Circus Photographer Robert D. Good advertised his services, among other places, in the circus section of Billboard Magazine during the 1940's saying "If you raised the circus, see it in pictures" offering real photo size images. 20 cents would bring you a sample and lists of photographs he had taken in the past. He called his studio "Circus Snaps" and frequently typed captions on the reverse of work along with his stamp.
I love this photograph, and you'll have to enlarge it to see why. A simple enough shot of the Sparks Circus Sleeper becomes a group of boys admiring the Circus Strong Man.
Robert was not only a photographer, he was a well-informed fan of the circus. His letter to Life Magazine on July 19, 1954 tells readers the "last living driver of the 40 horse team pulling the famous Two Hemispheres Band Wagon" was celebrating his 91st birthday. Good passed away in May 1974. A splendid photograph of the photographer appears on the Circus Historical Society "Bandwagon" pages for the May 1964 issue
"Sparks Circus at Lehighton PA. in 1946 Bus Converted into Sleeper for Performers" Robert D. Good Photographer Collection Jim Linderman
In the tradition of F. W. Glasier, Dull Tool Dim Bulb incorporates a new mini-series, "At the Circus in Black and White" I will post an amateur vernacular photograph of the sideshow weekly.
Untitled snapshot "Woman, Monkey, Man, Dog" anonymous c. 1950 Collection Jim Linderman
Frank Wendt has always been unfairly placed in the shadow of Sideshow Freak photographer Charles Eisenmann, his mentor. Wendt took over the Eisenmann studio on the Bowery in 1893 and ran it for five years before moving it to New Jersey. He continued making pictures there for a number of years, some quite extraordinary. In 1979, just as interest in collecting circus freak photos was rising (in part as interest in Diane Arbus was rising as well) a book on Eisenmann was published which dismissed Wendt's work as "perfunctory" and that the production of those years has all but been "obliterated." Au contraire! As we are just learning, MANY exceptional images remain. The photos here are certainly not obliterated.
Wendt specialized in the unusual, of course as you can see. But he had a wider clientele than Eisenmann. He shot all manner of performers, not just the strange. In fact, some of his most beautiful work is normal looking actors and child performers, who would use his cabinet card photographs as trade cards, mementos and such, frequently selling them to admirers for a dime each. Often the performers autographed the cards on the reverse, personalizing them to fans and the freaked. In the case of the carnival performers, vital statistics were often provided though frequently exaggerated. In fact, Wendt would take his pictures to emphasize the particular trait or deformity being marketed.As traveling shows passed through New York and New Jersey, they would stop to replenish their stock. Sometimes Wendt would republish Eisenmann's work on his own cards, but frequently a new photo was taken, and the same performers often appear in later pictures, with different imprints or logos on the cards.
I have posted work by Frank Wendt on this site before, they are worth looking at.As research continues, I plan to expand on the story with a book and exhibition.
Frank Wendt Five Original Cabinet Card Photographs circa 1890-1900 Collection Jim Linderman
Stephen G. Brenner was not only the Bozo assigned the Maryland beat, he was also involved with carnivals and sideshows all his life. Brenner was born in 1894 and published his autobiography "My Life Story as a Clown" in 1978. He was an early, if not the first Bozo. Incidentally, There is a list of dozens of regional Bozos listed in Wiki. Larry Harmon is, of course, the most famous, but my favorite is Victor Trujilo of Mexico City who created "Brozo el Payaso Tenebrosco" (Brozo the Creepy Clown) shown here in a clip with his inspiration the Mexican Bozo.
Real Photo promotional card for Stephen G. Brenner, Collection Jim Linderman
These circus banners, when strung in a row to attract customers, were known in the trade as a Banner Line or The String Show. "Ten in One" refers to the usual number of acts. The Lincoln Brothers, who apparently had only eight acts...lasted only a few months.
For other sideshow photographs posted on Dull Tool Dim Bulb, click blue "sideshow" subject heading below.
Anonymous Photo Snapshot 1921 Collection Jim Linderman
Be it an educated pig as shown here (taking a slider face first to serve some point) or the famous "learned pig" national treasure Ricky Jay has written about, the swine has long been man's smart friend in the animal world. Anyone who doubts this need only watch an episode of Green Acres featuring Arnold "The Pig" Ziffel. In one episode I remember, not long after the series went to color, he even BLUSHED himself RED. In another episode, Arnold became a painter and adopted the name "Porky Picasso" until his masterpiece "Nude at a Filling Station" was banned. At any rate, the Porcine Pneumonia seems to be subsiding, thanks be to God. I had the flu for six months once, and I do NOT want it again.
Original Photograph "The Educated Pig" circa 1930. Collection Jim Linderman
As I pondered posting these vernacular photographs of a 1958 circus sideshow I found last week, I was struck by their being physical objects first, images second. I am sure the entire world has gotten over this matter long ago and my even admitting to bring it up is anachronistic. However, I own these, they occupy space in my files and as they are exposed to light and dust, fingers and moisture they will age, curl and change in aesthetic and physical ways. I am interested in the physical properties of photos, the wrinkles, the spots, the foxing, the tear. Surface is just as important to a photographic object as is the image. It might be my folk art background, where authentic age, signs of use and patina is a serious precursor to value and an indicator of authenticity...why shouldn't the camera arts be the same? Invited comments. In my world, "pristine" should apply only to the magic bullet commission exhibit 399.
4 original sideshow images, circa 1958 (cropped) Collection Jim Linderman
Literally, a Dog and Pony show. The expression once referred to acts held outside a carnival or sideshow. It now means to confuse a someone into thinking a product is necessary or improved, to bamboozle the client. There are more advertising executives than carnival acts these days, but both promise more for your money. (Though this young woman probably took more pride in her work than the folks on Madison Avenue) By the way, the term "dog trainer" (as any trainer will tell you) is a complete misnomer. Dog Trainers train dog OWNERS. Dogs are pretty much born knowing what to do.
"Dog Act and Trainer" Original snapshot c. 1958 Collection Jim Linderman
Linus II had a 10 foot double mane and a 16 foot tail. He was owned by W. A. Rutherford of Marion, Oregon, and presumably won many ribbons at the local state fair, not to mention attracting many nickels and dimes from sideshow attendees in the 1880's. Circus sideshow performers with unusual attributes were far from common, but even fewer had four legs.
Original Cabinet Card Photograph c. 1880 by Wendt Collection Jim Linderman
