I'm Not at the Outsider Art Fair Paris 2019 Edition post Anonymous Drawings of Startled 1950s Women

A surprising group of drawings by an anonymous west coast shut-in at this point known only as Ms. Daisy.  Each is 9" x 12" and there are hundreds. Each drawing has the date created on the reverse and most have a weather report!  (Cloudy today, sunny and hot, smog, etc…)  She lived into her 90s, and while institutionalized drew one every few days from 1952 until tapering off in the 1960s.

I have never had such a large group of work consecutively dated. The artist's work improves a bit over the years, but each retains this rather stark, naive singular look. One note in the reverse indicates "there is a convention on television so we can't watch our programs" leading me to guess these are an assortment of entertainers, soup opera stars and models of the 1950s.  Another note reveals workers are "removing the trees across the road." Only a few are identified by name but many could be identified.

I cannot say if the artist had training, or if the results were produced through practice. There are no duplicates.  Hundreds of 1950s women, each which reflect the times and the persistence of the artist. The overall effect of a dozen lined up is wonderful.

I will scan a few more soon. 

Six anonymous (Ms. Daisy?) Drawings of women 1957 - 1958.  Collection Jim Linderman

You might also enjoy the book Eccentric Folk Art Drawings: Obscure Drawings of the 19th and 20th century, a 250 page book of similar discoveries available from Blurb.com in softcover or an affordable ebook.  The link leads to a ten page preview and ordering information.  Thanks!

A few of the other outsider art fair posts are available HERE

W. C. Rice Cross Environment Outsider Art Environment photograph by Jim Linderman

W. C. Rice Cross Environment Outsider Art Environment photograph by Jim Linderman 

See also the book American Folk Art in Place In Situ available as paperback or instant pdf download.

Wonder House by Conrad Schuck is For Sale in Florida Vernacular Architecture Outsider Art Folk Art Environment

Would anyone like to purchase a WONDER HOUSE?  Conrad Schuck's Wonder House in Florida is available, and you can get "outsider" art at an "insider" price!  Real Estate Listing is HERE.   Dull Tool Dim Bulb Previous Post on the Wonder House is HERE

The Eccentric, Eerie, Erotic Outsider Art of D.H.

Often the artistic quality of an artist means less than the story. This is an example, though I find the paintings, of which there are hundreds and hundreds, charming and accomplished in a perverted way. Yes, they are severely cropped here. I've learned my blog provider has a different idea of appropriate than I do, so all I'm showing is the heads (when I can isolate them among the morass of limbs, hands and other body parts, most rendered WAY out of proportion) Trust they are, well...creative. All are unsigned. The best have a chalky white quality which looks like shoe polish, but I am afraid you won't be able to tell from these details.

D.H. produced huge stacks of these watercolors in his summer cottage. I suppose the family thought he was fishing, but when he passed away well into his 90's they were found hidden among a big box of Life magazines in the attic. An old story for fans of outsider art, but it never gets tired for me. A fevered brow, a driven eccentricity and a paintbrush gets me every time. Something about a family happening upon a huge body of unknown work is fascinating...and when it reveals Great-Gramp's secret obsession, all the better. Some of the work was destroyed. I don't want to know why. At the least, he had a delicate and consistent vision, you can tell his work from across the room...and all are marked with a playful, well-rendered eroticism. In some the participants are sprawled over poorly drawn modern furniture. They aren't primitive, but he certainly followed the adage most primitives do, that is that the most important part of a painting is made the largest. I am hiding the artist's name as that's the way the family wants it.

They seem to have been done in the early 1970's for the most part...but one of mine has a hand written tally sheet on the reverse tracking the results of the Mondale election. Fritz lost. All and every manner of partnering up you can imagine is there. The artist made no distinction between gender in the least, and if there is a personal preference, I sure can't find it.

So there you go. Another tale of a reclusive artist, painting for his own pleasure and piling up the work without a single sale or concern that it will. My kind of art. I did do a little research...the last line of his obit reads "he loved to carve and draw."

Group of watercolors by "D.H." c. 1970. Collection Jim Linderman

Intuit Benefit Slotin Auction and Folk Art Maker Identified!

Watch me cram a ton of information into one post, both visual and textual! Some of you know I collect real photo postcards of folk artists at work or showing their wares, and in fact recently published a book with over a hundred illustrated. IN-SITU: American Folk Art in Place by Jim Linderman. Well, here is a splendid example of "Hand Scroll Work" by one W. H. Roach from Gretna, Virginia. I show it now for several reasons. One, the giant Fretwork prayer he carved, seen here on his right, is up for auction at the Slotin Folk Art Auction in Atlanta on May 1-2. I love Steve Slotin and his family, and am pleased to give them this little plug, as well as share the image. The actual piece is lot number 662, and a splendid item it is, especially now that I have identified the goofy maker for you all! I hope the winning bidder finds this post one day.

Secondly, I would like to point out many of the lots in the auction are incredible pieces donated by wonderful folks to benefit INTUIT, the Center for Intuitive and Outsider Art in Chicago. With an active membership and great programs, the organization deserves your support. They deserve mine too, but I'm lazy, shy and broke so this post will have to suffice. Secondly, There are also many items up for auction to benefit a scholarship in the name of the late Clay Morrison, a folk art collector and founding member of Intuit at the School of the Art Institute of Chicago. Both worthy causes! Slotin Auctions are fun, friendly, fast and furious...at least for the first 6 or 8 hours...and there is online bidding as well.

Outsider Art Fair 2017 Bonus Post Alabama Early 1990's

Outsider Art Fair 2017 Bonus Post Vernon, Alabama Early 1990's  
Photographs by Jim Linderman

Free preview and purchas the book IN SITU: American Folk Art in Place by the author HERE

Caroline Goe Missing NYC Street Artist and Outsider Art collection Jim Linderman

There are plenty of mysteries and coincidences in the world of Outsider Art. I can add these four pieces to the mystery of lost New York City street artist Carolyn Goe. I've owned the group above TWICE in the last thirty years! I sold them in a batch of things before I moved out of Manhattan in 2008 and hadn't thought of her since. When I saw them turn up recently on an online auction site (without the artist's name) I added them right back into my collection. How they got to Maine I have no idea. I also had absolutely no knowledge of the Caroline Goe at White Columns in 2019 until browsing it up a week ago. I wish I could contribute more to fill in the missing blanks. Cori Hutchinson wrote a lovely, particularly thoughtful review of the White Columns Goe Show HERE in White Hot Magazine. It is a very good read. One thing I do know about Ms. Goe is that somewhere along the line I was told the artist's name was Carolyn GOES. As in "she comes and goes…?" Although I personally knew both Barry Cohen, who collected and promoted her work, and the folks at the Artisans antique shop who had work of for sale at one time, I don't think my set came either sources. Could be wrong, as it's a world away to me now. In the 25 years I lived in Manhattan, I did purchase from (and personally befriend) lots of street artists (including the now better known "outsiders" Bertha Halozan, and Ionel Talapazan. I "discovered" Haitian artist Max Romain's work in a public library show and first tracked him down through his librarian friend. There were many more. More than these three became friends of mine as well, which is why I am sure my Goe pieces didn't originally come directly from her. If they had, I would know plenty more about her than folks seem to know now. I can not remember ever seeing Carolyn Goe. I can't claim these are among her best. Lynne Tillman has the best. The show was drawn from her collection. One indication of her possible disappearance could be that one of my pieces features a nurse, which could now foretell an uncertain future for the artist. Most street artists have a rough life. Even Art Forum got aboard and featured the show HERE illustrating a woman in a kimono from the exhibition. Caroline Goe Four untitled mixed media works on canvas scrap circa 1970 - 1980 Collection Jim Linderman

Liz Renay Bizarre Outsider Artist and Mob Gun Moll

Any artist admired by John Waters is at the very least interesting, he being an informed, if unconventional collector.  This HAS to be especially true if the painter happens to be a former gun moll, showgirl and self-admitted lover of 2,000 men. Her autobiography was titled My First 2,000 Men and while I haven't read it, I believe her. She had two week long marriage at age 15. It set the pattern, but she survived.

Ms. Renay lived a rich life.  She knew and consorted with Mobster Mickey Cohen, and she loved him, I guess.  At least, she loved him enough to help him launder some money which came up during the investigation of the murder of mobster Albert Anastasia.  That is not a small time gangster. That is a gangster when they were bigger than General Motors.  Anastasia was said to have been done in by Crazy Joe Gallo.
 
Liz passed away on January 22, 2007.
One of the best ways to remember Pearl Elizabeth Dobbins, her real name, would be to appreciate the fabulously goofy outsider art paintings she created. There aren't enough paintings by showgirls.
 
Unlike most self-taught naives, Liz eventually went from obscure to big time, finally achieving a major show at adventurous and prestigious art gallery Deitch Projects in New York.  Art snobs like to say an artist's background doesn't have anything to do with their artistic esthetics, painterly qualities and such, but I think Deitch knew a good story when he saw one.

The magnificent exhibition of paintings was put together by the Burlesque Hall of Fame and Deitch. Not only are they huge in scale and scope, they are bizarre and that's great.  That whole "Low-Brow" art movement owes her a debt. The installation was a few years ago, but let's help it keep making some news. It is said she painted 150 works.

View the show HERE, which was installed with numerous objects from her career.  Her work, which sold for a few grand in the 1960s is holding firm...see one for sale at 15 grand HERE

Deitch Projects is HERE. Burlesque Hall of Fame is HERE, and the images are theirs.  A nice slide show also appears HERE on artnet.
My First 2,000 Men is HERE.   

Harry Bentz Cowboy Artist / Western Folk Artist

 Among outsider art enthusiasts, The phrase "real deal" comes up often. Those who have become familiar with the material know what it means.  It could be a certain look to the work. It can also be as much the artist's motivation as skill. Harry Bentz is what once would have been called the work of a Sunday painter or a folk artist.  An amateur. Maybe he was an American primitive.  Maybe not.    

Actually the most accurate label would be Cowboy Artist. Mr. Harry Bentz was the real deal when it came to roping, riding and even mining. A real cowboy who made art. Untrained, but highly motivated to learn and create. 

There are a few brief biographies. My guess is that Bentz found himself some time and started using it to make art. In the 1960s he painted what could be some 200 works. Along the way, he learned that through some primitive xerox (ayup) and a goofy photo stat process of some sort (ayup) he could make editions!  Of a sort. The cowboy took advantage of modern technology available to the common man.  Again speculating, I believe the artist wanted something to sell in a rack alongside his paintings at events.  How many of these could range into the hundreds.

As with many primitive painters, he used found material to paint on. Some were uneven, large boards.  Many of the sketches are on the reverse of used paper from the Bureau of Mines.   

Apparently Bentz was working on a book.  Among his papers are handwritten captions for "Sketches of the West" which would have been 60 pages.

The drawings would not have been shown art fairs, but at western events. In some ways, as far outside of the contemporary art world as one can be.  He fished, hunted, broke horses, played the guitar and took out pack teams as a hunting guide. In 1951 he became a member of the Rodeo Cowboys Association. He began serious painting while working on a ranch near Kennewick, Washington. Reflected in his work is the life he lived.
 
All paintings and drawings collection Jim Linderman.  





   

Read Jim Linderman Interview from Collector's Weekly on Folk Art, Photography and More

Homespun Beauty: Jim Linderman on Folk Art’s Authentic Appeal

CLICK for FULL TEXT HERE

By Maribeth Keane and Bonnie Monte

For collector, blogger, and author Jim Linderman, beauty is all about the imperfections, which is why he’s so attracted to folk art. In this wide-ranging interview, Linderman talks about his favorite folk-art pieces he’s collected over the years, explains why he just can’t stand the phrase “outsider art,” and reveals what drew him to vintage photographs of circus freaks and glamour girls. Linderman can be reached via Dull Tool Dim Bulb.

The Bizarre Erotic Outsider Art of B. E. RIDDICK

Examples of the outsider art by African-American Outsider Artist B. E. Riddick, who drew on flattened shopping bags and other paper circa 1970

Outsider Art Fair Post In Absentee Asa Moore Drawings

Because it is Outsider Art  Fair weekend, and I would be there except I moved...It is a nice day to show a few pieces by Asa Moore, circa 1935.  He qualifies.  Click to Enlarge.

Three works on pencil by Asa Moore, circa 1935 Collection Jim Linderman