Jim Linderman blog about surface, wear, form and authenticity in self-taught art, outsider art, antique american folk art, antiques and photography.
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Lonnie Simmons The African-American Musician and Photographer who never slept
Samuel "Lonnie" Simmons is an Unsung Hero of Photography, so let's bring another great African-American artist out of the dust of obscurity. Once known as "The Man Who Never Sleeps" Samuel "Lonnie" Simmons was an African-American jazzman (more than anything else) in his younger days playing with no less than American treasures Fats Waller, Hot Lips Page, Chick Webb and more. Many more. He recorded under his own name as well, including "I Can't Get Started" on the Parrot label (in which he played both organ and saxophone, probably at the same time.) If you are not yet impressed with Lonnie's musical chops, his Jet Magazine obit reports he also played with Louis Armstrong, Ella Fitzgerald and Count Basie. Parrot was a label which lasted only three years in the early 1950s, but some of the recordings were reissued later on Chess Records.
Though Simmons performed up until the the end, He passed after a fatal stroke at age 80 according to Euguene Chadbourne, it is his work as a photographer of primary interest here.
A photographer too? I'm getting a little tired of finding great talented people no one taught me about in school.
So Lonnie, or Samuel, is called "a free-lance photographer" in passing in the few places you might find information about him.
Born in Charleston, South Carolina (Actually, in Mt. Pleasant, an isolated pocket in the low-country coast and a plantation-era place near where slaves landed. A bridge to Mount Pleasant was built in 1928.
Lonnie's father was a blacksmith who went back nearly to slave days, passing at the age of 82 in 1955. Lonnie's father was just one notable blacksmith named Simmons from the Charleston area. On his father's passing, Lonnie went back to Mt. Pleasant to bring his mother back to Chicago with him, and it was her first plane airplane ride. His appearance at the funeral was notable enough for the local paper to interview him, where Simmons is reported to have "gradually drifted into take pictures for newspapers and magazines" and that he maintains his own darkroom in his Chicago home. The headline reads "Mt. Pleasant Negro Musician Becomes Press Photographer" and adds a few more musical giants among his playing partners.
It was not unusual for Mr. Simmons to leap from the bandstand with his camera to capture events, including crimes. A one-man forerunner of the surveillance camera, his pictures were used by the Chicago Police for evidence and he earned honorary membership in the Chicago Patrolman's Association. Much of his photography was taken at the legendary Chicago Club De Lisa and I now believe the photograph below was taken by Mr. Simmons in his "spare time" as picture maker who roamed the club supporting his income with snapshots.
Somebody has some, as Mr. Simmon's photographs were apparently used in the 1995 documentary PROMISED LAND narrated by Morgan Freeman for the History Channel, which while acclaimed was forgotten. You can read about it in web comments where people keep asking why it isn't available on DVD…one of whom writes "It is a shame that this great work of truth has been overlooked." Par for the course. The documentary is about the migration of southern African-Americans to Chicago. Lonnie Simmons was one of them, and fortunately he brought his camera.
Samuel "Lonnie" Simmons photographs appear in Ebony, Jet, The Chicago Defender, The Pittsburgh Courier, The Crusader and Cabaret (a magazine which documented burlesque in the 1950s and from where the photographs above were taken) and I suspect others once considered unsavory race and pinup magazines from the 1950s on. The portrait of the young musician is from the Charleston Jazz Initiative at the School of the Arts, College of Charleston, South Carolina. Jet Magazine recognized Lonnie's talents and skills…as well as using his photographs (including the astounding picture of a dancer flying above a drummer, which I have cribbed but credited) they also reported on his adventures, including being bitten by an eel and having his instruments stolen HERE.
PHOTOGRAPH OF SAMUEL LONNIE SIMMONS Charleston Jazz Initiative Archives
PARROT RECORD LABEL HERE
Original Club DeLisa Photograph and Sleeve collection Jim Linderman
JIM LINDERMAN BOOKS AND AFFORDABLE EBOOKS ARE AVAILABLE HERE ON BLURB
Dan Burley : An African-American popular culture hero
OBIT OF DAN BURLEY FROM JET MAGAZINE NOVEMBER 8, 1962 SADLY OMITS DUKE MAGAZINE
Dan Burley is the most famous folk you never heard of. Why? Because he was an African-American man. Sorry, but that's just the way it was. (Is?) If you did a six degrees of separation chart for Dan Burley, it would include everyone of any importance in the music and publishing world, but yet again I'll ask. Do you know who Dan Burley was?
Well, let's see...He appeared in films with Duke Ellington, Billie Holiday and Louis Armstrong. He wrote music for Cab Calloway. In fact, one can trace his own piano playing right to the Beatles song Lady Madonna. Are you humming that piano run in your head yet? Thank Dan Burley.
Some people can do more than play. Burley was editor of Ebony Magazine way back in the 1930s. He married the first African-American woman to sing in Madison Square Garden. He invented the word Bebop, reportedly, and also created the Harlem Handbook of Jive. I mean, get HEP!
During World War Two, the USO show he organized was the black version of Bob Hope's entertainment for the troops.
He wrote for Elijah Muhammad.
He helped create Jet Magazine
He was personal friends with Ed Sullivan. NO ONE was friends with Ed Sullivan!
He had a radio show. No, he had TWO radio shows.
More importantly for our purposes here...Dan Burley published a GIRLY MAGAZINE!
He published the first serious African-American Men's magazine with sisters posing! DUKE! 1957. That's right...A skin mag with class and Beautiful Black Babes (Not to mention the writing of Chester Himes.) It was a high-fashion lifestyle magazine for the African-American man, a Playboy magazine for the Hood! As such, it SHOULD end my ten-part series on the African-American pin up and should also goose a real writer into a serious biography.
If you search Dan Burley, you'll find him identified as a sports writer. A Journalist. A Jazz Musician. A Poet. And yet he only lived 54 years. His Wiki Biography (which also omits his smut magazine) is HERE
Unfortunately, Duke Magazine lived for only six issues.
There's a few other interesting stories I'm leaving out...but it seems like a pretty high life.
Vintage Marvel Comic Book Covers recreated by an Anonymous Artist. Avengers Number One and Tales of Suspense Number 39
Art of the Homemade Flip Book
An African-American Calling Card in Calligraphy Mance McDaniel Plantation Entertainer?
Antique American Folk Art Button Table Mat
Andy Warhol "Limited Edition Prints" by the USPS and Fred Collins
Two limited edition prints here. One is a limited edition print of sorts (a United States postage stamp) affixed to another print on an envelope. It is an individually hand-painted print mailed on the first day of issue for the Warhol stamp used to mail it. August 9, 2002.
For some bizarre reason, it was reported the Warhol 37 cent stamp was unveiled at the Gagosian Galllery on Madison avenue. WHAT? Jeez, I wonder if "Go Go" had any Warhol works in the back room? Gauche!
Fortunately another source says the stamp was first presented at the Andy Warhol Museum where it most certainly belonged. The stamp was originally a photo booth portrait, and it appears the Warhol Museum owns the original. It was actually a passport photo from the 1960s. The artist first made his own prints of the image in 1964 which were sold for "a few hundred dollars." A later edition (The Red Series) from 1965 were apparently given away. Read the story of one disputed print HERE in the Daily Mail. The average print run of a United States commemorative stamp is around 50 million. That is a lot of tiny Warhol works, but still limited. The annual limited edition Christmas stamps double that number and then some.
How many were mailed on special envelopes like this one? Only Fred Collins knows. Mr. Collins made his living creating and selling first day covers. His website currently shows one available for $12.95, which seems quite fair considering it was painted by hand. The stamp carried a 37 cent face value and still does. It isn't a "forever" stamp, but is forever worth exactly 37 cents worth of postage. Didn't even change over the last eighteen years of economic turmoil. Or whatever. I don't know if Mr. Collins work fluctuates. Collins seems to have escaped any validation from the art world…but among "first day cover" collectors he is highly regarded.
The source for Fred's drawing was a photograph taken by Burt Glinn of Magnum Photos in 1965. Andy pops out of a sewer with Edie Sedgwick! She wore her hair "Warhol-style" but hers was real. Also shown is Chuck Wein. He "discovered" Edie at the office of their mutual shrink. Wein was played by Jimmy Fallon in the 2006 film Factory Girl! Right now, one has to pay a streaming service three bucks to see it.Antique Folk Art Animal Carvings with Original Paint
Lisa Z. Sigel The People's Porn: A History of Handmade Pornography in America Book Review
Lisa Sigel is an audacious scholar. Her field of study is old as the species, but still appears to scare the pants off academia. None of us would be here if it weren't for sexual activity and that makes it one of the most important areas for study, yet Sigel's afterword details a harrowing pattern of denied fellowships, grant rejections and any interest at all from cultural institutions. Their eyes are closed.
The author writes that "there are no big grants or prizes for the study of pornography. Foundations, ever since the year of the Mapplethorpe (1990) do not fund general scholarship on pornography or erotica and most institutions will be penalized with cuts in federal funding if they inadvertently discuss erotic objects." Meanwhile, Facebook continues to figure out how to eliminate errant female nipples from postings through artificial intelligence.
It might be a stretch, but in some ways this compares to the reluctance of art institutions to accept the work of folk and outsider artists. Nearly one hundred are illustrated here. They will certainly open some eyes, although most of the wondrous objects shown in The People's Pornography have yet to find any acceptance at all. That is except for those owned by a handful of adventurous collectors and the Kinsey Institute. One characteristic of all the work shown is their scarcity. Think of the amount of material tossed by horrified surviving family members if they came across some of the art shown here.
Sigel takes on all manner of handmade and homemade erotic objects. They may look pornographic but all reflect true human emotions the makers struggled with. Or simply enjoyed. They display humor (hilarious gag objects intended to surprise) or extreme violence, such as the work created in prison by imaginations which might be out of control. Still, all exist and all are worthy of appraisal.
Sigel also takes on what those here will recognize as "term warfare" as we figure out how to categorize and understand art made by the creative impulses of the untrained. Maybe there are outsiders and WAY outsiders. Just flipping through the images here will shock some. Well…many. Others might remember familiar "dirty jokes" traded among classmates. Although this is a scholarly and historical approach, Sigel manages to provide a highly readable narrative. She writes like other recent authors who popularize science (think Mary Roach and Caitlin Doughty). This book isn't just for the pictures.
There have been several other books on erotic folk art. Milt Simpson, who recently celebrated his 95th birthday, published the lovely Folk Erotica: Celebrating Centuries of Erotic Americana in 1994.. Thomas Waugh's book Out / Lines : Underground Graphics from Before Stonewall provides scores of homemade gay pornography in 1982. Lisa Sigel's own article "Flagrant Delights" in Antiques Magazine July/August 2014 is also recommended.
Purchase The People's Porn: A History of Handmade Pornography in America HERE
Lisa Sigel bibliography of books and publications HERE