Jim Linderman blog about surface, wear, form and authenticity in self-taught art, outsider art, antique american folk art, antiques and photography.
Cracker Jacks, Chicago, Marx, Frito-Lay and Junk Food. A Century of PROGRESS ????
When I was a child and received a BOOK inside my Cracker Jacks box, it was a disappointment. You can't blame the company for this one though…when the Century of Progress exhibition was in Chicago, it was in the hometown of Cracker Jacks and they were appropriately proud. I'm surprised they didn't "jack" up the size of the surprise toy, but this little fella is only around two inches long.
One of the powers of the internet (and the reason both that my blogs are successful and I have space left to live in) is that what was physical small can be huge on the web. I'm blowing the little booklet up to epic proportions, the way the artist and the fair were intended…and if Cracker Jacks wants to sue me, good luck, I'm broke.
Cracker Jacks was born in Chicago and not long after, Take Me Out to the Ballgame came along and gave them all the advertising they needed. "Buy me some peanuts and Cracker Jacks" is running through your head now, and you don't even hear it. THAT is good advertising.
Cracker Jacks is still one of my favorite foods. Even though it is now owned by the evil despot known as Frito-Lay. I don't need to find the latest data…as this statistic from several years ago will suffice. Frito-Lay has 40% of the world's snack food market. FORTY PERCENT!
Do you have ANY IDEA how many effing bags of chips that is? Forty percent of the snack market in the ENTIRE WORLD? Borden wanted to buy Cracker Jacks, but Frito-Lay had the bucks to big higher, and they did. Frito-Lay can not stand to have anyone else in the business making crunchy things. I'll go on record here and say that's just wrong.
Marx did not realize large companies would gobble up smaller companies like snacks. Or in this case, like junk food, which is what Frito-Lay sells. Some sources claim Cracker Jacks was the world's first junk food, but neither Marx or anyone else could have predicted the development of junk food. Like "cool ranch" crap, which as nothing to do with a ranch. Or why snack food advertisements almost never have obese actors playing the part. Snack food ads always have young, healthy, involved and frequently horny kids crunching away, seemingly ready to bring the girl home from the laundry as soon as the chips are gone.
Ha Ha Ha! MONKEYS!
When Marx was calculating the brutal effect capitalism would have on the masses, he got his crackers out of a barrel that was shipped from down the street. What HAS been calculated, though by food scientists rather than political thinkers, is that human beings have a affinity for crunch and salt which borders on obsessive. Frito-Lay simply feeds that need, right? Well…maybe so…but I would like to think there is more than one snack food company in the world. Somehow it just tastes unhealthy.
Tiny Cracker Jacks Miniature Book Prize No Date (1933 - 1934) Collection Jim Linderman
Antique Full-size Folk Art Telephone Toy Collection Jim Linderman
Among the first telephones were the wall-mounted units with a "face" as a bonus. This full-size handmade toy has a bell mechanism (a cowbell inside which rings when the crank is wound) a hook, a receiver and traces of paint. Made from scrap wood for a child when toys were made at home. Circa 1910. Comparable model shown. All phones were smart phones, but some were lesser so.
BOOKS AND EBOOKS BY JIM LINDERMAN AVAILABLE HERE
Honky Tonk Vintage Folk Art Sculpture and the Perils of Packing Collection Jim Linderman
Honky Tonk Vintage Folk Art Sculpture and the Perils of Packing
A piano player pounds the keys…and the carving is in pristine condition because it lived in a bottle for half a century. The professor was whittled and built inside a one gallon bottle, shown last, which unfortunately, didn't. Broken in the mail.
One of the perils of purchasing objects through the mail is that both the collector and the seller have to accept responsibility for transporting or mailing the piece. In this case, I recommended packing which was not followed by the seller. I still ended up with a fantastic wood carving in wonderful condition (as nice as the day it was made) but I also ended up with a giant pile of broken glass.
I hate to be responsible for breaking something old. The seller? He obviously didn't care as much as I did, but to some things like this are mere product. Maybe the little fellow here is happy to be out in the fresh air.
Folk Art Sculptural Whimsey (originally constructed in a glass bottle) No Date Collection Jim Linderman
Found Photographs of Buckaroos and Buckarettes An Interview with Tattered and Lost
We'll do everyone a favor and share the incredible vernacular "found" photographs of Tattered and Lost, a kindred soul who over the last few years has produced an ongoing series of wonderful books drawn from what has to be one of the finest collections of snapshots in the country. Tattered and Lost flies under the radar…so we invited TL to open up a bit with a brief cyber-intereview. If you collect vintage photographs you will enjoy
Q: I love the photograph in Buckaroos and Buckarettes of the black cowpokes. I always wanted to be a black cowboy.
A: I know what you mean. I want to be a black cowboy too. I was thrilled when I found the shot!
Q: How did you begin collecting found photographs?
A. Actually the first photos I bought were of, I believe, German actors each holding the same urn. It was somewhere around ’71-72. I’d gone to Nevada City in the Sierra’s and was looking through an antique store. The only thing I found I could afford on my college budget were these two old photos. I think I paid a 50 cents or a dollar for each. They were cabinet cards and I imagine today they’d still sell for about a buck each if found in a bin. I was fascinated to think that these cards had somehow ended up in a store in the Gold Country of California. I always imagined them being from a theater troupe that toured the old West. They were just as likely to have come from a German immigrant who didn’t arrive here until the 1960s, but I like my story better. And the two old Germans are at the end of the first post I ever did at my blog on November 14, 2008.
Then for awhile I used to visit a little town called Port Costa, along the Carquinez Straight in Northern California, that at the time had a lot of antique stores. They had old cabinet cards and other photos for sale, cheap. By the time I moved to L. A. I had enough, along with my L. A. roommate’s photos, to decorate our living room wall. People would come in and see the shots and ask about the relatives. I’d laugh and say, “Haven’t a clue who they are.” At this point I wasn’t taking collecting serious, thus the stupidity of putting them on a wall that got the afternoon sun. Surprisingly they survived. And the reactions from the people who asked about them was generally the same. No comment. They really couldn’t understand hanging photos of unknown dead people on the wall. It was decades before I started collecting again.
Around ten years ago I started collecting with serious intent, the intent being to amuse myself. My best friend got me started by sending me some photos of a woman she determined was named Rosa. That sort of lit the fire. I avoided eBay for a lot of reasons. The prices were too high and I hated bidding on something, getting my hopes up, and having it snatched away by someone else. Plus it just didn’t feel as if I was “discovering” the image. You know what it’s like. That moment you spot something and your heart starts racing. You know only you are at that moment in love with the object and have to have it. That was easier to handle than thinking about people all over the world salivating over the same thing. I eventually broke down and started perusing ebay. Now if I find something I want I’ll think about it far too much and hope beyond hope that nobody else wants it too. I generally do not bid against someone. I can’t bare the heartache…or the inflated prices.
Now I’m deep into the obsession. I crave my next photo fix. Like you I’m basically late to the game, but trying to make up for lost time.
Q. I hate when I see photographs in a box in an antique mall labeled "instant relatives" as it cheapens them. What I like about your books is that they are thematic. I always collect with a specific notion or project in mind. Do you?
A. I agree about the “instant relatives” signs. I often have people walk by and snicker at the sign as I’m busily trying to sort through the bins. They’ll casually stop, pick up a few snapshots, then toss them back like flotsam and walk away laughing after trying to engage me with some silly remark. I smile and say, “Yeah, uh huh” then go back to sorting. I’m always happy to see they don’t “get it” so I don’t have to jockey for space while sorting.
I have to say that it’s really only recently that I’ve started refining my searches. I generally don’t leave the house with a preconceived notion of what I want. I get excited when I find something for one of my silly categories, like “people cutting cakes.” But that’s just for estate sales, flea markets, and antique stores. Ebay is a different matter. I do make a point of focusing on specifics when I search there, otherwise I’d be living in my car in a few weeks. I try to stay focused, but occasionally click on a seller who has something I like and the next thing I know I’m staring at a bunch of images on the screen and repeating over and over again, “I want this. You don’t need it. I know, but I want this.” I think you’re probably much better at staying focused than I am.
However, I do now find myself coming up with ideas for books that I’d like to create. And sometimes the idea for a book doesn’t come to me until I notice the similarity in some photos in my collection. That will focus me and I have to remind myself to not put a lot of pressure on myself to only find items that fit the parameters I’ve set. I’ll just end up coming home from the out-and-abouts feeling I wasted my time. I figure instead I’ll just wait to see what I find because eventually some of those items might coalesce into a new idea for a book. Basically for me it’s a crap shoot. Thrilled if I find something I consider great, but happy if I find an old snapshot of the guy I named Ernie. Just happy to bring home little treasures.
Q. Can you pick "an Ernie" and explain what makes a great Ernie?
A. Ahh, Ernie. Ernie is a real fellow, but I have no idea what his name is. Several years ago, on Christmas Eve, I was at one of my favorite antique stores with a friend who’d come for Christmas. Together we started finding photos of this one very ordinary looking fellow, himself surrounded by Christmas. I ended up doing a four day post about him called “One Man’s Christmas.” A reader asked if she could call him Ernie. I said yes, and the name stuck.
Over the next few years I’d always look for photos of Ernie, hoping to construct more of his life. Eventually all I could find were photos of his wife and kids so I added those to the collection. Ernie now is a perfect example of the saying I came up with a few years ago when someone asked me what vernacular photography is. I thought for a moment then said, “Photographs of the ordinary by the ordinary.”
I often tell people about the time a woman in an antique store indirectly told me, as I sorted through a bin, that what I was doing was disgusting. Where she saw only photos of dead people, I saw photos of life. Collecting these images is saving some of the history of the everyday folks who go through life unnoticed.
And collecting these old images is as close as I’ll get to time travel.
The Five volumes of the Tattered and Lost series are available from Amazon HERE
The Tattered and Lost Blog, which is essential, is HERE
Orange Crate Art Still On the Crate
I don't really understand fruit crate label collectors and suspect most of the shiny, pristine examples you see are fake. But then I'm no expert. This one, while hardly pristine, is real.
Found in Michigan 2014. Collection Jim Linderman
Additional Photographs of Blacaman for BLACAMAN AND GABRIEL GARCIA MARQUEZ CHEAT DEATH by Jim Linderman
Additional Blacaman Photographs collection Jim Linderman
Read the Story BLACAMAN AND GABRIEL GARCIA MARQUEZ CHEAT DEATH at the Paraphilia Magazine Site HERE
How to Make a Copy of a Tintype Photograph
How to copy a tintype? Nail it to a board and make another tintype
Tintype photograph circa 1870 collection Jim Linderman
Fruit Crate Jar Bottle Rim Toss Sewing Spool Folk Art Game
Fruit Crate Jar Bottle Rim Toss Sewing Spool Folk Art Game. Third in the Make-Do Game Series Depression era? Homemade Carnival Collection Jim Linderman
Brush Bristle Folk Art Target with Bow and Arrows
Brush Bristle Folk Art Target with Bow and Arrows. Not shown, the bow. There is no identification or company name, so this may be handmade. Safer than real arrows, and the bristle-tipped arrows stick fine! Make do created from a floor cleaner? Original paint with four "arrows" and a handmade 22" bow.
Collection Jim Linderman
Coming Soon, Again!
Just for the record, the book THE BIRTH OF ROCK AND ROLL is sold out, but it is being reprinted by a major publisher. Stay tuned, and thank you! Jim Linderman
Homemade Baseball Peg Game with Rolling Play Dice
Homemade Baseball Peg Game with Rolling Play Dice. No date, typewriter era!
Collection Jim Linderman
The Accidentals The Best Unsigned Band in America?
(Photo Anna Sink/Local Spins credit) |
One of the best unsigned bands in America is a duo of 18 year old women from Traverse City, Michigan. Home of the National Cherry Festival. That is a long way from wherever current pop "role models" Miley Cyrus and Justin Bieber live, but the Mitten state grows as much talent as fruit, and it has since John Lee Hooker moved up to perform for Automobile workers after the big one.
Katie Larson and Savannah Buist are recent graduates of the first singer-songwriter major program at Interlochen Center for the Arts. It is one of the most acclaimed music schools in the world, yet the Accidentals are far from snooty. They have somehow managed to retain an authenticity and heartbreaking musical pathos I equate with the school of Harry Smith and Alan Lomax. I have every reason to believe The Accidentals will achieve the level of American greats. You would think me kidding if I named a few in the sphere I think of, but then I saw the 27-Grammy Award winning Alison Krauss perform at age 18 too, and as Levon Helm once said "lightning can strike twice" after all. I have seen the Accidentals perform and felt those sparks, and if dear Levon were still here I would tell him. I am not exaggerating. The Accidentals could have owned Levon's barn stage easily, and I know that too.
The Accidentals could already be considered successful, I suppose, with FIVE HUNDRED gigs already behind them. Between them they play a dozen instruments. They sing, at times, with a perfect dissonant aching (some of which you can see in their faces as they occur in the clips here) and they support each other like hired professionals. They met at age 15 in public school, maintained their 3.9 grade points and practiced. They both come from musical families. I have chosen to include two acoustic performances here, but in performance they can rock. Their live act is frequently electric. The stage patter and presence is polished but real. They switch instruments before the song they have finished sinks in. A 45 minute set passes like a train. They already have more good originals than most hit acts, and their tastefully eccentric list of covers, well... covers the gamut. They pack performing space with a multi-generational mix any act would beg for. Their song The Silence has talon hooks, a mature mastery of dynamics and is as good as anything I've heard in a decade. The studio version is HERE and you will find the lyrics HERE. It approaches standard. If you write songs, you know what standard means.
And they will grow.
I am not producer, critic or musician, but I have seen a good two dozen of the performers in the Rock and Roll Hall of Fame and many of them in venues smaller than the Accidentals regularly play. I have been fortunate enough to have made a few small contacts in the music world… if my post here reaches any of them I will have done what I can, and when one day one of them says to me "why didn't you tell me" I won't have to say I didn't try.
The Accidentals website is HERE. Their Music is HERE. They have a YouTube Channel. If they play near you, and they will, see them. Thank you to critic and writer John Sinkevics for alerting me to The Accidentals
Polaroid Pack Film Portraits of Wood and a free preview of I'm with Dummy by Jim Linderman
Anonymous Polaroid Pack Film Portraits, No Date circa 1970s Collection Jim Linderman
You may also be interested in the Book and Ebook "I'm With Dummy : Vent Figures and Blockheads" avalable from Blurb.com.
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