Jim Linderman blog about surface, wear, form and authenticity in self-taught art, outsider art, antique american folk art, antiques and photography.
Outsider Art. Famous British Women by Basil Merrett
Basil Merrett was institutionalized at Bethlem Royal Hospital in London as a psychiatric patient. These drawings, each approximately 4" x 6" were done circa 1945-1950. The artist created some 1,000 works of this size,each heavily filled with handwritten text on the reverse. The work was created in numbered series and included authors, musicians, religious images and prominent figures from history.
Basil Merrett Drawings c. 1940 Collection Jim Linderman
Original Bibleland in Florida. Real Photo Postcard images of a Folk Art Environment
I seem to collect plywood Jesus images. These come from the original BIBLELAND, a somewhat charming theme park / folk art environment erected by Foy Morse (?) which used to be operated near Orlando in Kissimmee, Florida. Please note these postcards do NOT come from the huge bible land once owned by Trinity Broadcasting Co. and also built in near Orlando. That one was a 16 million dollar debacle with a FIFTY DOLLAR admission price and a massive failure even after former Governor Jeb Bush granted them tax-free status. Florida used to be cute and funny…now it’s just an embarrassment. The sordid story is well reported, so browse one up. I don’t want to link to them. Meanwhile there is virtually nothing written about the original. However, it appears the original one had a “free-will” admission policy.
Real Photo Postcards collection Jim Linderman
#folkartenvironment. #dulltooldimbulb #rppc
Bored with Geometry May 12, 1930 Hand Drawn Handkerchief by a Schoolboy and Friends
Bored with Geometry May 12, 1930 Hand Drawn Handkerchief by a Schoolboy and Friends.
A collobrative effort passed along to classmates.
Collection Jim Linderman
Folk Art Ventriloquist Figures
Chatterboxes! Pair of Antique Folk Art Vent Figures early 20th century.
Collection Jim Linderman / Dull Tool Dim Bulb
Scholar Tyler Sonnichsen finds out if Harlowe's Wooden Man still exists
Scholar Tyler Sonnichsen finds out if Harlowe's Wooden Man still exists! Read his account at the link: https://sonicgeography.com/2021/12/03/ben-irving-visits-marquette-michigan-august-1941/
Tuck's Paintbox Postcards with watercolors included. Encouraging Juvenile artists from Great Britain in the early 19th Century.
One of the earliest and most successful commercial products created to encourage juvenile artists was the Tuck series of paintbox books. The company printed dozens of books with pre-printed images to be painted “within the lines” but the best were those which were enhanced with additional contributions by the artists. The books came with watercolor paint included! Far more personal than a standard card. The examples here, dating from 1905 to 1915 or so, come from the “Tuck’s Postcard Paintbox” series standard card. Hand-painted and mailed! Interestingly, the company also published the “psychedelic” cats of artist Lois Wain in his less trippy days…he was in their stable.
Three hand-painted postcards from the Tuck Paintbox series Collection Jim Linderman Dull Tool Dim Bulb
Where did Noah's ark land? Programmatic Architecture Original postcard c. 1950 Collection Jim Linderman
If you have ever wondered where Noah’s Ark landed, here it is! North of Leucadia, CA at the Batiquitos lagoon! Note the pair of Giraffes poking their heads out of the roof. George Herbert build the boat in 1946 and it served patrons until around the 1960s. This appears to be a scarce postcard, the only other I find is an illustration. There must be considerable interest in the place, as someone is selling modern copies of the original menu. Deserts seem of most interest. They served up a Camel Banana special, a Brown Bear special, a Giraffe special and a Black Panther hot fudge sundae.
Noah’s Ark Restaurant c. 1950 postcard collection Jim Linderman / Dull Tool Dim Bulb
Vintage Drawings of Railroad Characters collection Jim Linderman
A group of four humorous drawings by one Ike Harrison depicting railroad workers and (of course) a raillway cop. Dated 1951.
Collection Jim Linderman / Dull Tool Dim Bulb
Folk Art Pole full of Cowboy Culture.
Early snapshot of an unusual pole full of cowboy carvings! Unknown location
Collection Jim Linderman
Antique Folk Art Sculpture. Uncle Sam in North Dakota 1926
Antique folk art Uncle Sam waits for mail. Original anonymous snapshot 1926 Collection Jim Linderman
Cleo Crawford. Obscure African-American painter
A great, forgotten painting by African-American artist Cleo Crawford executed in 1938. Crawford lived in Haverstraw, New York. He unfortunately passed away shortly after his work was included in a Sidney Janis show and later the book “They Taught Themselves” in 1942. It also appears in Herbert Hemphill’s “Twentieth Century American Folk Art and Artists” in 1974. The other day I saw an eBay seller offering “Giclee print on canvas” reproductions! Ugh. My guess is that this was never approved by the legitimate owner.
Cleo Crawford “Christmas” oil 28 x 40 1/2” Sidney and Harriet Janis collection, Museum of Modern Art
Burl Wood "Sculptures" from the Stump House Folk Art Environment RPPC
Two of my favorite Real Photo Postcards. From the defunct "Stump House" environment which burned up sometime around the early 1960s. Information about the place is sketchy. These big chunks of burl wood were turned into wonderful visual tricks.
Check out the wood grain on the fence!
Pair of Real Photo Postcards circa 1940? Collection Jim Linderman / Dull Tool Dim Bulb
Antique Folk Art Vent / doll / puppet hand-carved. Early 20th century. Collection Jim Linderman Dull Tool Dim Bulb
Antique Folk Art Vent / doll / puppet hand-carved. Mouth moves with primitive crank mechanism. Feedback cloth remnants. Early 20th century. Collection Jim Linderman Dull Tool Dim Bulb
In EXCESS deo! Christmas stamp collection from some spoiled / lucky kid c. 1950 Collection Dull Tool Dim Bulb the Blog
In EXCESS deo!
Christmas stamp collection from some spoiled / lucky kid
c. 1950 Collection Dull Tool Dim Bulb the Blog
Whimsical Folk Art Crank Toy / Clacker.
Little fellows only 2.5 inches tall on a handmade folk art crank toy. Inscribed and dated 1937.
Collection Jim Linderman / Dull Tool Dim Bulb
Antique American Folk Art Drawings by Mantie Throckmorton c.1925 in a homemade portfolio
A homemade portfolio with numerous pages of drawings by Mantie Throckmorton.
Antique American Folk Art Drawings c. 1925 Collection Jim Linderman
Electric Snake Scarecrow
Those high-tech scientists at General Electric have solved many problems, but this “Electric Snake” scarecrow wasn’t one of them. Let’s read the press release from 1951:
ELECTRIC SNAKE “SHOCKS” ROBINS
An “electric snake” keeps marauding robins out of a GE engineer’s garden here. Simple but effective, the “snake” itself consists of two basic parts: a 12 foot light bamboo fishpole and a thin heart-shaped piece of aluminum about 10 inches in diameter. The pole is striped with alternating bands of green and red paint. The head is white with glaring black eyes. What scares the birds away is the fact that the “snake” moves.
A clock motor connected to the pole at its balance point keeps it turning continuously. Squirrels, who like strawberries, are unimpressed by the contraption, according to Halsey W. Kline who built the “snake.”
Original General Electric News Bureau promotional photograph, September 6 1951.
Collection Jim Linderman / Dull Tool Dim Bulb
Antique Dancing Man 19th century Folk Art Handmade and Homemade Comic Character
Antique Dancing Man 19th century Folk Art Handmade and Homemade Comic Character. In amazing condition after having been stored in an envelope since 1906. It was mailed from Arlington, Kansas. He "leeched" a bit and left a shadow on the envelope paper. Less than six inches tall and fully functioning.
Handmade paper dancing newspaper cartoon figure 1906. Collection Jim Linderman
Hudson Marquez Artist and Art
Hudson Marquez Artist and Art (Originally posted on the original Vintage Sleaze Blog by Jim Linderman 2013)
I believe Hudson Marquez is the first participant in the Vintage Sleaze Contemporary series to have been voted into the Broadcasting Hall of Fame, but I first knew of his work without even knowing it…through familiarity with the Cadillac Ranch and the work of the Ant Farm Collective. Cadillac Ranch is off the scale as far as environmental art goes…one of the most famous art installations in history, and one which makes the late windbag Christo seem as profound as Leroy Neiman. There are plenty of contemporary artists making large scale environmental sculpture and installations, but the Cadillac Ranch is the effing mother tailfin of them all.
Which is why we are thrilled not only to have Mr. Marquez as a fan of Vintage Sleaze, but now a willing participant in the series. As is the case of most notables, Hudson is modest and self-effacing. Following is his entire autobiography, dutifully pecked into his cellphone especially for us on request.
"Hudson Marquez Was born in New Orleans Louisiana. He got out as soon as possible. His travels finally led him to San Francisco where he helped found the Ant Farm, and arts collective that was very active in the late 60s early 70s. He became addicted to video and in 1972 Started the video group TVTV. This group of small format video pioneers had a great run, Producing a number of award winning documentaries for PBS. In 74 he created the Cadillac Ranch sculpture in Amarillo, Texas. Now living in Los Angeles, ex- pornographer Marquez splits his time between writing and painting pictures of cars and girls."
Well, with all respect, we can do better than that.
Marquez has been a provocateur his entire life. A story teller as much as a person who lived to tell the tales… and considerable tales there are. Like being with Led Zeppelin tales. Like meeting Charlie Manson tales. Like Canned Heat (look them up. listen and learn kids) tales and, well…pussy tails. Hudson likes women and it shows. He also once said all women should drive in high heels, a quote not only tailor made for this site, but one which could be pondered and debated in many circles.
Anyone who makes it through the decades as active, as political, as involved and as talented as Mr. Marquez deserves kudos. That he has survived it with a glorious sense of humor and irony is admirable. Trust it was not easy for smart people to live through the 1960s and 1970s. Hudson is cracker-smack smart and he survived it.
A mere dip into the world of Hudson Marquez is to have the major cultural high and low points of several decades circle you like a tornado.
Mr. Marquez has work showing now at the La Luz de Jesus gallery in Los Angeles.
Hudson's work is Acrylic and Ink on canvas now. Big ones. With big roots from New Orleans. Hudson is one of the few folks around who can put Professor Longhair across the table from Jayne Mansfield and make it work. Hudson knows without Ike Turner, Tina would still be Anna Mae Bullock from Nutbush, Tennessee and if he were looking over my shoulder as I write, I would proudly tell him I saw Ike and Tina from the first row in a gymnasium in 1971 blowing smoke right up the Ikettes skirts the entire show. In fact, I love Hudson so much, I am putting a teeny cribbed photo of my vantage just for him. It has absolutely nothing to do with the post here OR Hudson, but I think he'll like it.
Although above, Hudson says he was glad to get out of New Orleans, it stayed with him. There is nothing more valuable for a contemporary artist to have in his blood than some New Orleans, and the ghosts of the city meet an amazing crew of icons in his paintings.
A fabulous, essential, hilarious interview with Hudson Marquez is HERE
Essential reading on Cadilac Ranch is HERE
I believe Hudson Marquez is the first participant in the Vintage Sleaze Contemporary series to have been voted into the Broadcasting Hall of Fame, but I first knew of his work without even knowing it…through familiarity with the Cadillac Ranch and the work of the Ant Farm Collective. Cadillac Ranch is off the scale as far as environmental art goes…one of the most famous art installations in history, and one which makes the late windbag Christo seem as profound as Leroy Neiman. There are plenty of contemporary artists making large scale environmental sculpture and installations, but the Cadillac Ranch is the effing mother tailfin of them all.
Which is why we are thrilled not only to have Mr. Marquez as a fan of Vintage Sleaze, but now a willing participant in the series. As is the case of most notables, Hudson is modest and self-effacing. Following is his entire autobiography, dutifully pecked into his cellphone especially for us on request.
"Hudson Marquez Was born in New Orleans Louisiana. He got out as soon as possible. His travels finally led him to San Francisco where he helped found the Ant Farm, and arts collective that was very active in the late 60s early 70s. He became addicted to video and in 1972 Started the video group TVTV. This group of small format video pioneers had a great run, Producing a number of award winning documentaries for PBS. In 74 he created the Cadillac Ranch sculpture in Amarillo, Texas. Now living in Los Angeles, ex- pornographer Marquez splits his time between writing and painting pictures of cars and girls."
Well, with all respect, we can do better than that.
Marquez has been a provocateur his entire life. A story teller as much as a person who lived to tell the tales… and considerable tales there are. Like being with Led Zeppelin tales. Like meeting Charlie Manson tales. Like Canned Heat (look them up. listen and learn kids) tales and, well…pussy tails. Hudson likes women and it shows. He also once said all women should drive in high heels, a quote not only tailor made for this site, but one which could be pondered and debated in many circles.
Anyone who makes it through the decades as active, as political, as involved and as talented as Mr. Marquez deserves kudos. That he has survived it with a glorious sense of humor and irony is admirable. Trust it was not easy for smart people to live through the 1960s and 1970s. Hudson is cracker-smack smart and he survived it.
A mere dip into the world of Hudson Marquez is to have the major cultural high and low points of several decades circle you like a tornado.
Mr. Marquez has work showing now at the La Luz de Jesus gallery in Los Angeles.
Hudson's work is Acrylic and Ink on canvas now. Big ones. With big roots from New Orleans. Hudson is one of the few folks around who can put Professor Longhair across the table from Jayne Mansfield and make it work. Hudson knows without Ike Turner, Tina would still be Anna Mae Bullock from Nutbush, Tennessee and if he were looking over my shoulder as I write, I would proudly tell him I saw Ike and Tina from the first row in a gymnasium in 1971 blowing smoke right up the Ikettes skirts the entire show. In fact, I love Hudson so much, I am putting a teeny cribbed photo of my vantage just for him. It has absolutely nothing to do with the post here OR Hudson, but I think he'll like it.
Although above, Hudson says he was glad to get out of New Orleans, it stayed with him. There is nothing more valuable for a contemporary artist to have in his blood than some New Orleans, and the ghosts of the city meet an amazing crew of icons in his paintings.
A fabulous, essential, hilarious interview with Hudson Marquez is HERE
Essential reading on Cadilac Ranch is HERE
Why would the Outsider Artist Justin McCarthy sign a painting as by Rubens ?
A cruise ship lounger on deck with a bright red sunburned face. But why would Justin McCarthy sign a painting as by "Rubens"
Justin McCarthy suffered what has been called "a major nervous breakdown" from 1917 to 1921 or so, some years of which he was in an institutional setting.This occurred shortly after his well-to-do family left him (as a young man) to wander the Louvre. The story of how he painted himself back to reality has been often told. But the signature?
During his recovery McCarthy signed numerous names to his work, but Art scholar Nancy Green Karlins Thoman deserves the credit for revealing some of McCarthy's hand written notes from the time period in her dissertation “Justin McCarthy (1891-1977) The Making of a 20-century Self-Taught Painter.” In a sketchbook from 1919 - 1920 he jotted down his impressions of the great artists noting their characteristics as he remembered them. Among them Van Dyke (sic) Rembrant (sic) and Whistler. And for Rubens? McCarthy wrote “Rubens - red agent, ruby red.”
He certainly couldn’t have been intending to copy Rubens with a woman on the deck of a steamer but in his somewhat troubled mind it made sense. To the artist, it was the color red.
Years later his friend and patron Sterling Strauser had McCarthy go back and sign many works. Hence, his own signature appears as well!
Justin McCarthy Untitled (Woman on a Ship) circa 1920 - 1930? Collection Jim Linderman
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