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African-American Quilt Drawings by Sarah Mary Taylor of the Delta




A pair of interesting drawings by African-American Quilter Sarah Mary Taylor of Yazoo City, Mississippi.  Circa 1993.  Known widely for her quilts, I suspect she may have done several hundred drawings before passing on.  These are surprising for their unusual form.  Most of the drawings I have seen were designs based on her standard, repeated quilt figures.  Hands, human figures and animals.  I've always wondered if anyone has her original templates for quilting…and if she even used them!  Free-hand pieces here represent a house (with a figure inside tucked under a quilt?) and numerous irregular squares.  If Ms. Taylor made a "house" quilt, it would look more like this drawing than the traditional quilter's house form or pattern.  Lots of crosshatching.  The floating figure on the other piece?  A melon abstraction within four corners.  Cosmogram?


The house at the time I visited was not green.  Then, her tiny place was painted a bright orange, and I cribbed a photo from wikipedia commons (photo by Terry Nowell) I have no idea how many houses she lived in, but I do know she had five husbands over her long life.  It was hard to keep a family together in the Black south of the early 20th century.
Ms. Taylor was born near Betonia, Mississippi in 1916.  A cook, a nanny and a field hand.  Also from Betonia at the same time?  Skip James.  A blues musician of staggering talent who would have been performing around the area at the same time.  Sarah would have been 14 at the peak of his depression-era career.  Betonia had a population of less than 200 in 1900, and has only 500 now. Could she have missed him busking?  He recorded a dozen or so sides in 1931 then went missing until musician John Fahey and others located him in the 1960s.

This is deep Delta.  Betonia is  right down highway 49 from Yazoo.  I wish I had asked her if she remembered Skippy James.  Both come from the same place, after all.  The musician has the same root as the artist.  Same well.

The drawings are now, as far as I know, in private hands.  The one I gave my avid-quilting mother is lost.  


Two drawings by Sarah Mary Taylor circa 1993 Private collection

Antique Folk Art House Model of Medical Gauze and Plaster


Antique Folk Art House Model of medical gauze and plaster.  Constructed over medical supply boxes. 13" tall.  Circa 1930 - 1940.  Thanks to Box Lot

Precocious Prosthelytizers





Young actors of the stage (or pulpit?) pose in pitch cards by photographer Frank Wendt Circa 1900, collection Jim Linderman

Antique Dollhouse Built by Uncle Joe



Antique Dollhouse "Built by Uncle Joe" vernacular snapshot c. 1930 collection Dull Tool Dim Bulb

Anonymous Outsider Art / Art Brut found on the streets of Manhattan



Anonymous Outsider Art / Art Brut found on the streets of Manhattan circa 1985.  Now lost.  Each was 18 x 24. 
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Lonnie Holley Birmingham Alabama Outsider Art Environment Unpublished Photos c.1992






Photographs of Lonnie Holley and his workshop at what has come to be known as the Birmingham Alabama Airport environment.  They date to 1992 or so.  I believe at the time this was both "studio" and home for the artist.

You'll find dozens of his sculptures (made from scrapped foundry sandstone) and hundreds of painted and shaped works of wire, fabric and detritus. It might look ragged, but every thing was purposeful and in place. Something out of a dream. While chatting and touring with the artist, I realized everything was connected through small caves from which children began to emerge.  Beautiful, handsome young children who had been living (or hiding) in their places for safety.  Shy at first, they romped like any kids as they became comfortable with my visit.  


Holley had purchased the land intending to establish it as a refuge for artistic expression.  He was certainly not one short of artistic ideas. Apparently the airport didn't agree and claimed the land. I hope the artist and his family received what was deserved, but it sounded like a land grab at the time. Mr. Holley was and is a genius. This is something I have learned to know and increasingly appreciate over the last 25 years.

A feature article was published by The Guardian which tells his personal story in depth.

ORIGINAL PHOTOGRAPHS by Jim Linderman Collection Dull Tool Dim Bulb.

Walter Hale and the Beatniks




A bizarre beatnik booklet from Beelzebub Books!  1959. Height of the non-existent beatnik revolution.  An unexpurgated expose of the beat generation! (Which was largely a big-media invention in the 1950s...there were only about five real, actual, living beatniks.) Life Magazine had nothing on this shocking expose! It just one of the moronic magazines produced by one man. 

The book is "edited" with a pastiche of purloined press from "editor" Heater Wall.  Heater Wall cribbed clippings and such from prominent "beatnik" writers and paired them with risque photos.  

"Heater Wall" was really Walter Hale.  A carnival barker of a publisher.  A legendary huckster and promoter.  Hale produced a string of vintage vehicles which ran on dames, most of them burlesque dancers. He distributed his magazines in an unusual manner…by giving them away at carnivals and strip shows he promoted.  In fact, the fine folks at Something Weird Video have even located..and generously provided, free of charge only to you, our special clients, step right up here today, an actual film of Hale pitching his porn!  Hale Published Tom Cat, Girls, Scandoll, Hollywood Confidential and Play Girl (for which he was sued by no less than Hugh Hefner)  Enjoy the clip at the end of this article.

The best part of Walter Hale product (other than the publicity photos of strippers from the golden age of stripping) is his alliteration.  Never has a publisher run together so many words which start with the same letter. That is Hale taking his "step right up" slogans to the smut market.  

Shown here is but a few of the other magazines in the Walter Hale catalog.  Collect them all!






 
Books by the author are available HERE as instant  Ebooks and paperback or hardcovers at Blurb.  
   

How is your New Years Resolution going? Percy and his Tiny House


A wirephoto press photograph showing Percy Coplon as he prepares for drastic measures to control his weight.  Caption reads "Plans to fast atop 30 foot pole.  Percy Coplon, all 357 pounds of him, stands beside the tiny house in which he plans to fast for 100 days.  
Original 1949 Wirephoto Photograph.  Collection Dull Tool Dim Bulb

Artists and their Models. Painters paint Vintage Sleaze Paperbacks










Representations of painters on paperbacks from the 1950s and 1960s. The most recognized artist in America was Norman Rockwell at the time.  These ain't him.

Antique Folk Art Cane Carver and Whimsy Maker c. 1880




Antique Folk Art Cane Carver and Whimsy Maker Original Photograph c. 1880 Collection Jim Linderman (Gift from a friend.) 

Cowboy Artist Las Vegas Kim aka J. Edgar Kimsey Postcards from the American West











Cowboy Artist Las Vegas Kim aka J. Edgar Kimsey Postcards from the American West.

Las Vegas Kim was a real cowboy artist active in the 1930s. J. Edgar Kimsey was also the postmaster of the small town of Texon, Texas.  He was more specifically a cowboy postcard artist of sorts…and that is one with a ribald, romping nature too.  The West was his place and time.  As reflected in his work, he was a bull rider too.  The cards themselves are beautiful little relics of Texas past with an unusual primitive printing technique. The cards appear to have been tinted by hand, but aren't.  It is also nice to know Mr. Kimsey had a risqué side.  Several of the postcards here were shared by the Fire House Museum of Crowell, Texas online years ago.  There are a few mentions of Mr. Kimsey online.  One is in the book Texon: Legacy of an Oil Town. and I remember a longer, more complete post online years ago.  However, ANY search with "kim" in it is going to give you a passel of Kim from Las Vegas you probably aren't searching for.
 
Group of Las Vegas Kim postcards, c. 1935 - 1939.  Collection Jim Linderman and from the collection of the Fire House Museum of Crowell website.  I would love to find them all...any out there?  These are now 80 years old or more.  Any help?

Schoolgirl Construction Paper c.1920 Untitled (Creamer) by Adele Hudgens Indiana



"In the late nineteenth century, a genre of colored educational papers were marketed to teachers in school supply catalogues (Andrews 1878, Babb 1897-98). the J.L. Hammett Co. catalogue (1895) of kindergarten supplies describes a variety of colored papers, and distinguishes between those colored papers that are coated and those that are "engine colored," or colored in the vat (Hammett 1895). the advantages of these "engine" or beater-colored papers are numerous. the Hammett Co. asserts that the "colors are mixed with the pulp of the paper, in the process of manufacture, and cannot be rubbed off by moisture or otherwise..." (Hammett 1895). These papers, according to the catalogue, are equally colored on both sides and are particularly suitable for folding. Importantly, the green colorants -- unlike some which were available -- do not pose a health risk because the dyes or "stains" are arsenic-free."  Construction Paper: A Brief History by Joan Irving The Book and Paper Group Annual Volume 16 1997  American Institute for Conservation.

Adele was one of three sisters who created such projects in Indiana from 1920 to 1924 which were found together.  Collection Jim Linderman

Christmas Special. The WORST Folk art Environment EVER. New Jerusalem of Dr. Riker




Joints like this are what gave the state of California their unofficial motto "Land of Fruit and Nuts." Photographs of the Holy City of Father Riker circa 1941. The false utopia was established in 1919 by Father Riker, palm reader and white supremacist Christian.  The worst kind of Christian.  Residents had peculiar sexual rights as well, it seems.  That is, NO rights, as the sexes were segregated. God told him to build the commune into a roadside attraction and to use his cult followers for the tourist labor.  Soon there was a cult-operated gas station, a dance hall and peep show machines.  In 1929 Riker began spreading his gospel by radio station KFQU.  They had their own post office, I presume to send and receive hate mail.

Super racist, the cult allowed no one in who didn't look like them.   A large billboard on your arrival read "HOLY CITY IS A WHITE MAN'S TOWN!  NEGROES AND ORIENTALS KEEP OUT OF HOLY CITY."

Here is a brief quote from Father Riker from his book The Emancipator.    

"The White Man can take care of any and all kinds of business in our own, White Man's California State Home, and no longer will the White Man tolerate your undermining and polluting tactics. Farmers, Business Men and The Workers say: Orientals get out and stay out of our business. Our new Government will see that you get a job. Your polluting, undermining system of business must eternally stop in Our California. And besides this, keep your polluting hands off our White Race Women; they also belong only to the White Race Man. This is the true law of our original White Man's Constitution, these statements explain the real and true spirit of California."

See?  Nut Job and Fruity Pebble.  Father Riker ran for Governor of California four times but thankfully received only 1% of the vote each time.  That would be about the same percentage some of the current "religious right" politicians would get.  NOT…there is a good number of politicians today who seem to think separation of church and state is an obsolete concept.

IN 2016 what remained was purchased by wealthy Scientology couple Bob and Trish Duggan.  They bought the parcel of land where Holy Land stood (and rusted away).  192 Acres!  While the couple is worth BILLIONS (at one time Duggan was the 638th richest man in the world) they paid only 6 million dollars for the big plot near Los Gatos, California.

Jim Linderman books and affordable ebooks are available HERE.