Kalamazoo Vegetable Parchment Company Motivational Religious Placard 1947 Collection Jim Linderman
With my affinity for alliteration, how can I avoid Dic Dillon's Direct from Denmark Double-sized Diorama? Indeed! Hand carved from pocket knives, 8 years to carve, 30 scenes, 150 characters, 1143 pounds of wood, 8 pounds of metal, 6 pounds of silver wire, 30,000 working parts...Valued at $100,000. Well, maybe...we could check it, since I find no record it still remains, SOMEONE bought it. East Liverpool, Ohio does have the world's largest toxic dump incinerator, maybe it was built on the site of this working world masterpiece, which was made by 3 disabled World War Veterans...that would be the first World War.
c. 1925 Hand-out Advertising Card. Collection Jim Linderman
For those of you who enjoyed my articles on the illustrators for Eddie Miskin's 1960's sleazy paperback book line, in particular the strikingly demented work of Gene Bilbrew...someone is selling two covers I've never seen before on Ebay. It gives me an opportunity to crib the images and use up a days post. I pass...if you bid, good luck! If you haven't seen the earlier posts, click on label Vintage Sleaze below.
I have been basking all day in the generous, thoughtful and beautiful review of "Take Me to the Water..." posted by John Foster on his Accidental Mysteries site. I have watched from afar as John has become a discriminating and elegant commentator on photography and art of all forms. His blog is adventurous reading for anyone interested in the broadest interpretation of the word art. It is made all the more fascinating by his unique "wide open eye" which is unfettered with divisive definitions...a rare thing in the art world from my view. I am humbled, grateful and thrilled. The photo above was found after production of Dust to Digital's book and CD, I wish the young lady could have been included."Going to be Baptized" Azo Real Photo c. 1910 Collection Jim Linderman
Church Donation "Reminder" Envelope 1929 Duplex-Richmond, Va. Collection Jim Linderman
Back in 1964, when the Beatles were haircuts, not individuals...their wax effigies were rushed into production "for the kids" at the World's Fair. Close, but not close enough. Ed Sullivan was easier, he'd been around forever. Here the wax sculptor accurately captures Ed's famous flexibility. Ed realized it was important to rope in young viewers so he booked numerous rock performers, but frequently censored them. (The Stones complied, Dylan didn't, he walked) The Doors said they would change some offending lyrics, but Morrison sang them anyway. Ed banned comic Jackie Mason for flipping him the bird. David Crosby, to his credit, engaged in a shouting match with the talentless tyrant. Sullivan also cooperated with the witch-hunting followers of rabid alcoholic Senator Joseph McCarthy. The Beatles appeared on his show three times...but then hilarious Canadian "comedy" act Wayne and Shuster appeared 67 times. The Beatles went on to sell so many records, it took Troyal Garth Brooks years (and a cloned version of himself known as Chris Gaines) to catch up. Strangely, Chris Gaines also had a funny haircut.
Around 1925, cotton had replaced wooden barrels as a method of transporting large quantities of grain, feed and food. Times were lean, and it wasn't long before women began reusing the fabric for quilts, aprons and other needs, despite often embarrassing logos...who wanted an image of scratching chickens on their children's clothes? Around this time, enterprising manufacturers of feed stuffs and food stuffs caught on...when women did the shopping, they would often pick their staple foods based on the design of the fabric. It wasn't long before hundreds of colorful prints were being produced for sugar, beans, rice and cornmeal packages and frugal homemakers were saving them, trading them and quilting them. Many were surprisingly modern, others today seem retro. The 1950's prosperity and the use of paper and plastic sacks marked the end of the decorative cotton fabrics. My mother has quilted her whole life, and the top image here is a detail of a quilt she made using feed sack fabrics. Since a new frugality has been forced upon us, isn't it time for the decorative cloth sacks time to return?
Vintage Feed Sacks are affordable but hoarded by contemporary quilters. The best source to learn about them is the Schiffer Book "Vintage Feed Sacks: Fabric From the Farm by Susan Miller. Schiffer publishes an astounding variety of guide books for collectors, you will often see their inventory in large antique malls and even better at shows, where the friendly staff will be happy to share them with you. I've used Schiffer books all my life, and always stop in on the way out of antique shows to chat, browse and usually buy.
When we last met Ernest Warther, he was in black and white (Dull Tool Dim Bulb February 15, 2009) Well, he's back and the hinted at eccentricities may now be confirmed and then some. Here is his carving of, I kid you not, 511 pairs of miniature pliers turned into a shrub...and stuck in a handmade vitrine with a picture of the artist from 1913. It required 31,000 cuts, (so he counted each stroke) no mathematics, rulers or lines were drawn...and it was all carved from one piece of wood. The other card shows his remarkable Wall of Trains and the Steel Mill he worked in for 21 years.Pair of postcards published by E. Warther & Son, Dover, Ohio. No Date. Collection Jim Linderman
Various Artists - Take Me To The Water: Immersion Baptism In Vintage Music and Photography 1890-1950
The latest release from Grammy Award-winning reissue label Dust-to-Digital gives music fans another reason to rejoice. A stunning 96-page hardcover book of historic baptism photographs, taken between 1890 and 1950 and compiled from the collection of noted folk art collector Jim Linderman, is accompanied by a CD of rare gospel and folk recordings from original 78 RPM records (1924-1940), featuring artists Washington Phillips, Carter Family, Tennessee Mountaineers, and more. Produced by the 2009 Grammy winner for "Best Historical Album," Steven Lance Ledbetter. The CD could easily be seen as the seventh disc of Goodbye, Babylon (DTD 001CD), Dust-to-Digital's critically-acclaimed and Grammy-nominated box set from 2003. Original 78 RPM records came from the collections of Joe Bussard, Steven Lance Ledbetter, Frank Mare and Roger Misiewicz. "Whether you have ever actually experienced a baptism or not, whether you are a believer or not, these pictures and the music that accompanies them transmit all the emotional information: the excitement and the serenity, the fellowship and the warmth, the wind and the water ... You would have to have a heart of tin not to recognize this as one of the happiest collections of archival photographs ever assembled." --From the introduction by Luc Sante. 96-page hardcover book (8.75 x 6 inches) with 75 sepia photograph reproductions from 1890-1950; CD includes 25 songs and sermons from 1924-1940.
EAR/Rational April 2009
Enlarging an image can have dramatic results. (CLICK TO ENLARGE) What seemed to me to be a fairly routine real photo post card of a country shop provides seldom seen documentation for an American folk art form and regional craft, while at the same time reminding that a picture does indeed tell many tales.
"Nantucket' or "Sailor" whirligigs abound to this day, but the early ones for the most part have always been anonymous. The form is common (a bowlegged, bell-bottom wearing sailor twirling his paddle arms in the wind and looking ridiculous) The whirligig supposedly has origins in strict early day religious practices which forbid play on Sunday. A Sympathetic father would whittle a toy to entertain his bored children without tainting their hands with the devil's stain...hence, a twirling motion toy which moved by wind alone! That I have never believed this tale doesn't mean anything much, but it is an interesting tidbit. Anyway, the Massachusetts or Cape Cod whirligigs are popular as craft today, and the 19th century versions, with their weathered surfaces and original paint are among the most valued folk art objects and prized by collectors.
It appears to me this gentleman in his tiny Chatham "Shavings Shop" may be the source of dozens, if not HUNDREDS of original late 19th and early 20th century whirligigs. Chatham is part of Cape Cod, and he obviously had a rousing business in the objects...at least enough to have paid to produce a real-photo post card documenting his work. Close examination reveals many folk art prizes (on the roof, several "full-bodied" whirligigs of considerable size, a fish weathervane, a large airplane whirligig and several silhouetted carvings of sailors) The porch exhibits many additional, if more standard sailor whirligigs, numerous windmill toys and a violin...perhaps our carver made fiddles as well, but at the least I am certain a visit to his shop would have been a rousing time if he felt like entertaining. That his products were called "ball bearing mills" indicates his windmills would have been state of the art. Unfortunately, the oval window sign is indistinct, it appears to read Edwards novelties. Did Mr. Edwards invent the sailor whirligig form? The card was produced by the Charles H. Smalloff Mayflower Studio in Chatham, Mass on Artura Stock of a type used around 1910 and was mailed from Massachusetts using a 1 cent stamp issued in 1912. The postmark date is obliterated, but the stamp design was superseded in 1923.
I hope this photograph reaches someone who can provide additional information on this remarkable, pipe-smoking artisan, and until I hear more I'll simply treasure the find and be happy my scanner revealed some fascinating information which contributes a bit to the history of an art form I've loved for years. I suspect Mr. Edwards was more in the habit of pushing his crafts rather than his postcards. If any others survive I would be surprised, but would love to know.
Real Photo Postcard "Shavings Shop Chatham Mass" Charles H. Smallhoff Mayflower Studio c. 1910 Collection Jim Linderman
