corporation, though it could be one now. Conde Montrose Nast was a native New Yorker born in 1873. He started his magazine work at Collier's, where he remade the struggling weekly into a profitable machine. Nast left and subsequently made Vogue the premier fashion magazine in the world, along the way also developing Vanity Fair, House & Garden and Glamour.

Others claim the origin of modern day fashion photography to the pictures Edward Steichen took of of couturier Paul Poiret's gowns in 1911 which were published in Art et Decoration.

These photographs, while as far from the work of Steichen, Horst P. Horst, Irving Penn, Louise Dahl-Wolfe and Richard Avedon as they can be, none the less illustrate in 1928 "fashion" a staple of today's magazines for women...the makeover. Maybe not glamour, and maybe not even possible to determine which was "before" and which was "after" they are none the less primitive and early examples of what has become a billion dollar plus-sized industry. Speaking of plus-sized...the September 2007 issue of Vogue, the creation of which is documented in the recent Anna Wintour documentary, was 840 pages and weighed five pounds. I question whether Vogue can sustain their plus-sized magazine through another decade. I hope so. I don't read it, but the wall full of past issues on the shelve behind the bangs bedecked dynamo in "The September Issue" sure look nice.

Best Makeovers 1928 Set of four "Before and After" Portraits Photographs mounted on cardstock. Anonymous Photographer. Dated 1928 Collection Jim Linderman

Barbara Levine and Vernacular Photography

I am occasionally asked "WHERE did you get that photo?" I'll tell this time, from project b and Barbara Levine, one of those valued and kindred souls with similar esthetics you might be lucky to find when you are engaged in any pursuit, but especially when it is a quirky and personal one such as collecting images. In a field or category with the wide, undefined spaces of vernacular photography, knowing of someone with similar appreciation is especially important. Others have grappled with the perimeter and definitions, Barbara included...I don't even know who came up with the term. But I do know there are billions of photographs and if you are lucky enough to know someone who finds the same joy of the occasional unexpected miracle among them, you are fortunate. You are even MORE fortunate if that person is willing to share them, and if you are a collector and the person is willing to sell them, all the better. Barbara is both! And more.

I knew of Barbara as an author before I knew of her as an artist, collector and facilitator of fine photographic finds. Her collections, which she also shares on her website along with the beautiful photographs for sale, will knock off your socks. Just start with "dexterity puzzles" and keep going.

I will never forget receiving a note from Barbara long ago which read "If I had a blog, it would look like yours." Now THAT was flattering. I have selected only a few of the miracles for sale on Barbara's website. Your taste is different than mine, so go select your own, and if you have never visited, I bet you'll buy one (or two). When you order, ask if you can receive her newsletter. It is essential. The current issue is HERE

Barbara Levine runs project b, a curatorial services company specializing in archives, collections, and vernacular photography sales and projects. She is the author of Finding Frida Kahlo, Around The World: The Grand Tour in Photo Albums and, Snapshot Chronicles: Inventing The American Photo Album. She was formerly deputy director at The Contemporary Jewish Museum and director of exhibitions at the San Francisco Museum of Modern Art. For more information: www.projectb.com

Untitled (Oil Gusher) Anonymous Snapshot, circa 1940? Collection Jim Linderman

Other images courtesy of project b

Folk Art Diorama Display from School RPPC

As it is time for summer vacation, let's call these "end of the year" projects. A nice display of homemade student diorama constructions proudly displayed in the classroom, each with a label I hope provides the maker's name.

Pair of Real Photo Postcards, "Horstmann" Dayton Ohio Circa 1920 Collection Jim Linderman

Jim Linderman on Artslant

I was recently named "Blogger to Watch for" by Artslant.com, the contemporary art network, an honor I do not take lightly! I have posted a handful of my more "artful" postings with them for about a year, they are listed HERE

True Crime! William Edward Hickman "The Most Horrible Crime of the 1920's" and a Lurid Literary Genre

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I read true crime books to relax. Somehow being reassured there are people in the world a million times more horrible than I is comforting. Despite lurid come-ons bellowing from every back cover, they don't "grip me with fear" they just put me to sleep at night, and that is goal enough. If I told you the number of times I've stuffed a book with the phrase "INCLUDES 16 PAGES OF SHOCKING PHOTOS" or "UPDATED WITH PRISON INTERVIEW WITH THE KILLER" into the trash after reading it, you wouldn't believe me.


The worst part of reading true crime is the raised eyebrows of the checkout clerk...but I'm not alone. The recent Casey Anderson fiasco proves public interest in the genre persists, despite appropriate criticism that only Caucasian blonds and pretty women receive public scrutiny. Even my little sister reads them, and she's normal as can be. In fact, most readers are women...a fact which I don't understand.

My favorite serious true crime book of the last few years is When Evil Came to Good Hart by Michigan writer Mardi Link. HUGE steps above the crappy instant books cluttering the checkout lane, it is a direct, straight, beautifully written and edited work of art which should earn an honored place in the Dewey decimal classification "364" in every library and on every bookshelf. A University of Michigan Press book from 2008, I've linked to it and you will thank me for the tip.


But back to those "16 pages of lurid photos."


Long ago, I posted a highly embellished press photograph of accused murderer William Edward Hickman to illustrate both the editing of newspaper photos and an early example of the "perp walk" phenom. (Now more common than the "Cake Walk" from the same era...cue the Ragtime music) I took my information from the reverse of the photo...no big deal, just another warped creep with confused and deadly hormones. But when an anonymous writer asked if I had any more photos, which I do, I took the time to look the loser up.


Hickman's crime has been called "the most horrible crime of the 1920's" and I need not describe it here. Shocking and disgusting it was, but when your sleeping pill is a book about a mob hit-man who killed over 100, including some left near the beautiful Delaware Gap as rat food, it hardly stands out. The Wiki article, which is extensive, goes on to tell the story of another major creep, Ayn Rand, who planned a book on this little weasel to be titled "The Little Street" the notes for which were later published in her journals. She isn't the only major writer to find inspiration in pathetic murderers. (Truman? Norman?)


This could be a longer essay than it is, but I am all about photos and art, not crime and punishment. To the anonymous writer who asked "if I had any more..." here ya go!


Group of Original Press Photographs of William Edward Hickman, all dated 1928 Collection Jim Linderman

Postcards Made from DEER Banned by the Post Office

Today's post introduces a good website and also recovers the somewhat disturbing era of postcards made out of DEER HIDE. In the postcard trade, they are now known as "leather" postcards in deference to Bambi. These are not particularly "good" leather postcards, just disturbing. As with everything, I'm drawn to the most curious and somewhat pathetic examples. There ARE some spectacular pieces around and they seem to be one of the more active areas of postcardology. Remember that woodburning kit you father finally trusted you with back in 6th Grade? These are sorta like that. Primarily desired not for their artistic skills, but for their scarcity. They were made for only about five years, from 1900-1905 or so, as the Post Office banned them (!) A shame, as the cards, or rather little squares of deerskin (let's be honest) had pre-punched holes so you could use them in craft projects. See above, a splendid example of a make-do satchel or pillow made from a small herd of them. Ingenious. It looks like a Native American bag, with the sinew-like lacing and fringe...I guess it could be. Plenty of tribes were still active in 1900, and they were certainly familiar with animal skin. Maybe they made a few.

Anyway, I learned about my leather "cards" from Postcardcollector.org which is a fun and worthy site. They encourage folks to show off, so the site is full of goofy examples, and their seems to be a good dialog going on. I just joined. I suggest you all do too. HERE

Leather handmade postcard bag, circa 1910 From Postcardcollector.org

Group of Primitive Leather Postcards, circa 1905 Collection Jim Linderman

Art Blog Influences Art. Cafe Selavy Photography and Dull Tool Dim Bulb Jim Linderman

I consider blogging a legitimate art form. I consider one who blogs an artist if they intend to create art using blog technology as a medium. I do, anyway. One of the most flattering events in an artists life has to be knowing you have influenced other artists. Last year I corresponded briefly with an accomplished, thoughtful, anonymous photographer who was dealing with artistic issues, motivations, and influence. We traded a few mails and went our own ways.

So googling myself up recently (yep...I proudly admit to seeing if I'm still alive once in a while) I came across a post I play a role in...by that very same artist who reached out 6 months ago, and dang if the work hasn't progressed with a small bit of my taste at the end of the fork!


Original Post from Cafe Selavy November 2009



"In researching old carnivals and circuses, I ran across several bizarre and useful sites. Way led to way and I found that many of them originated with one man, Jim Linderman. I immediately wrote to my friend:

I found this guy on the internet. I've written to him to ask if I can put up some of his collection. It is wrong, so wrong, and so much of what I want to do in my work.

http://cameraclubgirls.blogspot.com/

http://dulltooldimbulb.blogspot.com/

http://jimlinderman.blogspot.com/

http://frankwendt.blogspot.com/

My friend is. . . well, I don't want to give too much away, but he is a creative fellow and a scholar and has thought as much or more about this as/than you or I. He wrote back that art is a "vile and violent business," and that much of what artists do is "horribly horribly wrong." I guess he's right. Art, I mean, has always been an accepted way to talk about the taboos of a culture. It allows us to express the intersections of our world view where our grasp of things do not fit together neatly, where the language of our culture leaves us no other way to express this chiasma. Art is one way of talking about a culture's dirty little secrets.

Whatever that means. "Art" is now that thing in the chasm, a cultural embarrassment.

But Jim Linderman's collection is worth looking at, I think. You'll want to do it alone with the doors closed, maybe. If your mother walks in while you have one of his sites up, she will know immediately by your posture and the look on your face that you are doing something you don't want her to know about. You will protest, of course.

"What? Why are you looking at me that way? I wasn't doing anything!"

I'm having a bit of trouble with Blogger right now, and I'm not in the mood to fight it. I will post more about Linderman's collection tomorrow. Or look at the sites and send me your thoughts and I will make a post out of them. Ciao."
Cafe Selavy November 2009

I won't name the artist, as his work is anonymous...and i'll respect his privacy. If he contacts me, I will ask him if he wants his name shown, or if I should forward any comments. I will share his post on me though. There is good photography on both his sites, they follow.

Cafe Selavy HERE
A Few Days One Summer HERE
Original post on yours truly HERE

Millard Hopper World Unrestricted Checkers Champion!

William Hopper, undisputed (excuse me..."Unrestricted" ) checkers champion. Born 1897 and learning the game in Greenwich Village (where checkers still rules the streets in certain neighborhoods) He had a good, if unusual mentor...famed baseball pitcher Christy Mathewson of the New York Giants Baseball team, himself a top-of the line checker player, shared his moves with William and a champ was created.. There were more sopisticated checker stylists, but Hopper practiced the GAYP technique (Go As You Please) rather than the methods which require one to play several moves ahead.

So Good was Hopper, he taught Checkers on RADIO for a brief time in the 1930s. While demonstrating his chops at the 1939 World's Fair, Hopper took on 5,000 challengers and only lost three times. Hopper also ran a booth at Coney Island, I imagine it was a "beat the champ" game he never lost.

But with the war, the game of checkers took on new meaning and Hopper jumped to new responsibilities. The Troops. He was recruited by the Salvation Army U.S.O to teach his skills to the boys. Our heroes were facing long hours in foxholes, bunkers and tents... and the game they had played at home was perfect to bring soldiers together and pass the boredom. It is said Hopper entertained over 1 million serviceman and traveled 150,000 miles. In fact, Millard was profiled in Life Magazine, November 16, 1942 teaching the game to marines bound for war. And you know what? Dear Millard kept on...the photo above has him still sharing his skills to a group of wounded vets four years AFTER the war ended. THAT is the sign of a true King. Crown him!

Greatest Fights of the Century! (Ape Sees Stars)

APE SAGS UNDER THE BLOW, AND DICK KNOCKS HIM OUT WITH A RIGHT TO THE BUTTON

Nascar Hillbilly History and Branded Razor Logo Logic

Before Nascar and their abundance of logos, automobile racers were hillbilly moonshiners who had to outrun the law. They were so good at it, a billion dollar sport was born. I recently saw a Gillette commercial full of supposedly recognizable drivers, but as I'm not a fan or follower, I'm afraid none were familiar to me. I also use the generic house brand of razor. I might not know the drivers, but I do know the logos on their tunics do not come cheap, and the cost is passed along to the consumer faster than a turbo-charged machine. Check out the bearded dude shading his eyes to see the crash...the cars are going so fast, they've already left his line of vision.

Original Auto Race photograph, Anonymous. Circa 1965? Collection Jim Linderman

Antique Plywood Jigsaw Folk Art When Modern Design ain't Modern Anymore

In one of the first posts here, way back in 2008, I pointed out that plywood is now officially an antique, thus making those beautiful early Eames chairs for Herman Miller no longer "modern" but "old" and they can be moved from the cool wing to the brown wing in decorative arts museums. Don't get me wrong...there are few things more beautiful than a molded antique piece of plywood made by Herman Miller. But "modern" is finally a misnomer. I am really sorry nothing as "modern" has come along since.

Shown here is a wall-sized plywood nick-nack holder from hell. There seems to be about twelve feet of shelf space. A jigsaw jungle of overdone, obsessive eccentricity. The apple in picture two is a big one, so you get an idea. I picked it up (with help) in an antique mall. I have NO idea what the maker was doing, but I believe either junior or the wife had to help slide the sheet of wood around as he cut it out.

I recently found a really nice type of plywood. It is a composite, but rather than crushed particles, the wood is half an inch thick and each piece molded together is about ten inches long. It even has tiny machine cut dovetails cut into it so the wood fits together for added strength. I turned it into a desk-top, unfinished...and it looks really modern.

The monster umbrella girls go in the basement, where they will await the next garage sale. I'll price them really high, but will negotiate.

Cut-out Folk Art Obsessive Victorian Decorative Plywood Shelve with Umbrella Women, circa 1920 Collection Jim Linderman

Arthur S. Mole Living Pictures and CBS Sunday Morning

Last week CBS Sunday Morning ran a nice profile of Arthur S. Mole, the genius of "living" photography. As I watched, I hoped the profile would mention connections with contemporary artist Spencer Tunick (not only because I enjoy looking at squirming masses of nude flesh) but because I thought it a natural enough comparison to make way back last October, my original post follows. (I was also disappointed not to see my primitive version of the living flag, composed of an unruly group of schoolchildren displaying a considerable lack of discipline and attention) Frank Maresca was interviewed, the Ricco Marecsa gallery has started a very nice online magazine titled Fluence you should check out. My Mole Photo is the Living Flag above, and it is way too big to fit on the scanner, so the full scale might not be apparent, the CBS Sunday Morning slideshow has more. Mole's photographs were also made into Real Photo Postcards...there is one in a bin down the road from me. Many original photographs were used as fundraisers for the Navy Relief Society located in Great Lakes, Illinois.


Original Silver Gelatin Print by Arthur S. Mole "The Living Flag" 1917 Collection Jim Linderman


Following is my original post of October 2009

Spencer Tunick, Arthur Mole and the Living Flag

The earliest "living flag" reference I find is a group of Los Angeles schoolgirls in the 1890's. A considerable number of them are recorded in that decade so there must be earlier examples. This one is certainly from that period, it is a primitive and ragtag posing but quite charming nonetheless. I am sure the "conductor" had greater expectations when he told the children what to wear then next day. Perhaps the origin of the living flag photograph is to be found in parades after the Civil War?

Arthur Mole had it easier...his participants were used to not squirming like schoolchildren, they being all well-trained soldiers. Several of his staggering works are shown here, they are available at the Library of Congress website.

The funniest living flag is certainly the one in Lake Wobegon, which keeps breaking up as the participants with red, white and blue baseball caps leave to climb to the third story buildings on Main Street and look down. Garrison Keillor has said his living flag was based on a 1917 photograph of several thousand army trainees arranged on a football field to form the Liberty Bell, this was certainly the photo produced by Arthur Mole shown here.

Spencer Tunick, of course, does not ask his participants to wear baseball caps or anything else. To date, the largest Spencer Tunick piece has been 18,000 folks in Mexico City. He is no Arthur Mole, and the idea is getting a bit tired by now anyway.

There was a living flag made in Portugal to celebrate the country's soccer team making the finals in the World Cup, it was comprised of 18,788 women dressed in red, green and black. That one I'd like to have seen, but not as much as a Mole.

"Living Flag" photograph Anonymous c. 1880 Collection Jim Linderman

Amlab is Coming to YOUR Town Dummy! (with Woody Deforest?) Vent Figures

Amlab (if I'm reading the gothic script correctly) may be coming to your town, but as his route card is empty, I wouldn't wait up. He has some nice friends though...clearly wooden and handmade, none of that paper-mache crap which passes for dummies these days. I suppose there are even a few made out of medical quality artificial skin in the works somewhere. It is unfortunate his friends are unnamed here...one of the best things about vent figures, like mobsters and rappers, is their names. Just a few famous dummy names? Jacko ( later stolen by the New York Post to refer to a contemporary musician) Knucklhead Smiff, Shorty Jones, Woody Deforest, Hanley Head, Joe Flip, Farfel, Charlie McCarthy, Cecil and I am sure hundreds of "junior" "little" and "tiny" somebodies. Other than a good name for your foil, the other skills required are talking out of the side of your mouth, misdirection, drinking water and NOT checking your luggage. Keep Knucklhead right with you...he's your best friend. "Sir...are you checking your bag?" "What? Woody Deforest!"


Amlab Route List, circa 1900 Collection Jim Linderman

Ministers in the Nude (!) Bait and Switch for the Lord

Click to Enlarge the Truth

I am sure Reverend Turvey's message was valuable and sincere...but I certainly question his questionable tactic of promising to run a film showing "daring pictures of ministers in the nude performing a wedding ceremony." Even I would have gone to see that. A post today also on my old-time-religion blog

Newspaper ad for Evangelist A. J. Turvey, circa 1920 Collection Jim Linderman

First and Oldest Scottville Clown Band Photograph?

A little help out there Michiganders and Michiganians? Found in Midland, Michigan, an 8 x 10 photograph of what I believe is one of the earliest, if not THE earliest photograph of the Scottville Clown Band. WHAT? You don't know about the Scottville Clown Band? The clown band was formed in 1903. I believe the photo shows a 48 star flag, which was first flown in 1912. Midland is just over 100 miles from Scottville, which is just about how far I would expect a 100 year old photograph to travel. On the other hand, there is a moose. I do not know if the big fellas were found this far south in the state. Somewhere in between here and there, someone dropped their ink pen on the trombone player. Do any of you modern day clowns recognize Gramps?

Following cribbed from Wikipedia:

Scottville is the home of the Scottville Clown Band which performs at over 60 parades and concerts each year all throughout Michigan.

The Scottville Clown Band's roots date back to 1903 when a group of local merchants dressed in costume and performed for local festivals. At that time, the group dressed as hillbillies. In the 1920s, the group became known as the Scottville Lady's Band and the (male) members dressed in drag. This group lasted until the outbreak of World War II, when many of the band's key members joined the service.

In 1947, Ray Schulte, owner of Scottville men's clothing store Schulte & Thompson, re-formed the band as the Scottville Clown Band. They made their debut at the 1947 Scottville Harvest Festival. They also played for the Ludington Fourth of July parade in 1948.

Word spread about the band and it soon was performing outside the Scottville-Ludington areas, including the Grand Haven Coast Guard Festival. The band has played every Coast Guard Festival parade since 1950.

Today, the Scottville Clown Band is a non-profit corporation with over 300 members. It performs over 60 times a year for parades, concerts, entertainment tents and private celebrations. Profits from performances and merchandise sales help maintain the band's extensive music collection and its coach. The band also maintains the Raymond Schulte Memorial Scholarship Program, which provides thousands of dollars a year to children going to music camps.

Original photograph, circa 1912+? Collection Jim Linderman