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Antique Folk Art Bottle Whimsey of a Telegraph Tapper

A wonderful folk art bottle whimsey of a telegraph tapper! I placed a photo of an actual piece below as I don’t think many remember the telegraph. Think S.O.S. Samuel Morse tapped out his famous “What Has God Wrought” from Washington to Baltimore in 1844 and communication was never the same. Dots and Dashes predated the telephone by 40 years or so, but the little device lasted for years beyond. I imagine a solitary telegraph operator waiting for signals, and filling his time (and this inkwell bottle) out of boredom. Only two inches tall! A beautiful little folk art sculpture with considerable historical interest. Handmade bottle whimsey depicting a telegraph tapper in a bottle. Collection Jim Linderman. Circa 1850 - 1900. #folkart #whimsies #whimsy. #whimsey. #antique. #telegraph

Wooden Lumberjack at the Snohomish, Washington Grange State Fair 1936 Folk Art Sculpture Real Photo Postcard

Wooden Lumberjack at the Snohomish, Washington Grange State Fair 1936. The fair continues to this day. Real Photo Postcard collection Jim Linderman / Dull Tool Dim Bulb the Blog

Meet the Press Leatrice Joy Original Press Photograph 1921

I don't get to use the word exhuberant very often, but this "edited" for publication press photograph certainly is. Nearly more paint than photo. From the flowers on the bonnet to the stripped tie, there isn't a whole lot of honesty left. Leatrice Joy was a glamor celebrity and silent film star. By the time this photo was taken in 1921 she was well on her way to fame with dozens of short films to her credit. Her first films were shot during world war one! She also lived to the age of 91,passing away in the Bronx New York. Leatrice among those credited with popularizing the Bob haircut. Joy came under a considerable amount of flak at the time for being kinda manly or something, but the cut allowed her to play both young men and women in the films. Gossip columnists were big liars then and now, but she does appear to have been one tough woman who didn't take much crap. During 1921 Her films included half a dozen lost features. The following year she divorced big star John Gilbert citing his alcoholism. Original edited by hand Press photograph 1921. Unknown Washington DC News? operation. Collection Dull Tool Dim Bulb

Postage Stamp Ruse of 1935. Swapped Heads fool Uncle Sam



I discovered a fellow tricking Uncle Sam way back in 1935.  See anything wrong with the two examples of stamps on top here?  The 1 cent  stamp is supposed to depict Franklin, yet Lincoln fills the center!  The 2 cent stamp is supposed to depict Washington, but this one has Nathan Hale.  In the second example, Franklin has been replaced with Washington!  What the?  Both envelopes have been mailed and the rogue stamps cancelled.  The four relevant and proper stamps follow below.  Pretty good, eh?  Actually, one Charles Bradley expertly clipped out and swapped the heads before mailing them back to himself.  Why?  I dunno.  I think some folks just like to put one over on the government.  A while ago I gave an interview in which I claimed not to be a stamp collector.  I guess I am now.

Mixed up US postage stamps circa 1935 Collection Jim Linderman

Early Adopter John Willis and his Electric Bungalow



Two miles from where George Washington crossed the Delaware, on a tiny island where he had been living some thirty years, electric wizard Jim Willis rigged his modest bungalow with 100 dry cells of electricity.  He also tapped into the nearby trolley line for another 600 volts.  There were over 150 electrical connections which animated the place from top to bottom. In 1912, the Popular Electricity and World's Advance described the wonder thus:  "…when all the switches are closed, it is almost impossible to move a muscle or touch a thing without receiving a shock or turning on the lights or  ringing an alarm bell.  If you pick up a book, a pipe, or lift the lid of his tobacco jar, you start an alarm.  You can't even take a pin from his pin cushion, or a toothpick from its holder, nor can you even turn the water into the lavatory without the same result."  Willis also created an electric clock out of an empty tomato can which would automatically draw the shades when the lights came on! 

He welcomed visitors and averaged a few thousand a year.  If anyone attempted to swipe something, a gong alarm would sound.


Willis' Electric Bungalow Willis Island on the Delaware.  Real Photo Postcard c. 1912 Collection Dull Tool Dim Bulb.
Preview or order Books and Ebooks by Jim Linderman HERE.

Harry Bentz Cowboy Artist / Western Folk Artist









 Among outsider art enthusiasts, The phrase "real deal" comes up often. Those who have become familiar with the material know what it means.  It could be a certain look to the work. It can also be as much the artist's motivation as skill. Harry Bentz is what once would have been called the work of a Sunday painter or a folk artist.  An amateur. Maybe he was an American primitive.  Maybe not.    

Actually the most accurate label would be Cowboy Artist. Mr. Harry Bentz was the real deal when it came to roping, riding and even mining. A real cowboy who made art. Untrained, but highly motivated to learn and create. 

There are a few brief biographies. My guess is that Bentz found himself some time and started using it to make art. In the 1960s he painted what could be some 200 works. Along the way, he learned that through some primitive xerox (ayup) and a goofy photo stat process of some sort (ayup) he could make editions!  Of a sort. The cowboy took advantage of modern technology available to the common man.  Again speculating, I believe the artist wanted something to sell in a rack alongside his paintings at events.  How many of these could range into the hundreds.

As with many primitive painters, he used found material to paint on. Some were uneven, large boards.  Many of the sketches are on the reverse of used paper from the Bureau of Mines.   

Apparently Bentz was working on a book.  Among his papers are handwritten captions for "Sketches of the West" which would have been 60 pages.


The drawings would not have been shown art fairs, but at western events. In some ways, as far outside of the contemporary art world as one can be.  He fished, hunted, broke horses, played the guitar and took out pack teams as a hunting guide. In 1951 he became a member of the Rodeo Cowboys Association. He began serious painting while working on a ranch near Kennewick, Washington. Reflected in his work is the life he lived.
 
All paintings and drawings collection Jim Linderman.  





   





Victor Joseph Gatto Nude Woman Oil Painting on Board American Outsider Artist



"Most of Gatto's paintings—scenes of everyday life in New York, exotic cultures, historical events, and tropical episodes —are packed with endless detail built up with many layers of minute brushstrokes. Gatto, a bachelor and a former featherweight boxer, lived with his widowed stepmother in the section of New York known as "Little Italy." Painters Elaine and Willem De Kooning lived in the next apartment in the late 1930s, and Elaine De Kooning and other artists encouraged Gatto's painting. His work received critical acclaim through several exhibitions in New York galleries during the 1940s and 1950s, his most productive period."  Lynda Roscoe Hartigan Made with Passion: The Hemphill Folk Art Collection in the National Museum of American Art (Washington, D.C. and London: National Museum of American Art with the Smithsonian Institution Press, 1990)

Oil on Board c. 1950 Collection Jim Linderman

Gatto in the Smithsonian American Art Museum

Gatto papers at Syracuse University  

The Art and Times of Victor Joseph Gatto in the Clarion 1988
Text in full begins on page 58 HERE

Victor Joseph Gatto Outsider Artist "The American Primitive" Painting of a Young Woman



"Most of Gatto's paintings—scenes of everyday life in New York, exotic cultures, historical events, and tropical episodes —are packed with endless detail built up with many layers of minute brushstrokes. Gatto, a bachelor and a former featherweight boxer, lived with his widowed stepmother in the section of New York known as "Little Italy." Painters Elaine and Willem De Kooning lived in the next apartment in the late 1930s, and Elaine De Kooning and other artists encouraged Gatto's painting. His work received critical acclaim through several exhibitions in New York galleries during the 1940s and 1950s, his most productive period."  Lynda Roscoe Hartigan Made with Passion: The Hemphill Folk Art Collection in the National Museum of American Art (Washington, D.C. and London: National Museum of American Art with the Smithsonian Institution Press, 1990)

Oil on Board c. 1950 Collection Jim Linderman

Gatto in the Smithsonian American Art Museum

Gatto papers at Syracuse University  

The Art and Times of Victor Joseph Gatto in the Clarion 1988
Text in full begins on page 58 HERE

Outsider Art and Art Brut? It's a Piece of CAKE Paul K. Schimmack Bakes and Decorates an Astrology Chart

As much as I hate to start a new trend in "outsider art" I present here what was likely the first CAKE made with obsessive scribbles.  The medium?  SUGAR.  So there you go…a visionary piece of cake!  

There is an art to making cakes (and Schimmack was good at it) but when was the last time you saw some Art Brut applied with a frosting bag?  Among the proclamations made of sugary goo is that a trip to Neptune at 60 miles an hour will take over 20,000 years, so eat a big lunch before you go.  The artist/baker also indicates the weight of the moon.

Paul K. Schimmack was a bread and cake maker by trade (he was named Secretary of the Washington Wholesale and Retail Bakers Association in 1910)  As you can see here, his shop "The Lion Bakery" was capable of "40 buns in one minute!"   The building no longer stands. A house was placed there in 1922. Still, if one can say "he is better known" for a guy not known at all…it was his astrology art for which he is best not remembered today.  It is fair to speculate the great share of his work was eaten, but this recent discovery of a second obsessive diagram produced over 100 years ago is a good time to explore what is in the historical record.  This one has missed being included in the record as it was consumed after the picture was taken.

Astrology, of course, is the most intricate and detailed bogus system in the world!  Wiki calls it a pseudoscience, which means not science at all.  It is an early scam and continues to be.  I rank it just ahead of "magnet therapy" and Phrenology…the science of bumps on the head. 


Paul K. Schimmack's work "The Weather Shark Predictor" of paint on tin is now in the Balsley collection and it has appeared in shows, in a 1997 issue of Folk Art Magazine and in at least one catalog.  It is something of a masterpiece.  The artist seemingly registered a print of the piece in 1913 as "a work of art" titled Farmers Morning Glory Chart with the US Copyright Office.  It was published by the Schlesinger Company.  I believe "work of art" means a postcard, as the company was also responsible for the once common"Indian with headdress" postcards, though they did also publish lithographs for wall display. No publisher is indicated on the postcard here of his cake concoction, but it dates to around the same time.

Folk Art Magazine Spring 1997
A more typical image from Schlesinger Brothers Publishers

The Daily Republican (Monongahela, PA) of March 31, 1931 gave Mr. Schimmack a nice feature and asked him for a few predictions. "Inch downpour of rain during May followed by a rainy June. July, August, and September will be moderately dry. During November and October the rainfall will be medium and a general cyclone will strike the eastern states, causing shipwrecks and endangering tall buildings. Schimmack forecasts a general peace-making among all nations with the end of the year 1931.  Several years earlier, the paper had gone to Shimmack for his prediction on the Dempsey - Tunney fight!  Dempsey will enter the sign "with the support of the moon" while Tunney has Mercury behind him. 

In 1927, the Lincoln Star (Nebraska) filled lots of space with his predictions.  They called him a "weather shark" and astrologer.  The numerous, if mundane "crop reports" ran for several inches of copy.  Most notable was a "A big flood In California" and "The lion will show his teeth the first part of March, but that month and April will be relatively springlike."

Schimmack was also apparently the "go-to" guy for the Pittsburgh Press.  They called on his expertise in the January 26, 1932 issue.  "The change In weather will start to be noticeable today or tomorrow, however. Prom then on, there will be blizzards, sleet, snow, rain and ice. Eastern States will be paralyzed. "Coldest days will be Jan. 27, 28, 29, 30 and 31; Feb. 1, 3, 5, 6, 19, 22, 23. 24, 25, 27; March 2, 13. 18, 29, 31; and April 6, 7, 9 and 17." The Washington seer also predicted heavy snows in Pittsburgh and New York Feb. 22, 23 and 24. The groundhog will see his shadow; rivers will be at flood stage about the end of March and this district will experience a "white" Easter Sunday, he said."


He was referred to as the "astrological seer of Washington Pa." and that he had been "observing and charting planets for nearly 50 years…he's delved into histories of floods, cold spells and droughts for as far back as 1832, noting positions of planets for each."  Whew. 


The Spring 1997 issue of Folk Art magazine illustrated Mr. Schimmack's "Weather Shark Astrological Chart" along with a notice of an exhibition at the American Visionary Art Museum.   The piece is in the collection of John and Diane Balsley.  It also appears in the catalog of the exhibition.  A large color image of the piece is available HERE from the Ricco - Maresca Gallery. 

"Illustrative Astronomy" by Paul K. Schimmack  Photo Postcard 1910 Collection Jim Linderman

The Amazing Story of Jesse T. Stubbs Monument Builder Orange Tree Promoter and Hero The Road to Peace on 42nd Street




IN 1947, a strange man entered a Kansas City pawn shop and left with $750 dollars in his pocket.  He had pawned an amazing book.  It was handmade and two feet long, covered in the finest red leather, encrusted with jewels and titled "Orange Blossoms Over America."  The author, and the man pawning the book was Jesse T. Stubbs. The book was locked and encased in a box a foot thick.
 
There were 13 stones.  Diamonds, rubies and sapphires.  Mr. Stubbs told the pawn owner he needed money to travel to Washington.  He said he would return in a few months to reclaim the book.  He never did.

Two years later, Pawn owner Phil Tobias had a duplicate key made to open the book, and the story of Mr. Stubbs was revealed.

Once a wealthy man, Mr. Stubbs had lost it all during the stock crash of 1929.  His wealth had apparently come from prospecting and then selling securities. He also obtained a small orange grove and began tending orange trees as a hobby.  At some time, an accident left him unable to straighten up…hit by a steam shovel.

Stubbs came upon a notion.  He decided to spread orange trees to every corner of the country.  He uprooted a tree and planted in on the back of a trailer and began his travels.  He reached too many cities and states to count.  Ending up in NYC, he built a large glass encased box for his orange tree.   He took a job as a parking attendant to pay for the project and to protect his tree.  The parking lot, (apparently the very same one Kramer on Seinfeld found a condom in George Costanza's car) was on 12th Avenue and 42nd street.  By 1939, his tree was living in a corner of the lot.  The glass for the case came from discarded window glass.  Below is Jesse's Orange tree standing in the shadow of the New York Skyline, a detail from the painting above.

At one time in Jesse's life, he took a break from tending the tree to walk to Alaska.  The famed humorist Will Rogers and his buddy Wiley Post were killed in an airplane crash in 1935, and the tree-tending parking lot attendant had a "retroactive" vision of sorts…he decided to travel to Alaska and build a memorial to Will Rogers 15 years after their plane went down in the most remote area of the state.  At the time, Stubbs was 72 years old.  He made it to Anchorage, but the last 850 miles would be tough.  He left with a 60 pound Siberian husky named Quacco pulling an 80 pound sled.  They made nearly 450 miles on their own, and upon reaching Fairbanks and he accepted a plane ride to the site in Barrow, Alaska.
There ARE powerful miracles made by man, and Jesse Stubbs not only made it to the crash site, he completed his stone and concrete monument to Will and Wiley!   The statue, an obelisk ten feet tall with four square blocks was completed.  it is still accessible only by airplane.


The "more official" monument gets most of the attention, but here is Jesse's on the right, still standing, in a photograph from the National Register of Historic Places.

Jesse Stubbs passed away in 1960 at the age of 81. 

The image above is a real photo postcard  which shows a painting of "The Traveling Memorial" by Jesse Stubbs depicting an orange tree in full bloom that he transported from coast to coast in an exhibit so that people could see the growth of an orange  After V-J Day he decided to exhibit a painting of his exhibit at Times Square in New York City to honor the sacrifices made by the military during WW II.  This card is a photograph of that memorial.  It appears in the book AMERICAN FOLK ART IN PLACE: IN SITU AVAILABLE HERE.  The back of the image is below.


 Real Photo Postcard circa 1945 collection Jim Linderman

Denying Dinah Washington Airplay Big Censored Slidin' Thing

 Why is Dinah Washington's single here rare?  The answer lies not in the groove...but the censorship handwritten instruction to the disc jockey as much as the song title.  How's a girl to get sales without any airplay?

You can listen and determine the obscenity level yourself.  It IS filthy.  In fact, it may be the most filthy song ever recorded, and it came without a parental guidance sticker!  QUADRUPLE entendre!

I won't give away what the song is about, but it isn't a trombone.


Dinah Washington was singing in Chicago club "Dave's Rhumboogie" by the time she was eighteen, so I am going to guess she knew her instruments.  Born Ruth Jones but soon to be known as Dinah.  Her first record was written by Jazz scholar Leonard Feather.  She was married seven times, all by the age of 39.  It is not clear is the United States Post Office heard "Big Long Slidin' Thing before the put her on a postage stamp in 1993.  It was a lickin' thing.

Thank you Dinah.  You keep on, despite being hassled by the man!

BOOKS AND AFFORDABLE EBOOKS BY JIM LINDERMAN ARE AVAILBLE HERE

A True Crime Tale by Jim Linderman


I am pleased to have the following article published in THE CHISELER this week! The Chiseler is a highly regarded web magazine edited by Daniel Riccuito. It is a site much worth following. Special thanks to Jarett Kobek, who inspired the story, having transcribed "The Oldest History of the World" book and the story from which I originally found the information I used for the story. I purchased the photograph above intending it as a post on the old-time-religion blog...imagine my surprise at learning what was in my hand.



FAITH HEALER LEFT HEADLESS: A True Crime Tale by Jim Linderman


In 1932, according to an AP wire story which ran in several newspapers, including places as far afield as Sarasota, Florida and Spokane, Washington, Robert Harris, a negro and leader of a religious order with a membership of “about 100 negroes in Detroit” confessed to the brutal murder of James Smith, also a negro. Harris admitted that “he crushed Smith’s head with the rear axle of an automobile, then stabbed him through the heart.” Robert Harris apparently dragged Smith to “an improvised altar” in his home to finished him off.


Detroit in the late 1920s and early 1930s had a problem with religious cults.

Three years earlier, on a July 4th weekend, not far from where Harris killed Smith, Paul “Benny” Evangelista, known as a “Divine Prophet” was murdered along with his wife and four children. With an axe. Few axe murders are not gruesome, but this one was particularly so. The entire Evangelista family was hacked to pieces. The bodies in bedclothes. The divine prophet’s head was severed from his torso and placed on a chair in the family living room.

Also “cruelly hacked” was Santina, the prophet’s wife and Jeanne (eight years old) Angelia (nine) Margaret (ten) and the three-year old son Mario. One account puts Mario’s age at eighteen months. In addition to the prophet’s head, one of the girl’s arms was severed. Police suspected that wound was the result of a “miscalculated blow” intended for Santina’s neck, as it too had been hacked but the head was left hanging by a thread. Leaving the house on St. Aubin avenue, in the Italian district of depression era Detroit, the fiend and pervert left a bloody trail for police which went nowhere.

Benny was downstairs in pieces when found by a neighbor, real estate broker Vincent Elias. A friend of the family, just a day earlier Elias had completed arrangements for the purchase of a farm near Marine City, MI for the Evangelistas. Elias opened the unlocked door, saw the head and without looking further ran for the police. The children and wife were found by authorities upstairs.

In an understatement, Wayne county coroner James Burgess called the murder “an unusual case.”

A week later the entire family was wheeled down rain-slicked Woodward Avenue, parade-style, each in a coffin of appropriate size. The public funeral was an opportunity for police to look for the killer in the crowd, but to no avail.

A relative of the Evangelista family living in Coraopolis told police they must have been murdered by members of a “Black Hand” organization.

Benny was Benjamino Evangelista, a Neapolitan immigrant who claimed to be an herb doctor and faith healer. In other words, a criminal and fraud using religious superstition and jargon to steal. Like all “faith healers” he bilked rubes out of savings like a carnival barker, but his tools were voodoo, false claims of health, black magic and superstition rather than sideshow swindles. He overcharged desperate people for “love potions” and promises of cures. He provided “readings” for ten dollars. For these things, it appears, he and his entire family were sent to a violent and blood-sticky end. Benny pissed off a client with an axe.

Prior to being murdered, Evangelista wrote an enormous, self-published book of religious ravings based loosely on the bible. It took him 20 years. “The Oldest History of the World: Discovered by Occult Science” It is unreadable, useless and no one bought it. In the fictional account three prophets travel to “Afra” in order to “see what the colored people were doing…” but all they were doing was eating their food uncooked.

The book has been hand-typed from one of the few existing copies and digitally reproduced by the extraordinary Jarett Kobek. http://kobek.com/

Kobek is a brilliant scholar and is most certainly, despite the extraordinary story of Divine Prophet, himself a better story than the people and events he writes about. He also provides the most complete bibliography of period articles about the crime, and details such as the characters in the book existed also as puppets in a shrine in the Evangelista basement.

The gruesome crime was still unsolved three years later when the “rear axle murderer” above, Robert Harris confessed. Briefly, The police thought the crime solved. So did the press. “Confession by King of Weird Cult clears up Detroit Murder” read one headline, but it was not to be. Harris didn’t do it.

Neither did Angelo Depoli, arrested the day of the murder with a blood covered curved knife used for chopping bananas in his barn. A year later the family dog was still being sought as a witness. Detroit police were so desperate to solve the crime they tried to pin it on a man who escaped from a lunatic asylum and was presumed killed by a freight train two years BEFORE the crime. They didn’t have much, but they did have a pair of bloody fingerprints from the door latch. They were figured prominently in the bulletin from Superintendent of Police James Sprott along with the reward of one thousand dollars which was distributed far and wide to no avail.

The case is as cold as wind from Windsor blowing across the Detroit River in December.

by Jim Linderman

Jim Linderman uses photographs and ephemera from his personal collection to tell true stories. He is author of the Grammy-nominated book / CD Take Me to the Water and the forthcoming Heroes of Vintage Sleaze. His daily blogs are DULL TOOL DIM BULB, VINTAGE SLEAZE, and old-time-religion. He has also self-published a number of books which are available from Blurb.com.




Original Press Photograph Wide World Photos 7/5/29 Collection Jim Linderman

Dull Tool Dim Bulb Books and Ebooks HERE

Vernacular Architecture Stump House Kind Two Views




Two Views (of a two room house with view!) Stump House of Washington. First pic a photo with dimensions (18 feet) and the other a Real Photo Postcard with inhabitants.
Both collection Jim Linderman

Jay Moynahan Soiled Doves Prostitutes Infinity on Trial Museums and One Man's Obsession













Bob Dylan once sang/wrote "Inside the museum, infinity goes up on trial" which is a good line. I have always thought it is collectors who do the work...and decades later the museums catch up. Case in point is folk art collector Herbert Hemphill, a major influence on my life. The things he collected even came to be known as "A Hemphill thing" for lack of a better description...now the Smithsonian owns them and they help define the American experience.


My point is not to detract from the work of curators, historians and scientists who work in lauded museums at all...just that they sometimes take forever to get things done. With history counting on them, they don't have the luxury of being flippant or smarmy, as I do...and accuracy really isn't my forte either, I will confess. They have to be.


But it is truly the individual collector, the independent researcher, the hobbyist and the local historian who do the serious ground work. They have the drive, the obsession and the gumption to break ground, put disparate objects together for the first time and in many cases even create a genre.


A case in point is Mr. Jay Moynahan of Spokane, Washington. I happened upon one of his books while doing some research for my Vintage Sleaze blog. "Oh..so you were RESEARCHING prostitution?" Yes, actually, I was!


Mr. Moynahan appears to be quite a story. By my count, which stopped when I reached double-digits, Moynahan has researched, written and published some TWENTY FIVE BOOKS on prostitutes. Mostly prostitutes of the the American West, which he calls "soiled doves." I truly am afraid to read one...not because I am in the least bit prudish...because I am afraid I will like it and be hooked. No pun intended. With spring gardening coming up, can I really afford to go on a 25 long book jag of Moynahan's ladies of the night?


I am truly in awe. Now I must confess most of my own personal knowledge of the role played by working women in the West comes from the Larry McMurtry books...Lonesome Dove and the like. He often has a female character, superbly
defined and described, by the way....who turns tricks for the men and acts as a sounding board. Honest, hard-working, trustworthy women who happen to work in the sex industry. So although I dabbled in Native American Art for a time, I really have no first hand knowledge of Western lore. For all I know, Jay Moynahan is well known in that community and his books sell like the soiled doves themselves after the round-up was over and the pockets were jingling. But he was certainly new to me.


Mr. Moynahan is retired Professor Emeritus at Eastern Washington University in Criminal Justice. He happened to learn of a distant relative who ran a bordello in a mining town in the 1870s. Some folks doing their genealogy might be tempted to overlook such a find...Moynahan only dug deeper.


What an accomplishment! Not only for the accuracy of history and for the appreciation of the role women played in settling the west, but an accomplishment for all interested hobbyists, amateur researchers, writers and future museum curators. This is a man who has documented and created a previously ignored and shunned part of history, and I for one intend not only to read one, but I suspect many. Some of his books consist of reprinted material he has located and assembled, some are collections of photographs...Just browse the inventory and you will be as impressed as I.


Mr. Moynahan HERE.
A complete list of Moynahan books and ordering information is HERE.


If I were involved in any way with an institution of higher learning, a museum or an archive, I would be fetting Jay big time. This appears to be one serious chunk of history compiled and written by one man with a mission, and I suspect historians will recognize it for decades and decades to come.


Photographs collection of Jay Moynahan.


Dull Tool Dim Bulb Books HERE