Keith Bernard Photographer Master of the Pin Up

 
"Unsung Hero of Photography" number eight hid his name, but he worked under one.  Keith Bernard was what he sold his glamor under, but his real name may have been Keith Davis.  The Glamor Photographers site says his full name was Marion Keith Davis, he was born in 1911 and passed away in 1981 still a slight mystery...but he left behind Betty Brosmer, praise the slick pin up lord.

Keith Bernard adopted the Bernard moniker from Bruno Bernard.  It worked for Bruno, after all.  Among his most notable subjects were Jayne Mansfield, and also the famous cover of Modern Man Magazine showing muscleman Joe Weider's wife Betty Brosmer.  Betty's chest to waist ratio was so magnificent, I'm not going to depress you by reporting it.  Joe is one of my personal hero figures, and not just because of Betty's figure.

Okay, I will. Betty Brosmer had an 18 inch waist.  She may still!  Take your two hands, put them together in a circle and you just about approximate Betty Brosmer's waist.  No photoshop.  The Gym.

Keith Bernard sold TWO HUNDRED MAGAZINE COVERS of Betty Brosmer.  For that alone, he is awarded the Vintage Sleaze Unsung Hero award!  His photos of Ms. Brosmer are some of the most incredible glamor photographs ever created, and if there is a library of men's magazines in a box when you get to heaven, head right to the one with Betty Brosmer done by Bernard.  Bernard has the brains to sign her to an exclusive, and he did her well.

The three (magnificent, IMHO) photographs on top, each 8 x 10, show the master at work with Patti Conley, who is ALSO quite a story.  Apparently, Ms. Conley earlier posed in bondage photographs (under far less glamorous circumstances) for somewhat demented fetish kinkster John Willie.  Don't look them up.  They look like true crime photographs and will creep you out.
 
However, if you want spend a pleasant few minutes typing Betty Brosmer into your friendly search engine, it might motivate you to get to the gym.  And yes, as far as I know, Keith whatever his name is took these all.



Three original photographs top, Keith Bernard and Pat Conley each circa 1955 Collection Jim Linderman

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Samuel Lonnie Simmons, Photographer

A piece from the sister blog "Vintage Sleaze" 

Samuel "Lonnie" Simmons is Unsung Hero of Photography number nine.  (See them all linked below)

Time to bring another great photographer out of the dust of obscurity and racism.  Once known as "The Man Who Never Sleeps" Samuel "Lonnie" Simmons was an African-American jazzman (more than anything else) in his younger days playing with no less than American treasure Fats Waller, Hot Lips Page, Chick Webb and more.  Many more.  He recorded under his own name as well, including "I Can't Get Started" on the Parrot label (in which he played both organ and saxophone, probably at the same time.)  If you are not yet impressed with Lonnie's musical chops, his Jet Magazine obit reports he also played with Louis Armstrong, Ella Fitzgerald and Count Basie.  Parrot was a label which lasted only three years in the early 1950s, but some of the recordings were reissued later on Chess Records. 

However, though Simmons performed up until the last, suffering a fatal stroke while performing AT AGE 80 according to Euguene Chadbourne, it is his work as a photographer of interest here.

Photographer too?  I'm getting a little tired of learning about astounding talented people no one taught me about in school.  

So Lonnie, or Samuel, is called "a free-lance photographer" in passing in the few places you might find information about him. 

Born in Charleston, South Carolina Actually, in Mt. Pleasant, an isolated pocket in the low-country coast, yet another of those plantation- era places near where slaves landed.  A bridge to Mount Pleasant was built in 1928.  Wiki lists one Darius Rucker as coming from the city, he being "Hootie" of the Blowfish… but they omit Mr. Simmons.   

Lonnie's father was a blacksmith who went back nearly to slave days, passing at the age of 82 in 1955.  Lonnie's father was just one notable blacksmith named Simmons from the Charleston area.  On his father's passing, Lonnie went back to Mt. Pleasant to bring his mother back to Chicago with him, and it was her first plane airplane ride.  His appearance at the funeral was notable enough for the local paper to interview him, where Simmons is reported to have "gradually drifted into take pictures for newspapers and magazines" and that he maintains his own darkroom in his Chicago home.  The headline reads "Mt. Pleasant Negro Musician Becomes Press Photographer" and adds a few more musical giants among his playing partners.

It was not unusual for Mr. Simmons to leap from the bandstand with his camera to capture events, including crimes.  A one-man forerunner of the surveillance camera, his pictures were used by the Chicago Police for evidence and he earned honorary membership in the Chicago Patrolman's Association.  Much of his photography was taken at the legendary Chicago Club De Lisa (which I wrote about earlier) and I now believe the photograph below was taken by Mr. Simmons in his "spare time" as picture maker who roamed the club supporting his income with snapshots. 

The extraordinary dance photos shown here were Lonnie's.  Scarce not only because they show the "Black and Tan" nightclub era (an era not generally regarded as worthy of documentation at the time by most photographers) but also because, I assume, most of Mr. Simmons photographs have not been exhibited.  It would be pretty safe to guess the originals are lost.  We can hope a relative finds this post, digs them out and produces the coffee-table book he earned but no one made.

Somebody has some, as Mr. Simmon's photographs were apparently used in the 1995 documentary PROMISED LAND narrated by Morgan Freeman for the History Channel  which while acclaimed was forgotten.  You can read about it HERE where people keep asking why it isn't available on DVD…one of whom writes "It is a shame that this great work of truth has been overlooked."  Par for the course.  The documentary is about the migration of southern African-Americans to Chicago.  Lonnie Simmons was one of them, and fortunately he was around with his camera.

Samuel "Lonnie" Simmons photographs appear in Ebony, Jet, The Chicago Defender, The Pittsburgh Courier, The Crusader and Cabaret (a magazine which documented burlesque in the 1950s and from where the photographs above were taken) and I suspect others once considered unsavory race and pinup magazines from the 1950s on.  The portrait of the young musician is from the Charleston Jazz Initiative at the School of the Arts, College of Charleston, South Carolina.  Jet Magazine recognized Lonnie's talents and skills…as well as using his photographs (including the astounding picture of a dancer flying above a drummer, which I have cribbed but credited) they also reported on his adventures, including being bitten by an eel and having his instruments stolen HERE.

PHOTOGRAPH OF SAMUEL LONNIE SIMMONS Charleston Jazz Initiative Archives

PARROT RECORD LABEL HERE 

Original Club DeLisa Photograph and Sleeve collection Jim Linderman 

UNSUNG HEROES OF PHOTOGRAPHY is a series on Vintage Sleaze the Blog by Jim Linderman.  Previous profiles include Art Messick George Boardman Danny Rouzer  Russ Meyer  Wil Blanche  Benno Friedman  and Bunny Yeager  

JIM LINDERMAN BOOKS AND AFFORDABLE EBOOKS ARE AVAILABLE HERE ON BLURB

Spectacular Circus Banners Hanging in 1963 At the Circus in Black and White (and Color) #34 collection Jim Linderman

A group of exceptional circus banners in a pair of 1963 snapshots of the Ringling Brothers Barnum Bailey Circus.  Folks often think the glory days of the circus banner was long gone by then, but these look pretty good.  A real phantasmagoria!  Note matronly visitors standing near the entrance.  

Pair of original snapshot photographs dated 1963  Collection Jim Linderman


AT THE CIRCUS IN BLACK AND WHITE is a occasional feature on Dull Tool Dim Bulb. This is number 34 in the series.

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Eliot Brewster and L.B. Cole Cheap Pulp Heaven

Illustrator L.B. Cole had a doctorate degree in anatomy and used it to good advantage by rendering bad women, cheating men...and for his numerous comic books, the occasional throbbing rocket ship.
 
Eliot Brewster was one of many hack writers who had his hardcovers turned into paper digests which served the emerging market for cheap reads...much of it caused by thousand upon thousands of men and women going to war.  At home, on a train to camp or hiding in a foxhole, a colorful, spicy read was one of the few pleasures available.  There are very few copies of the books above, as they were cheap, by intention, and during difficult times passed off to neighbors and buddies until they were gone.  Later the high acid content evaporated all but those pressed tight...which only delays the inevitable crumbling a few more decades.

In Love Above All,  Les Carver returns from war to the "simple, little plump girl" he promised to marry.  Her weight is discussed frequently in the book.  His eyes wander and soon  Les is "irresistibly drawn into a whirlpool of drink, debauchery, wild sex orgies…" and more.  

Author Eliot Brewster is due a revival.

In Faithfully Yours,  Brewster puts a maid in the house, a man in the service and gives them both a book title which is a lie.

Like Bilbrew ten years later, Cole's men frequently have greasy, troubled hair falling perfectly down their troubled foreheads. 

In Love Above All, smoke initially rises towards the wedding, but swirls over to the dame. The same dame nearly impaled on a bottle of whiskey.  What man returning from the war wouldn't drift like smoke to the dark side?  After the unspeakable horror of war, many men had a choice.  Do what is "right" or pound it away, literally, against a loose bed board. Is there a cheap motel shown on this cover?  Does there need to be?  Look into his eyes.
 
Cole is responsible for some of the most striking comic book covers you will ever seen.  A good sample is HERE on the Monster Brains website.  

But Cole was at his best when things in a guy's head were at their worst.  

Brewster today appeals only to the few collectors who seek the same thrills sought during the war.  Among his other titles are Sisters in Sin, Skin Deep, Lusty, Private Companion, Ready for Love and Wicked Women.

Faithfully Yours by Eliot Brewster cover by L. B Cole 1943  Phoenix Press.  Love Above All by Eliot Brewster cover by L. B. Cole 1945  Palace Press (Phoenix) Both Collection Jim Linderman 

AN ABRIDGED VERSION OF A POST ON VINTAGE SLEAZE THE BLOG

Books and Ebooks by Jim Linderman are HERE  

If You Build it They Will Come Vintage Seaze the Blog 2.5 Million Hits

Vintage Sleaze the Blog has reached 2.5 Million page views and is rapidly approaching 75,000 followers on Facebook. 

Proto Porn book by Jim Linderman in THINGS Magazine

Things Magazine has run a nice little blurb on the book PROTO-PORN: The Art Figure Study Scam of the 1950s.  Things is lovely, a magazine and weblog about objects, collections and discoveries... and this is much appreciated.

‘During the 1950s, under the quasi-legal rubric and ruse of “Art and Photo Figure Studies” hundreds of soft-core digest books featuring blurry photos of semi-naked women were sold by the truckload to a willing, greedy and needy consumer market’: the story of Proto-Porn: The Art Figure Study Scam, one of several publications by Jim Linderman, keeper of the (somewhat nsfw) Vintage Sleaze weblog. This is of course Taschen territory as well: American Pin Ups, Gil Elvgren, 1000 Pin-up Girls, etc. etc"

Things Magazine is HERE and highly recommended.

Viva VEA Jim Linderman on Mexico Pin-up Glamour of the 1950s Caliente Vintage Sleaze and Niuglo

BY JIM LINDERMAN

VEA is a pretty hard magazine to find copies of these days.   Vea ran in the 1940s and 1950s, and when you figure in acid-based paper, climate and censorship, you’ll know why they don’t turn up often. Do not confuse it with Vea the Puerto Rican gossip magazine, or Vea which came from Chile.  Search hard and you will see a few issues on Fred Seibert’s flickr stream, but that’s about it.  I found a handful  to purchase recently, and I wish I had them all.  If I were opening a Mexican restaurant, I’d cover the walls with them.  Under glass.

VEA was a weekly pulp periodical which ran for years but was apparently often in trouble with the law, largely due to Niuglo’s spicy muchachas.  The magazine was a menudo of news, bullfighting reports, pulp fiction (with illustrations that look like Charles Burns on peyote) and breasts, which is where Nuiglo comes in.  There is really nothing to compare the magazine to in the states then or now, but it was similar to the Folies De Paris et de Holllywood magazine from France which was running the same time.  Some of the Harrison mags like Whisper maybe.  Large format, large on style and striking today.

Flipping through them makes me think it is time for a 1950s Mexican revival.  The best reason to find some VEA is the pioneer Mexican fashion and glamour photographer known only (but not known WELL) as NIUGLO.  Niuglo’s photos were so good they often graced front and back cover simultaneous in vibrant candy colors, but the ones inside were printed in burnt sienna brown.  There was frontal nudity, a considerable amount…but nothing below the waist.

Scarce and forgotten, but someone is paying attention.

Bright scholar Ageeth Sluis recently wrote “Projecting Pornography and Mapping Modernity in Mexico City” for the Journal of Urban History which drew upon the images in VEA.   A portion of the abstract reads:  By analyzing depictions of female nudity as conversant with urban landscapes in the banned magazine Vea, the author argues that pornography connected Mexico City to transnational ideas of the early twentieth century that held that sexually liberated women were part and parcel of cosmopolitan modernity. Vea exemplified and fueled concerns over “public women” and helps scholars understand larger debates on the gendered effects of revolution, urbanization, and transnational currents of global modernity.  NICE!

I’ve put in a note to Ms Sluis, and if additional information results I’ll be glad to add it.

Even better,  an outstanding set of original negatives of erotic images which have been attributed to Niuglo were discovered in 1996 and recently exhibited (in 2002) by photographer Merrick Morton at the Fototeka Gallery in Los Angeles.  Attributed might be too strong a word, as it was speculation, and there were several other “house” photographers doing the pinup photography for VEA.  Selected images of this cache were printed in editons and sold.  The certainly have the look, and they look wonderful.

I am afraid that is all I can provide here about VEA.  As I learn more, it will appear.  A future post will include some striking images from inside the magazine.  There are considerable pinup layouts, cartoons, and even, believe it or now, a Bill Wenzel gag cartoon on the inside back cover!  I swear…was there NOT a publication he sold work to?

Jim Linderman Books and Affordable Ebooks are available HERE

Original Issues Vea Magazine 1954 – 1955 Collection Jim Linderman 

MAKE SURE TO BROWSE AND ORDER JIM LINDERMAN BOOKS AND EBOOKS HERE

Vintage Sleaze reaches 50,000 Followers on Facebook

Just for the record, Vintage Sleaze the Blog, my daily examination into the gutters of smut from the 1950's will reach 50,000 followers on Facebook today.  The site tells a true story EVERY DAY about the publishers, artists, photographers, models, censors, scoundrels, gangsters, burlesquers, vaudevillian villains, writers, distributors, gag cartoonists and readers of soft-core sleaze from the golden age of smut.  Guess what?  It turns out "glamour" photography wasn't so glamorous!  It sounds bad, but it isn't...and like Dull Tool Dim Bulb, every word true.  Mostly.

"Hear no Evil, Speak no Evil, See no Evil" cover from Exotique Photo Album Number Three, circa 1958 (No Date in Publication) 


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Three Nights Only One Big Show! At the Circus in Black and White series #33

ORIGINAL PHOTOGRAPH COLLECTION JIM LINDERMAN

Frederico Fellini meets Tod Browning in this crazy period photograph of a wandering troupe.  Since Blockhead and friend take up two seats on the truck, they get the middle of the picture.  A trick-shooter,  a cootch girl, a band (of sorts) and you've got four shows a day.  They were there a while, electric lights line the tent.  One of a hundred such touring shows during the 1930s and I wish I could identify the players.  I see ten good stories here, and one more on the dummy.  

AT THE CIRCUS IN BLACK AND WHITE is a occasional feature on Dull Tool Dim Bulb. This is number 33 in the series.

Original 8 x 10 photograph, circa 1930 Collection Jim Linderman

Order Dull Tool Dim Bulb / Vintage Sleaze / Jim Linderman Books and Tablet downloads for iPad HERE

What is New at Dull Tool Dim Bulb 2012 Update Jim Linderman

A few recent developments from the Dull Tool Dim Bulb empire!

MUCH pleased to have had no less than David Sedaris recommend the Dull Tool Dim Bulb Blog to his readers.  As one who has gone from sitting in Barnes and Noble watching David read to becoming a writer (of sorts) himself, this is a great honor.

Skilled writer and artist Emma Higgins has written a lovely profile titled "Jim Linderman Perpetually Ahead of the Collecting Curve" HERE on the Grand Rapids website H.A.C.K.  Grand Rapids, as you may or may not know, is a booming city in the culture department, with their annual Art Prize awarding $$$ and attracting many artist participants and visitors annually. HACK is a wonderful guide to the West Michigan Art Scene and much more.

Two new books, I'm With Dummy: Vent Figures and Blockheads: Vintage Photographs from the Jim Linderman Collection and PROTO-PORN: The Art Figure Study Scam of the 1950s are now available.  Each is available in paperback OR Ebook download for the iPad.  They lanquish on the virtual shelves of Blurb.com.  ALL the Dull Tool Dim Bulb Books are now available as $5.99 downloads.  Save a tree and buy a virtual book.

Vintage Sleaze the blog now has an astounding 36,000 followers on Facebook and the network of blogs under the Dull Tool Dim Bulb umbrella is approaching 2.25 million page clicks.  If clicks were coins and followers were finance I would be rich...but I prefer happy.

In the not to announce category The World Erotic Art Museum in Miami may be doing a show based on the Vintage Sleaze series and Book Secret History of the Black Pin Up: Women of Color from Pinup to Porn which would be an honor.  More as, and if, this develops.  I think it will...and if so, linkage will result.

Design Weekly wrote a nice profile and recommendation to Vintage Sleaze, thank you very much. 

I recently made what I believe is a significant contribution to an important new book by an important comic book historian, but I'll report on it in the next update.

Music fans can now follow Bob Dylan Record an Album of Songs by Charlie Patton on Facebook.  The site grows out of a series of infrequent essays on Dylan...who, with a new album out any day now, has once again failed to do what I wish he would.  He will.

I also presume all have seen the recent Jim Linderman New York Times Profile?  The article uses a photograph by Michigan-based photographer Adam Bird which I much appreciate.  Mr. Bird is a young photographer with considerable style and skill.  The Times also quoted me in a recent article on the rebirth of pinup style.

I have discovered an original stag film of Texas Legend Candy Barr dancing.  This is not the common film on Youtube, but a film shot on the same set or stage around the same time.   I'm not quite sure what do do with the film, but It has been transfered to Digital CD and I'm pondering selling copies or using it as a gift to friends.  The only problem is that once the Candy is out of the bag, it will be bootlegged wider than Justin Bieber's next recording.  Any ideas?

Some of the Free Acts at the Iowa Fairs 1925 At the Circus in Black and White series #32

At the Circus entry number 32 is "Some of the Free Acts Season 1925 Iowa Fairs.  A snapshot and a beauty.

Collection Jim Linderman

AT THE CIRCUS IN BLACK AND WHITE is a occasional feature on Dull Tool Dim Bulb. This is number 32 in the series.

Original Snapshot 192 Collection Jim Linderman

Order Dull Tool Dim Bulb / Vintage Sleaze / Jim Linderman Books and Tablet downloads for iPad HERE

Basil Wolverton and Monte Wolverton Comedy Magazine Poems and More

I write about cheesecake gag cartoonists on the sister site Vintage Sleaze, but for a time the much admired (and, now, finally, much respected) Basil Wolverton had his work printed in the line of Humorama (Timely Features, the forerunner of Marvel comics) pinup gag digests I study.  Far from cheesecake or pinup girls, as you can see, Wolverton's work must have been included in the Humorama magazines not because it was titillating, but because it was pretty damn good. 

Wolverton made up as many words as the characters he drew.  One panel here contains fourteen sound effects, and there have been entire articles based on the words he created. 

Monte Wolverton, the artist's son, fell so close to the tree he climbed up it!  A successful editorial cartoonist, sculptor and fine artist Monte is just as interesting as Dad.  His work appears in no less than 850 publications weekly and he regularly shows work in galleries around the country.  The Monte Wolverton website is delightful.  In addition to an up-to-date display of his work, the site is a tribute to the work of his father.  See some of his colorful work below (and on his site)

Monte Wolverton Installation View Peculiarium Gallery Portland

Monte's site lists available publications on his father's work along with a good sample of Basil's work, including the extraordinary apocalyptic drawings Basil did for Plain Truth magazine.  One is shown here...quiver! 

Basil Wolverton Image from The Apocalypse

The index provided on Wolverton's site omits the works from Comedy in the bibliography, so I do not know if they have been included in any of the anthologies.  ALL were taken from ONE issue of Comedy Magazine, the January 1953 issue, and there was much more.  In addition to these poems, there were several short pieces of multi-panel work in the same single issue. They represent just a miniscule amount of the work he produced.  The Monte Wolverton and Basil Wolverton Website is here.  Spend some time.

MONTE WOLVERTON WEBSITE is HERE