Little Hoofers by Frank Wendt Cabinet Cards Collection Jim Linderman

Photographer Frank Wendt is best known for his sideshow photographs, but he took more than his share of little women.

Cabinet Card Photographs by Frank Wendt, circa 1890 collection Jim Linderman

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Wooden Clown Folk Art Ring Toss on the Nose Paddle Wild Paint

Carved wood handle ring toss game Hand-painted Circa 1940 Collection Jim Linderman

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Amateur Impalement Art Knife Throwing and a Tarpaper House

There isn't a trick to knife throwing...you just practice. A LOT. On very rare occasions there may be a magician who uses knives coming from behind the board, and there is a trick to the blindfold finale...but for the most part, all that is involved is a good knife and hours of work. No easy solutions, kids. The fellow here is lucky...not only has the amateur missed him, but he is stationary. Obviously, our thrower in training has not yet made a tarpaper "wheel of death" to match his house.

Because their names are as wonderful as those adopted by mobsters, here is a list of famous impalement artists.

Texas Slim and Montana Neil
The Great Throwdini
Che Che Whitecloud
Lash and Steel
The Great Cindini
Jack Dagger
Joe "Brokenfeather" Darrah

Original Anonymous Photograph, circa 1940 Collection Jim Linderman

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A Tribute to Betty Fox The Most Amazing Performer in History and the Plaintive Comment Board

(DO CLICK TO ENLARGE!)

Browsing around to find some background about this photograph, I came across a plaintive and heart-wrenching comment on "Behind the Curtain" the wonderful photographic blog of the State Journal Register, the oldest Newspaper in Illinois. The comment comes from the daughter of the woman shown above. I am leaving the name off the comment to protect her privacy in what must be a difficult time. The comment is dated February 20, 2011.

"This is my mother and she is the most wonderful woman I know!! She is 93 and on her last days of life what a blessing she is!"

I own many photographs but several of my favorites turn out to be photographs of Betty Fox. I treasure the second here particularly as I found it among the possessions of my late father, who likely took it himself. As you can see, he was impressed by Betty as well. He took several, I would have too...and I posted some of them earlier HERE, they are among the most beautiful photos you can imagine. I am afraid this wasn't due to my father's skill, it was due to Betty and Benny.

God Speed to the wondrous woman named Betty Fox. Many have entertained others, but few with such daring, grace and form. With all the offensive, slimy, divisive (and frequently, Rush Limbaugh inspired) crud clogging "comment" boards today, it is a splendid thing indeed to see such a heartfelt, honest and pleasing contribution from someone who actually has something to say. It made my day.

I don't want to turn my tribute into a screed against "entertainer" Limbaugh, but that fat clown could not begin to touch the toes of this splendid, striking and amazing woman, much less his own.

Thank you Betty Fox for entertaining and astounding so many good people over the years, including my family.


Original Press Photo and clipping, 1968 Collection Jim Linderman
Betty Fox Snapshot, circa 1940 Collection Jim Linderman
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Dad Drops a Quarter The Sideshow Bottle Stand Trick 1966

Dad may be good at "knockin' them back" but he isn't going to stand this one up. Can it be done? Yes, and you will often see signs at the booth reading "one win per person per season" to keep that BMX mini-bike hanging on the wall in back. But will YOU do it? Nope. Dad has the wrong thing going here, and I don't just mean his white socks. The pole should be as vertical as possible, not horizontal, and you must "push" the bottle up, not pull it. Complicated? Yes. It will take you a solid afternoon to work it out at home. How many of those who come upon it have done their homework? None. Especially not Dad.

Original Vernacular Photograph, Dated August 1966 Collection Jim Linderman
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The World's Most Wonderful Horses Frank Wendt and The Wondrous World of Wendt Carnival, Show and Sideshow Horse Photograph Cabinet Cards

These pictures were taken during the the agrarian United States on the cusp of Industrial Society. The horse played a role in both, and it is no wonder it also played a role in the traveling circus.


Horses with long tales can swat flies easier, but the mane seems purely decorative. Depending on genetics, many horses can grow spectacular heads of hair, but normal wear, tear and snags usually keeps the mane at a manageable length. Show horses are often allowed to grow it longer. They will even have it braided and let loose before the show in an attempt to create perfect waves, but even their splendid "dos" pale compared to a wild horse, of which I recently heard there was some 30,000 roaming in the states today. A number increasing through abandonment...it is expensive to maintain a horse, often costing far more than the horse is worth.


Horse were also taught tricks. Fake tricks, but then all tricks are fake. When you see an educated horse clomping off a count, or solving complex mathematical problems, it is usually because the trainer has tipped Trigger off. It is a fairly easy trick to teach your horse to go get their food bucket. Even a dog can do it without training. Teaching your horse to shake his head yes or no is easy as well, and we're not even into Mr. Ed territory here yet. But for the math genius horse who knocks off numbers like an accountant? Usually he has been taught to respond to cues from the boss, not to operate a calculator in his head.


First up is Mascot the Talking Horse. Looks like Mascot could shake hands and push a lever in addition to talking. What? You don't hear anything? Neither do I. Mascot was active in Connecticut, and the Syracuse University also holds one of these cards in their collection. Note the photo of the Professor making out with Mascot...the backdrop depicts hoards of painted customers watching in awe.


Next is Chief. The reverse of his card can tell you all you wish to know about the Shetland with the tail of steel. At right is Edward Daley, Chief's chief groomer. If you wish to avoid reading the small print, Chief travels first class in his own little baggage car.


The next horse has no name indicated, but someone has taken the time to point out his particulars. Eighteen feel and nine inches of tail!


Elsie Sutliff is the trainer, not the horse. The Syracuse University Library holds another Wendt image of Elsie, and in their copy a large dog is standing on the back of the horse, so Elsie must have trained several animals. (A "Dog and Pony" show.)


Happy Jack was "The original and world famous Lone Pacer" according to the barely visable text embedded in the image. Also shown is trainer Frank Schneider and Charles Fose the owner. A Lone Pacer is an archaic term for a lead horse which sets the pace, I believe...at any rate, the time shown (2:03) is for a mile. Happy Jack is also reported to have run the mile at 2:13 in Louisville, Kentucky in 1897.


There were several horses named Linus, and in fact one reason was so the folks in one part of the country would think they were seeing THE Linus, when the real Linus was appearing somewhere else! Suffice to say, "carny" folk aren't usually thought of as being the most honest cards in the deck. At least the two Linus horses follow here and both are the real deal. The website "Messy Beast" has the whole story, and numerous examples, including several photos of these same horses. A whole herd named Linus!


Linus and Linus II were both Long Haired Oregon horses. Through genetics and a little hocus-pocus, it seems the Linus long hair was a trait passed down among generations of Linus breeders.


Most of the horses shown here have extensive notes, personal history and such either printed or noted on the reverse.

All Photographs Frank Wendt circa 1890-1910


All Original Photographs from the Jim Linderman Collection.

Excerpt above by Jim Linderman from the forthcoming book
"The Wondrous World of Wendt" and copyrighted!
Not to reproduced without writing.

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Bernard Kobel Photograph Freak and Freak Photographer Tattoo Sideshow Abnormalities and More (Worse?)

I pride myself on collecting unusual photographs, but no one collected more and with more vigor than Bernard L. Kobel. It is a clear case of the freak collecting the freaks!

You see, Bernie didn't just take and COLLECT photographs of medical abnormalities, circus freaks, war atrocities, lurid and lewd crime scenes and such, he reprinted and SOLD them from the back of sleazy magazines! You have likely seen some if you are a bit adventurous...the woman with the world's largest whatevers, the guy with the giant stuff, the bizarre pair of thingamabobs...even I don't want to show them and I'm pretty much immune by now. I'm cheeky but Bernie crossed the line!

You have also seen reproductions of his collection without knowing it. The famous picture of armless and beautiful sideshow performer (and actress) Frances O'Connor who appears on the cover of the Re/search book Freaks (linked at right) is a Kobel photo, even if not taken by him, but he did take plenty himself. Some of the photographs shown on the billboard at Hubert's Museum in Times Square (and later, on the cover of the Rolling Stones Exile on Main Street album) were Kobel shots. His reprints sold fairy well, at least well enough to have entered the sleazy underground where gourmands of gore dwell. They continue to sell long after Bernie moved from Indiana to Florida and then Sideshow heaven, as bootleg reproductions and, I guess, authentic ones on auction websites.

Not all Kobel's photos were gruesome or gratuitous, but plenty were...As you can see here, he advertised kinky tattoo photos in girlie magazines, (often showing far more than the tattoo) freaks and contortionists in entertainment trade magazines, and I suppose he advertised his gruesome war photos in whatever war folks read. A pair of originals are shown HERE.

I do not know much about Bernie, but I know as much as I want. Interestingly, a later advertisement shows he was trying to leverage his collection into a new direction....stamp collecting! "Lists sent, natch...Will trade for U.S. stamp collections."

Natch indeed...one of his catalogs from the 1950s lists nearly 500 photos which I don't even want to print the descriptions of. On the other hand, one of his photographs for sale in a catalog is "The First Official Hair Pulling Contest...held at the Palisades Amusement Park with 24 girls from the Walter Thornton Modeling Agency as contestants."

I'd trade a few stamps to see THAT one.

(A post on Vintage Sleaze the Daily Blog as well)

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Bump and Grind WAY too Early (At the Circus in Black and White #22)

Child labor laws seem not to have applied to carnival sideshow grinds during the 1930s as this photograph attests. The young dancer can not be much more than 16, but I guess it is hard to tell. She certainly doesn't quite match up to the painted silhouette on the barker's stand...for one thing her hands are hardly thrown up in joy. It is quite rare to see a photo of a dancing girl (literally) taken during the daytime at even the sleaziest carnival...but one "H. H." has done just that. Girl shows of this nature are as old as the carnival itself, but they frequently took place at night after most patrons (and the law, who was frequently paid off) went home. Hence the name "Midnight Ramble. In this case, they should have been checking ID around lunchtime. A young hoofer to be sure, but to me, a bit too young. Show business of any kind is hard despite the facade of glamour...this photo shows an underside not often (or easy) to see.

(Also posted on Vintage Sleaze the Blog)

Original Untitled Snapshot circa 1930 Collection Jim Linderman

Big Keith Gorrell of Hicksville Ohio and his Big Hollywood Ambitions

Fatty Arbuckle had better watch his step. This good looking youngster from Hicksville, Ohio has a belt 6 feet long and weighs 447 pounds. Shown here at age 18, Keith Gorrell belies the notion that Americans have only gotten fat in the last few decades. From 1921, Keith was trying out for the movies but he must not have made the cut. The only article I can find on the fine fat fellow is paraphrased above, when it was big news in Hicksville. A camera crew was there to film him "lift the fore and aft of his flivver" but it looks to me like all Big Keith left behind are these three splendid portraits from the Elkhart Studios of Antwerp, Ohio.

Three original studio photographs of Keith Gorrell, 1921 Collection Jim Linderman

Stretched Out

There are a few ways to elongate a photograph. One is to expose the image on paper while holding the plate on an angle...the other is to aim your camera right into a fun house mirror. This is the later.

Anonymous Fun House Mirror Snapshot, circa 1940. Collection Jim Linderman

Monsters of the Gilded Age: The Photographs of Chas. Eisenmann Book Review from the Past #2

I am not going to open a debate on the appropriateness of circus sideshow freak photographs. To be sure they are among the most striking of images and these photos were taken so the performers could sell them for a dime each to the audience...so who can begrudge the process? 100 years later Diane Arbus took similar photographs, but rather than being used as souvenirs or trade cards, they made her career. Never one to shy from the disturbing, overlooked or neglected, I am attracted by the taboo of these images, and they still manage to make the desperate attempts of contemporary artists to "shock" pale by comparison.

Continuing to review books which have been forgotten or deserve another look, this is the fairly obscure "Monsters of the Gilded Age: The Photographs of Chas. Eisenmann" by Michael Mitchell. Published in Canada in 1979, and likely a small edition, it is expensive today on the used book market but available.

Despite the author's intensive research, more is known about the performers shown than the photographer. Eisenmann worked with his wife on the Bowery in New York City for ten years and specialized in theatrical portraits. He then turned the studio over to Frank Wendt, (a photographer I am profiling and intend to publish a book on before long) then vanished. By 1904 he was gone. What IS known remains in the photographs, sharp, crisp, perfectly posed and lit pictures of some of the most remarkable humans ever captured by camera. Mitchell describes the environment of the working portrait photographer in the Cartes de visite and Cabinet Card era (Eisenmann worked in both) and produces a 110 page book with an example of the artist's work on nearly every page. Each performer is identified and discussed thoroughly, and while it might not be a book you will leave on the coffee table, it certainly will attract interest if you choose to share it.

The book is out of print unfortunately, and though it was reprinted with a slightly different title in 2003, I can only find used copies for sale. Images by Eisenmann turn up on ebay frequently and many have been reproduced on the web.

At the Circus in Black and White #16

Untitled (Clown at Clyde Beatty Circus) Original Snapshot 1962 Collection Jim Linderman

At the Circus in Black and White #15

"Get chur Program"

Anonymous Untitled Snapshop, c.1960 Collection Jim Linderman

At the Circus in Black and White #13 of a Series Clowns Dull Tool Dim Bulb

Untitled "Off the Clock Clown Family" 1965 Collection Jim Linderman

Wendts upon Wendts! Composite Cabinet Card of a Tiny Contortionist

Frank Wendt, who I have devoted an entire site to HERE composed this cabinet card photograph made up of eight earlier photos he took of the same wiggly boy, Albert Powell Jr. A contortionist quality photo! And just when I thought I had collected them all, I now have 8 more to look for.


Albert Powell Jr. Cabinet Card by Frank Wendt, c. 1890 Collection Jim Linderman