Jim Linderman blog about surface, wear, form and authenticity in self-taught art, outsider art, antique american folk art, antiques and photography.
Showing posts with label Graphics. Show all posts
Showing posts with label Graphics. Show all posts
Fourth Dimension Blows Up! Japan Transfer Sticker Space Travel
Well, not "blown up" but scanned at a high resolution and enlarged. I am a sucker for vintage Japanese graphics. There are several sets of these for sale on ebay currently! See link below.
After the big one, we helped Japan return to sound financial footing by giving them a market for cheap toys. Our own baby boom! All manner of celluloid toys, tricks and yes, stickers, could be sold to the offspring in our expanding suburbs. In that manner both economies grew. It was early globalization and all benefited. I love stories with happy endings. But then some politicians with no positive agenda to push other than A) denying women the right to make their own decisions and B) helping the rich came along. So, they invented the boogie man: Job-taking "others" to scapegoat. Want to ruin the economy of us AND them? Close the borders.
See other sets for sale HERE on ebay.
Bombs Away Comic Decal Transfer Death from the Sky World War Two Gallows Graphics
One day someone will write a book on the relationship between the rudimentary graphics of World War Two and tattoo art, pin up art and the comics. Maybe I will!
Countless cartoonists, illustrators and artists began their careers drawing for their foxhole friends, mostly for duffel bags, helmets and such. Most of the soldiers were barely out of high school, and what should have been drawn in schoolbooks and scratched onto desks were being created as patches for patriotic young cannon fodder.
Death became a game. It had to. We were losing the war, and encouraging a little more war fever with a clever drawn gag didn't hurt. War is ugly and the furthest thing from funny, but gallows humor thrives in the face of atrocity, and many a bomb was decorated with humorous graffiti before being dropped.
The illustrations here come from an enormous collection of circa 1940 paper decals I found. All anonymous. All are on scraps of waxy paper, and I believe they are intended to be applied to uniforms, helmets and footlockers. I cleaned up and isolated the images from the paper backing. Anyone with more information on either the artist or the use of these graphic appliques of doom are encouraged to write.
World War Two decals circa 1940 collection Jim Linderman
Dull Tool Dim Bulb Book and e-Book download purchases HERE
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Design Art of the Pamphlet A Tribute and Essay by Jim Linderman
Waiting rooms. The domain of the pamphlet. Public Service or propaganda, these graphic little printed booklets are probably the most common art form never really appreciated. They are seen but neglected. A million artists have worked on them without credit. Your doctor will tell you about smoking. Your Secretary of State will tell you about driving safety. Your employer will tell you rules, give advice and describe the procedures. Each will be printed in stapled form, some eight pages or so, and they will always be free. Sometimes the cost is born by the government, sometimes by a corporation hoping to score points. But the common theme to all is a lack of artistic credit. As the purpose is to spread the news like wildfire, they often carry no copyright. No library holds them. Once the rack is empty, a new one will come along to fill the space.
Everyone of these splendid and striking little works of art come from one of the millions and millions of pamphlets sitting in racks now waiting to be left in the car, then weeks later taken in and forced into an overfilled kitchen trash can. They'll help you push down the coffee grounds without getting your hands wet.
The artist is unidentified. He worked in the orange color used in traffic signs as that has been determined to be the brightest shade to attract the eye. His or her graphics are simple, easy to understand but accomplished. There is room for creative expansion but little abstraction to confuse.
Images from "Do You Have Mile-A-Minute Eyes?" Employee Rack Service of Western Electric Company 1959. Pamphlet Collection Jim Linderman
The ART of Chalk Talk Forgotten form of Propaganda
So I have been playing with the idea of doing a project of some sort with CHALK TALKS. No, chalk can not talk, but that documented liar, charlatan and fraud Glenn Beck can, and he has forced my hand.
One of the most basic and rudimentary forms of visual communication and often used to influence children (and by Glenn Beck, his unsophisticated, vulnerable viewing audience who votes) chalk talks have been directing and developing damaged minds since a charcoal stick could mark a wall. Heavily used by schools, the military, churches, Alcoholics Anonymous and anywhere a, well...to put it bluntly, simple mind can be deceived or impressed.
The whole concept of presenting visual information on a simple black board to inform, trick and convince is visual propaganda. In fact, it may be the secret history of propaganda. Using humor, skill in rendering, confusing slight of hand and deception, the chalk taker also develops a convincing patter to go along with the images. At least Glenn Beck hasn't developed that...being a blithering bloated bag of confused wind...but he's resurrected the art, and even his amateur, pathetic version of the skill has convinced some to believe in things against their best interests...a testimony to the power of the chalk art.
And art it is...I pride myself at finding forgotten forms of art. The chalk talk is a primary example, never mind that it was, and is, aimed at the uneducated and often helpless masses. When used properly, it is as effective as any visual form, or at least it has been...and when you see Stephen Colbert or a political reporter drawing on the digital screen, the technique is the same but presented even simpler. It took years to develop true chalk talking skills, like magic...and most reporters lack the time it takes to master the art. So here I present to you some splendid examples of the visual skills which were used by chalk talkers.
Many of the images are religious...no mistake. Most chalk talkers had a religious agenda, and many were preachers (and in some cases, talented but let's face it, failed fine artists)...but the technique was heavily used in sunday schools and at church dinners. Magicians were used at birthday parties. Psychologists were used at business meetings and buffons with drawing skills were used at pep rallies and the school assembly. They are all fascinating and I hope my health holds out so I can bring you more. With a history going back to Vaudeville, the characters, the monologues and the graphic quirks produced by this forgotten league of competent doodlers deserves a bit of attention, and I aim to try!
A note...I'll spare the good, hard-working legitimate teachers working on your children's behalf every day in school in the REAL chalk jungle. Far from being charlatans, millions of selfless and underpaid educators used the board in a similar way, but for a far more noble purpose...and they deserve our thanks.
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