19th Century Child's Handmade Paper Weaving Froebel Kindergarten Work

19th Century Child's Handmade Paper Weaving. Froebel Kindergarten. From a handmade book of similar work. The simple (yet sophisticated!) training techniques of Frederich Froebel continue to set a high bar for children's art education. 19th Century Child's Handmade Paper Weaving. Collection Jim Linderman

Drawing of Haley's Comet 1910 on a piece of Birch Bark circa 1910 Folk Art

A scarce period Drawing of Haley's Comet circa 1910 on a piece of Birch Bark. A drawn by hand postcard. It's a curious one...a boy rushes in riding the comet with a net to collect mosquitos! Of course there was worldwide panic at the time. A good share of the fear came from religious nuts. My favorite factoid is that the impending doom resulted in a run on "anti-comet umbrellas" and protective pills. Collection Jim Linderman BOOKS AND EBOOKS BY JIM LINDERMAN ARE AVAILABLE HERE ON BLURB.COM

Paper Doll Antique American Folk Art Make-Do Newspaper Doll collection Jim Linderman

One of the best "make do" folk art dolls I have seen, this is an original doll made of rolled newspapers. Dated 1947,with Phildelphia, Pennsylvania origin. Collection Jim Linderman

Love During Wartime #12 Pacific Theater Solder's Footlocker with Homemade Pinups Collection Jim Linderman

Love During Wartime #12 Pacific Theater Solder's Footlocker with Homemade Pinups Collection Jim Linderman

Antique Sewer Tile Yellow Kid Bank c. 1900 Collection Jim Linderman / Dull Tool Dim Bulb

Antique Sewer Pipe sculpture (and bank) depicting the Yellow Kid. Fear not, this fella isn't a racist relic from the past! The Yellow Kid was an American Icon and star of the Sunday comics. First appearing in the papers in 1895, the Yellow Kid grew to be a little baby icon. This figure dates to that era. For those of you who might not know, Sewer Pipe or Sewer Tile folk art figures were largely hand-fashioned by clay factory workers from leftover clay at the end of the day. There WERE some racist elements in the Yellow Kid comics, but it appears to have been the way it was back then. It was over 100 years ago. Of course there were. But this figure is benign. Here's what his creator Richard Outcault had to say about him in 1902: “The Yellow Kid was not an individual but a type. When I used to go about the slums on newspaper assignments I would encounter him often, wandering out of doorways or sitting down on dirty doorsteps. I always loved the Kid. He had a sweet character and a sunny disposition, and was generous to a fault. Malice, envy or selfishness were not traits of his, and he never lost his temper” Read more about the kid HERE on the Outcault Wiki page. He also invented Buster Brown! The form is scarce, but several other examples have turned up. Sewer Pipe Folk Art Pottery Bank figure of The Yellow Kid. c. 1900. Hand-signed on the base "P.O." Collection Jim Linderman / Dull Tool Dim Bulb. Posted on The Sewer Pipe Pottery Website HERE also.

SuperBabe The Most Powerful Black Beauty in the World B.E. Riddick c. 1970 Outsider Art Colllection Jim Linderman Dull Tool Dim Bulb

Alas, an African-American Superhero before her time. Not likely ever featured in her own comic book. The artist B.F Riddick is largely unknown, but produced numerous erotic and bizarre drawings in the 1970s. SuperBabe The Most Powerful Black Beauty in the World by B. F. Riddick collection Jim Linderman

Caroline Goe Missing NYC Street Artist and Outsider Art collection Jim Linderman

There are plenty of mysteries and coincidences in the world of Outsider Art. I can add these four pieces to the mystery of lost New York City street artist Carolyn Goe. I've owned the group above TWICE in the last thirty years! I sold them in a batch of things before I moved out of Manhattan in 2008 and hadn't thought of her since. When I saw them turn up recently on an online auction site (without the artist's name) I added them right back into my collection. How they got to Maine I have no idea. I also had absolutely no knowledge of the Caroline Goe at White Columns in 2019 until browsing it up a week ago. I wish I could contribute more to fill in the missing blanks. Cori Hutchinson wrote a lovely, particularly thoughtful review of the White Columns Goe Show HERE in White Hot Magazine. It is a very good read. One thing I do know about Ms. Goe is that somewhere along the line I was told the artist's name was Carolyn GOES. As in "she comes and goes…?" Although I personally knew both Barry Cohen, who collected and promoted her work, and the folks at the Artisans antique shop who had work of for sale at one time, I don't think my set came either sources. Could be wrong, as it's a world away to me now. In the 25 years I lived in Manhattan, I did purchase from (and personally befriend) lots of street artists (including the now better known "outsiders" Bertha Halozan, and Ionel Talapazan. I "discovered" Haitian artist Max Romain's work in a public library show and first tracked him down through his librarian friend. There were many more. More than these three became friends of mine as well, which is why I am sure my Goe pieces didn't originally come directly from her. If they had, I would know plenty more about her than folks seem to know now. I can not remember ever seeing Carolyn Goe. I can't claim these are among her best. Lynne Tillman has the best. The show was drawn from her collection. One indication of her possible disappearance could be that one of my pieces features a nurse, which could now foretell an uncertain future for the artist. Most street artists have a rough life. Even Art Forum got aboard and featured the show HERE illustrating a woman in a kimono from the exhibition. Caroline Goe Four untitled mixed media works on canvas scrap circa 1970 - 1980 Collection Jim Linderman

Folk Art Whirligig Fragments made from Cigar Box Wood (Man with hat, Woman with hair bun) c. 1950 Collection JIm Linderman

Folk Art Whirligig Fragments made from Cigar Box Wood c. 1940. Collection JIm Linderman

Hand Drawn Folk Art Paper Dolls

Hand Drawn Folk Art Paper Dolls, c. 1935 - 1945 Collection Jim Linderman Folk art and Photography books by Dull Tool Dim Bulb and Jim Linderman are available on Blurb.com

Pair of Anonymous 19th Century Drawings collection Jim Linderman

Pair of Anonymous 19th Century Drawings collection Jim Linderman

Words, Lines and Pictures: The Multigraph Puppets Theater

The Multigraph corporation spares no expense impressing visitors to their big 1939 World's Fair exhibit! Roly-poly puppets named "Words, Lines and Pictures" perform their spiel with help from a record player hidden in another room. The humanoid figure behind them is the boss who "puts them on the carpet" until they come up with a more affordable means of duplicating forms. "We've got the answer!" they shout. Yet another example of the wonderful future awaiting us all. "Miniature theater is key attraction at exhibit of Addressograph - Multigraph Corporation, 1939 World's Fair Postcard. Collection Dull Tool Dim Bulb

Folk Art Carving Woman on Toilet

Well, here's something one doesn't see often, thankfullly. A whimsical folk art carving of a woman taking a break. Woman on Toilet wood carving, c. 1950. Collection Dull Tool Dim Bulb

Israel Litwak Mountaindale, NY 1938. Self-Taught "Primitive" art Outsider Collection Jim Linderman

Israel Litwak Mountaindale, NY 1938. Self-Taught "Primitive" art Outsider Collection Jim Linderman Another work by Litwak is shown in a post from a few weeks ago. Scroll Down!

Apron Money Pouch with Frugal Note Flour Sack Fabric with Frugal Message Sewing Folk Art

Miniature Apron sewn from flour sack cloth with a note inside about saving money. Folk Art circa 1930 - 1940 Collection Jim Linderman

Albert Freeman Pair of Folk Art Portraits c. 1940 Collection Jim Linderman Outsider Art

Albert Freeman is another artist we might not ever know much about. I believe his work was discovered by Robert Cargo, long time collector, dealer and advocate of southern 20th century American folk art. I was recently pleased to find he had donated significant portions of his collection (particularly a wonderful collection of African-American quilts) to the Birmingham Museum of Art. While not illustrated, they acquired a dozen or so Freeman works. I find several good examples of his work online. Most are portraits like the pair above, although a small painting of a lion is illustrated in the outsider art chapter of Wendy Lavitt's Animals in American Folk Art in 1990. All were done on scrap paper and found cardboard. Mr. Freeman was active from 1940 to 1950. Untltled (Man and Woman(pair of portraits) circa 1940. Collection Jim Linderman

Antique Folk Art Portrait Drawing of a Young Woman Anonymous

Antique Folk Art Portrait Drawing of a Young Woman. Cut out and affixed to cardboard. Anonymous. Early 19th Century Miniature.

Self Taught Primitive Painter Israel Litwak 1867 - 1952 Vase with Flowers collection Jim Linderman

Israel Litwak was born in Russia and immigrated to Brooklyn in 1903. After his long career as a cabinet maker, he began producing lively and unique drawings and paintings which he shared with the Brooklyn Museum. They gave him a one man show! He was included in the seminal book They Taught Themselves: American Primitive Painters of the 20th Century. See a similar work (without peeping gentlemen) in the Brooklyn Museum collection HERE ISRAEL LITWAK UNTITLED (VASE WITH FLOWERS) 17 X 20 1940. COLLECTION JIM LINDERMAN / DULL TOOL DIM BULB

Sylvia Roberti "Birds in a Border" Outsider Art collection Jim Linderman

Sylvia Roberti was from near Chicago and her drawings were created in the 1960s and 1970s. About all that is known comes from the information she diligently provided on the reverse of each work. It isn't unusual for outsider artists to boast of their accomplishments. Also common is her technique of "framing" her work through a decorative border. In her series of bird drawings, some are so contained within her frame that they seem walled in! "Cereal Box" cardboard cut and glued together. "Bird and design creative original by Sylvia Roberti Artist Italian descent. Water color+perm+ in crayon on pencil color. Free lance pen + ink" Two works by Sylvia Roberti, 1969, 1971. Collection Jim Linderman

Outsider art Folk art Baseball Greats Collection Jim Linderman

Five baseball star outsider art portraits by a woman (a Braves fan!) created in the late 1950s. The amateur artist surrounds each with colorful misshapen borders. Rocky Colavito of the Cleveland Indians, Jackie Jensen of the Boston Red Sox. Roger Maris,then of the Kansas City Athletics, Don Drysdale from the Los Angeles Angels and finally, the great Ernie Banks of the Chicago Cubs. The pieces were obtained by an auction house back in the 1970s. Apparently there were less than ten pieces at the time. Five drawings on lined paper, mounted on Manilla. Collection Jim Linderman / Dull Tool Dim Bulb ORDER JIM LINDERMAN ART and PHOTOGRAPHY BOOKS from BLURB

Lonnie Simmons The African-American Musician and Photographer who never slept

Samuel "Lonnie" Simmons is an Unsung Hero of Photography, so let's  bring another great African-American artist out of the dust of obscurity.  Once known as "The Man Who Never Sleeps" Samuel "Lonnie" Simmons was an African-American jazzman (more than anything else) in his younger days playing with no less than American treasures Fats Waller, Hot Lips Page, Chick Webb and more.  Many more. He recorded under his own name as well, including "I Can't Get Started" on the Parrot label (in which he played both organ and saxophone, probably at the same time.)  If you are not yet impressed with Lonnie's musical chops, his Jet Magazine obit reports he also played with Louis Armstrong, Ella Fitzgerald and Count Basie.  Parrot was a label which lasted only three years in the early 1950s, but some of the recordings were reissued later on Chess Records. 

Though Simmons performed up until the the end, He passed after a fatal stroke at age 80 according to Euguene Chadbourne, it is his work as a photographer of primary interest here.

A photographer too?  I'm getting a little tired of finding great talented people no one taught me about in school.  

So Lonnie, or Samuel, is called "a free-lance photographer" in passing in the few places you might find information about him. 

Born in Charleston, South Carolina (Actually, in Mt. Pleasant, an isolated pocket in the low-country coast and a plantation-era place near where slaves landed. A bridge to Mount Pleasant was built in 1928.

Lonnie's father was a blacksmith who went back nearly to slave days, passing at the age of 82 in 1955. Lonnie's father was just one notable blacksmith named Simmons from the Charleston area.  On his father's passing, Lonnie went back to Mt. Pleasant to bring his mother back to Chicago with him, and it was her first plane airplane ride.  His appearance at the funeral was notable enough for the local paper to interview him, where Simmons is reported to have "gradually drifted into take pictures for newspapers and magazines" and that he maintains his own darkroom in his Chicago home.  The headline reads "Mt. Pleasant Negro Musician Becomes Press Photographer" and adds a few more musical giants among his playing partners.

It was not unusual for Mr. Simmons to leap from the bandstand with his camera to capture events, including crimes. A one-man forerunner of the surveillance camera, his pictures were used by the Chicago Police for evidence and he earned honorary membership in the Chicago Patrolman's Association.  Much of his photography was taken at the legendary Chicago Club De Lisa and I now believe the photograph below was taken by Mr. Simmons in his "spare time" as picture maker who roamed the club supporting his income with snapshots. 

The dance photos shown above were Lonnie's. Scarce not only because they show the "Black and Tan" nightclub era (an era not generally regarded as worthy of documentation at the time by most photographers) but also because most of Mr. Simmons photographs have not been exhibited.  The originals may be lost. We can hope a relative finds this post, digs them out and produces the coffee-table book he earned but no one made.

Somebody has some, as Mr. Simmon's photographs were apparently used in the 1995 documentary PROMISED LAND narrated by Morgan Freeman for the History Channel, which while acclaimed was forgotten. You can read about it in web comments where people keep asking why it isn't available on DVD…one of whom writes "It is a shame that this great work of truth has been overlooked." Par for the course. The documentary is about the migration of southern African-Americans to Chicago. Lonnie Simmons was one of them, and fortunately he brought his camera.

Samuel "Lonnie" Simmons photographs appear in Ebony, Jet, The Chicago Defender, The Pittsburgh Courier, The Crusader and Cabaret (a magazine which documented burlesque in the 1950s and from where the photographs above were taken) and I suspect others once considered unsavory race and pinup magazines from the 1950s on. The portrait of the young musician is from the Charleston Jazz Initiative at the School of the Arts, College of Charleston, South Carolina. Jet Magazine recognized Lonnie's talents and skills…as well as using his photographs (including the astounding picture of a dancer flying above a drummer, which I have cribbed but credited) they also reported on his adventures, including being bitten by an eel and having his instruments stolen HERE.

PHOTOGRAPH OF SAMUEL LONNIE SIMMONS Charleston Jazz Initiative Archives

PARROT RECORD LABEL HERE 

Original Club DeLisa Photograph and Sleeve collection Jim Linderman 

JIM LINDERMAN BOOKS AND AFFORDABLE EBOOKS ARE AVAILABLE HERE ON BLURB