Jim Linderman blog about surface, wear, form and authenticity in self-taught art, outsider art, antique american folk art, antiques and photography.
Big Fish, Big Fella and the Quileute of La Push Washington?
Said to be a snapshot of La Push, Washington, which would indicate the pieces may have been carved by members of the Quileute Native American tribe. If so, I would love to hear from anyone who can identify the location or provide information on the carvings. The tribe has a fascinating history, which includes the breeding of special woolly-haired dogs in order to make blankets of their coats(!) I would also like the sculptures moved to my front yard, but that seems unlikely.
Untitled Snapshot, circa 1950? Collection Jim Linderman
Take Me to the Water received Grammy Nomination for Best Historical Album
Take Me to the Water receives Grammy nomination for Best Historical Album
"Best Historical Album is a Grammy category that never attracts much attention, but the nominees are usually excellent. This year is no exception: Among them are the Little Walter Chess recordings and a Sophie Tucker collection from the folks at Champaign-Urbana’s great Archeophone label. The excellent Dust-to-Digital label is a regular presence among the nominees, and this year it’s up for a fascinating package called Take Me to the Water: Immersion Baptism in Vintage Music and Photography 1890-1950.
The 8.75" x 6" hardbound book includes a gorgeous collection of rare photos of riverside baptisms by both white and black congregations, taken from the collection of Jim Linderman; there’s also a terrific essay by Luc Sante. Accompanying the images is a wonderful CD featuring black gospel, blues, and old-timey country songs that touch on baptism—including tracks by ubiquitous preacher Reverend J.M. Gates, quirky gospel singer Washington Phillips (who also played a fretless zither he built himself and called a Dolceola), the Carter Family, and J.E. Mainer’s Mountaineers. I don’t really think that baptism songs comprise a truly important genre, but the practice itself is obviously a huge part of religious life, and immersion baptism is still practiced today in the U.S. So while this may seem like a rather esoteric subject for a Grammy bid, that doesn’t make the music (or the photos) any less compelling." — Peter Margasak, Chicago Reader
http://www.dust-digital.com/
Barnum (Horrors in Wax #12)
Wax P. T. Barnum sizes up the purses of passing rubes as tiny wax Tom Thumb and huge wax mammoth look on. Barnum's first hoax was passing off a blind and paralyzed African-American woman as the 160 year old George Washington's former nurse. As 1500 paying spectators found out during her public autopsy (!) she was only 80. His next African-American spectacle was Man-Monkey William Johnson, a microcephalic who was taught to speak a "mysterious" gibberish language. He tried to purchase William Shakespeare's birth home. Two days before his death, Barnum gave the local newspaper permission to print his obituary so he wouldn't miss it. Before passing, he paid for a "life-sized statue" for Tom Thumb's grave.
Number twelve in my "Horrors in Wax" series. Click blue subject heading below to see them all.
Postcard, c. 1970 Collection Jim Linderman
Jim Linderman Interviewed by Paul Harvey for Religion in American History
Take Me (Back) To the Water: An Interview with Jim Linderman
A little while ago, I noted on the blog a newly published collection of beautifully real and worn photographs of baptismal scenes from the earlier twentieth century, along with an accompanying CD, Take Me To the Water. This book comes from the collector Jim Linderman, who blogs about his own work on this particular project here, and reflects more broadly on free lance collecting, folk art, ephemera, and curiosities at Dull Tool Dim Bulb.
The combination of photographs, capturing emotional experience in unselfconscious ways, and the CD soundtrack bring alive a world of religious ritual in ways that the writer Luc Sante briefly suggests in his preface to the book. Below is an interview I've conducted with Linderman, in which he talks about this work, his feeling for these baptismal photographs, and his philosophy of collecting and presenting his work.
1) First, Jim, you are a collector of everything from toy plows to homemade dolls to old recordings, and have been for quite a long time. I'm not a collector; I always want to get rid of/throw out stuff. So, explain the collecting impulse to me -- what drives you in that direction? And, where do you find room for all your stuff?
Take Me to the Water from Dust-to-Digital on Vimeo.
I had seen a photograph by W.P.A photographer Doris Ulmann depicting a river baptism, thought it exceptionally beautiful and collected a few similar images when I could find them. When I saw Allen's book, I realized there was a need to assemble and preserve other events of a vernacular nature and that there might even be a market for them. At the least, the collection would be a contribution to our shared culture. I didn't initially recognize the collection as a spiritual antidote to Allen's collection, but the feel of the event, the spectacle and the participants had a similar feel with a more positive appeal. I was also on a sort of mission to convince photography collectors that condition matters far less than the "feel" of a photo...paper has texture, form and age...and I found photography folks were far too concerned with pristine condition. I like wear.
3) Your material has been put out by Dust to Digital, the remarkable Atlanta outfit best known probably for their collection Goodbye Babylon, for my money the greatest compilation of American religious music ever assembled. How did you hook up with them, and describe the experience of putting out a book along with a CD?
I've always prided myself at sorting through the commercial fluff and finding some authenticity. Early recordings, in particular blues, started interesting me as young as junior high...and while my older sister listened to Dylan, I was listening to the Harry Smith Anthology of American Music from my local public library. I pursue music vigorously, and had always held gospel in reserve as the last area to explore. Goodbye Babylon did it for me. I admired their work very much. Lance Ledbetter is a genius who has an amazing ability to actually produce solid, physical results from his passions. The design of Susan Archie was also incredible, and I not only recognized them as kindred souls, but had the notion of pushing them toward book publishing in addition to their sound recording projects. It certainly was a natural fit. I wrote them, sent some images and flew down with a huge file of photos. On my first visit, I left them in their hands.
I was familiar with Sante's music essays and reporting, and had read his landmark book Low Life. I knew Luc was a wonderful writer, then learned he was a professor of photography at Bard College....AND that Lance Ledbetter at Dust to Digital had sold him previous releases, including Goodbye Babylon. The fit was kismet.
6) When I first blogged about this book, a skeptic in the comments section wrote the following: "Can someone help me out with the theology here? These are churches that don't believe in baptismal regeneration and that one "chooses" Jesus, making them far outside the mainstream of historic Christianity. If the baptism effectively "means" nothing, why is it so important that immersion be used? --Clueless Lutheran stuck in the Bible Belt" How would you answer that query?
Take Me To The Water (First Review)
Various Artists - Take Me To The Water: Immersion Baptism In Vintage Music and Photography 1890-1950
The latest release from Grammy Award-winning reissue label Dust-to-Digital gives music fans another reason to rejoice. A stunning 96-page hardcover book of historic baptism photographs, taken between 1890 and 1950 and compiled from the collection of noted folk art collector Jim Linderman, is accompanied by a CD of rare gospel and folk recordings from original 78 RPM records (1924-1940), featuring artists Washington Phillips, Carter Family, Tennessee Mountaineers, and more. Produced by the 2009 Grammy winner for "Best Historical Album," Steven Lance Ledbetter. The CD could easily be seen as the seventh disc of Goodbye, Babylon (DTD 001CD), Dust-to-Digital's critically-acclaimed and Grammy-nominated box set from 2003. Original 78 RPM records came from the collections of Joe Bussard, Steven Lance Ledbetter, Frank Mare and Roger Misiewicz. "Whether you have ever actually experienced a baptism or not, whether you are a believer or not, these pictures and the music that accompanies them transmit all the emotional information: the excitement and the serenity, the fellowship and the warmth, the wind and the water ... You would have to have a heart of tin not to recognize this as one of the happiest collections of archival photographs ever assembled." --From the introduction by Luc Sante. 96-page hardcover book (8.75 x 6 inches) with 75 sepia photograph reproductions from 1890-1950; CD includes 25 songs and sermons from 1924-1940.
EAR/Rational April 2009