Bernard Kobel Photograph Freak and Freak Photographer Tattoo Sideshow Abnormalities and More (Worse?)

I pride myself on collecting unusual photographs, but no one collected more and with more vigor than Bernard L. Kobel. It is a clear case of the freak collecting the freaks!

You see, Bernie didn't just take and COLLECT photographs of medical abnormalities, circus freaks, war atrocities, lurid and lewd crime scenes and such, he reprinted and SOLD them from the back of sleazy magazines! You have likely seen some if you are a bit adventurous...the woman with the world's largest whatevers, the guy with the giant stuff, the bizarre pair of thingamabobs...even I don't want to show them and I'm pretty much immune by now. I'm cheeky but Bernie crossed the line!

You have also seen reproductions of his collection without knowing it. The famous picture of armless and beautiful sideshow performer (and actress) Frances O'Connor who appears on the cover of the Re/search book Freaks (linked at right) is a Kobel photo, even if not taken by him, but he did take plenty himself. Some of the photographs shown on the billboard at Hubert's Museum in Times Square (and later, on the cover of the Rolling Stones Exile on Main Street album) were Kobel shots. His reprints sold fairy well, at least well enough to have entered the sleazy underground where gourmands of gore dwell. They continue to sell long after Bernie moved from Indiana to Florida and then Sideshow heaven, as bootleg reproductions and, I guess, authentic ones on auction websites.

Not all Kobel's photos were gruesome or gratuitous, but plenty were...As you can see here, he advertised kinky tattoo photos in girlie magazines, (often showing far more than the tattoo) freaks and contortionists in entertainment trade magazines, and I suppose he advertised his gruesome war photos in whatever war folks read. A pair of originals are shown HERE.

I do not know much about Bernie, but I know as much as I want. Interestingly, a later advertisement shows he was trying to leverage his collection into a new direction....stamp collecting! "Lists sent, natch...Will trade for U.S. stamp collections."

Natch indeed...one of his catalogs from the 1950s lists nearly 500 photos which I don't even want to print the descriptions of. On the other hand, one of his photographs for sale in a catalog is "The First Official Hair Pulling Contest...held at the Palisades Amusement Park with 24 girls from the Walter Thornton Modeling Agency as contestants."

I'd trade a few stamps to see THAT one.

(A post on Vintage Sleaze the Daily Blog as well)

Dull Tool Dim Bulb Books HERE

Bump and Grind WAY too Early (At the Circus in Black and White #22)

Child labor laws seem not to have applied to carnival sideshow grinds during the 1930s as this photograph attests. The young dancer can not be much more than 16, but I guess it is hard to tell. She certainly doesn't quite match up to the painted silhouette on the barker's stand...for one thing her hands are hardly thrown up in joy. It is quite rare to see a photo of a dancing girl (literally) taken during the daytime at even the sleaziest carnival...but one "H. H." has done just that. Girl shows of this nature are as old as the carnival itself, but they frequently took place at night after most patrons (and the law, who was frequently paid off) went home. Hence the name "Midnight Ramble. In this case, they should have been checking ID around lunchtime. A young hoofer to be sure, but to me, a bit too young. Show business of any kind is hard despite the facade of glamour...this photo shows an underside not often (or easy) to see.

(Also posted on Vintage Sleaze the Blog)

Original Untitled Snapshot circa 1930 Collection Jim Linderman

Sideshow Herpetology From the Past (Antique Dames with Snakes) Summer "Retread Reread"

Howdy, I'm still taking a short break to "work" on other projects, so this post slithers back from the past. Browse OTHER things a while, or read any of the books linked at right!

This post from my Wondrous World of Wendt Blog.

Snake Women! Frank Wendt, Photographer of the Sideshow 1890 As you can see, women with snakes were not entirely uncommon around 1890, but then if the circus came to your town once year, they must have been quite noteworthy. All these cabinet card photographs were taken by one man and each became a pitch card for the performer to sell to admirers or anyone with a dime to spare. Frank Wendt has always been unfairly placed in the shadow of Sideshow Freak photographer Charles Eisenmann, his mentor. Wendt took over the Eisenmann studio on the Bowery in 1893 and ran it for five years before moving it to New Jersey. He continued making pictures there for a number of years, some quite extraordinary. In 1979, just as interest in collecting circus freak photos was rising (in part as interest in Diane Arbus was rising as well) a book on Eisenmann was published which dismissed Wendt's work as "perfunctory" and that the production of those years has all but been "obliterated." Au contraire!

As we are just learning, MANY exceptional images remain. The photos here are certainly not obliterated, though he did have a somewhat poorly realized sense of contrast at times. Wendt specialized in the unusual, but he shot all manner of performers, not just the strange. In fact, some of his most beautiful work is normal looking actors and child performers, who would use his cabinet card photographs as trade cards, mementos and such. Often the performers autographed the cards on the reverse, personalizing them to fans and the freaked. In the case of the carnival performers, vital statistics were often provided though frequently exaggerated. In fact, Wendt would take his pictures to emphasize the particular trait or deformity being marketed. As traveling shows passed through New York and New Jersey, they would stop to replenish their stock. Sometimes Wendt would republish Eisenmann's work on his own cards, but frequently a new photo was taken, and the same performers often appear in later pictures, with different imprints or logos on the cards.


Group of Frank Wendt Photographs circa 1890 Collection Jim Linderman

Big Keith Gorrell of Hicksville Ohio and his Big Hollywood Ambitions

Fatty Arbuckle had better watch his step. This good looking youngster from Hicksville, Ohio has a belt 6 feet long and weighs 447 pounds. Shown here at age 18, Keith Gorrell belies the notion that Americans have only gotten fat in the last few decades. From 1921, Keith was trying out for the movies but he must not have made the cut. The only article I can find on the fine fat fellow is paraphrased above, when it was big news in Hicksville. A camera crew was there to film him "lift the fore and aft of his flivver" but it looks to me like all Big Keith left behind are these three splendid portraits from the Elkhart Studios of Antwerp, Ohio.

Three original studio photographs of Keith Gorrell, 1921 Collection Jim Linderman

The Most Beautiful Child Actress in History Mystery Frank Wendt and Charles Eisenmann

It appears Frank Wendt was originally brought in by Chas. Eisenmann as an assistant and business manager. Eventually Wendt not only took over the studio, changing times forced him to relocate to Boonton, New Jersey. He continued to photograph and produce hundreds of cabinet cards, but he was also known to reprint Eisenmann originals, on request, as customers replenished their stock. One such sitter was the beautiful young mystery actress shown here. The large portrait, by Wendt, also appears on an earlier Eisenmann card, as does the same girl in the garden pose. The third photo here, an Eisenmann photo, has not yet been found on a Wendt card, at least not by me.

A beautiful young actress...in fact possibly one of the most beautiful child actors of all, and it seems both photographers were able to capture her. But who is she?

I recently found out. Not that is helps much. On the reverse of the Eisenmann photo, a yellowed slip of paper reveals this is Edna Adams as "Little Meenie" in Rip Van Winkle. One would think a performer with the moxie to have sold at least three images of herself to admirers would be documented in the press.

What have I found? ONE lurid tale from a 1913 issue of the Pittsburgh Press. "Pretty Young Woman Says He Accused Her of Stealing Watch" which reveals the plaintiff in a lawsuit is one "highly indignant young woman, Rose Meyers, known to stageland as Edna Adams." While walking near her home, the young woman was accosted by one of three men who were standing on the corner, one of whom asked "Don't you want to go out with me" and when she paid no attention asked "Is money any object?" Miss Adams/Meyers continued walking and met her friend Walter Welfitt, also an actor, who protected her from the group. Not deterred, the crude man said "Come on, I'm on to you" and demanded the actress hand over her watch, chain and $20. Noble Mr. Welfitt "invited the stranger to remove his glasses" which resulted in an accusation that the actress had stolen his watch earlier. Apparently all charges were dropped. No row occurred...would YOU fight a man named Welfitt?

Is this the young beautiful Edna, some 15 years after these photos were taken? I believe it is. It would not be the first time a young child star falls upon hard times after growing up. I don't need to provide more contemporary examples, we've all seen them rise and fall on reality TV. More information is loaded on the web every day. We may one day know who this young woman was.

This Post also appears on the site "Wondrous World of Wendt"

Three Cabinet Cards by Frank Wendt and Charles Eisenmann, circa 1890 Collection Jim Linderman

NOTE: Our beautiful actress may have been running a scam in other places as well...a kind reader has taken the time to provide additional information:

http://armourtree.blogspot.com/2010/12/w-starrett-and-edna-adams-other-woman.html

Stretched Out

There are a few ways to elongate a photograph. One is to expose the image on paper while holding the plate on an angle...the other is to aim your camera right into a fun house mirror. This is the later.

Anonymous Fun House Mirror Snapshot, circa 1940. Collection Jim Linderman

Skydancers Betty and Benny Stunt

Betty and Benny Fox in the Death Taking Sky Dance. 18 inch Disc Dancing.
Group of Three snapshots, (with details) circa 1935 collection Jim Linderman

Crowd Pleasers Photographs by Reno Bush

Four Daredevil Photographs from Reno Bush, Photographer (Souvenir, Air Views, Cameras, Film, Photofinishing) Bloomsburg, PA Circa 1930 Collection Jim Linderman

Spend Saturday Night Encased in Ice with Rella

Girl number six was Rella Finney, who I can not tell you won, but she did emerge to sign this card. My understanding is that the trick here is no trick...you hope the ice preserves your body heat, but then I haven't taken the time to research it. Sometimes mystery is fine. Real Photo Postcard, c. 1940? Collection Jim Linderman

Stunt

Daredevil Real Photo Postcard circa 1910 Collection Jim Linderman
(NOTE: Browse above for similar, no less dramatic stunt!)

Monsters of the Gilded Age: The Photographs of Chas. Eisenmann Book Review from the Past #2

I am not going to open a debate on the appropriateness of circus sideshow freak photographs. To be sure they are among the most striking of images and these photos were taken so the performers could sell them for a dime each to the audience...so who can begrudge the process? 100 years later Diane Arbus took similar photographs, but rather than being used as souvenirs or trade cards, they made her career. Never one to shy from the disturbing, overlooked or neglected, I am attracted by the taboo of these images, and they still manage to make the desperate attempts of contemporary artists to "shock" pale by comparison.

Continuing to review books which have been forgotten or deserve another look, this is the fairly obscure "Monsters of the Gilded Age: The Photographs of Chas. Eisenmann" by Michael Mitchell. Published in Canada in 1979, and likely a small edition, it is expensive today on the used book market but available.

Despite the author's intensive research, more is known about the performers shown than the photographer. Eisenmann worked with his wife on the Bowery in New York City for ten years and specialized in theatrical portraits. He then turned the studio over to Frank Wendt, (a photographer I am profiling and intend to publish a book on before long) then vanished. By 1904 he was gone. What IS known remains in the photographs, sharp, crisp, perfectly posed and lit pictures of some of the most remarkable humans ever captured by camera. Mitchell describes the environment of the working portrait photographer in the Cartes de visite and Cabinet Card era (Eisenmann worked in both) and produces a 110 page book with an example of the artist's work on nearly every page. Each performer is identified and discussed thoroughly, and while it might not be a book you will leave on the coffee table, it certainly will attract interest if you choose to share it.

The book is out of print unfortunately, and though it was reprinted with a slightly different title in 2003, I can only find used copies for sale. Images by Eisenmann turn up on ebay frequently and many have been reproduced on the web.

At the Circus in Black and White #16

Untitled (Clown at Clyde Beatty Circus) Original Snapshot 1962 Collection Jim Linderman

At the Circus in Black and White #15

"Get chur Program"

Anonymous Untitled Snapshop, c.1960 Collection Jim Linderman

At the Circus in Black and White Dull Tool Dim Bulb #14 of a Series

Circus Performers Anonymous Snapshot circa 1960 Jim Linderman Collection

At the Circus in Black and White #13 of a Series Clowns Dull Tool Dim Bulb

Untitled "Off the Clock Clown Family" 1965 Collection Jim Linderman

Carny in a Pork Pie Hat At the Circus in Black and White (in color)

What is cooler than a slim strutting carny in a pork pie hat? One in COLOR! An exceptional exception to my "at the circus in black and white" posts. This a snapshot pasted on a page of circus scrapbook. Circa 1950? A tall drink of water, our slim striding sideshow side hand!
As a further aside, if you like sideshow folk, my Wondrous World of Frank Wendt site has some splendid examples, as does the Fringepop site.

Carnival sideshow Photograph, anonymous. Circa 1950. Collection Jim Linderman

At the Circus in Black and White #7 (or #8 or #9?) Look them up

Light posts today, it being Mad travel day, which ended for me the day I left Times Square, thank heavens. Boy, I used to hate going to Grand Central on holidays. All I need to do now is take the medicine and drive over to see the folks. No one is going to SEE this post, however, for artists, consistency is THE virtue, so here you go, my daily post.

Untitled (Three Clowns) Anonymous circus snapshot, circa 1955. Collection Jim Linderman

Wendts upon Wendts! Composite Cabinet Card of a Tiny Contortionist

Frank Wendt, who I have devoted an entire site to HERE composed this cabinet card photograph made up of eight earlier photos he took of the same wiggly boy, Albert Powell Jr. A contortionist quality photo! And just when I thought I had collected them all, I now have 8 more to look for.


Albert Powell Jr. Cabinet Card by Frank Wendt, c. 1890 Collection Jim Linderman

Carny Culture (Rules for the Fun Business)

When I was a kid, I certainly never wanted to run away and join the carnival! To me, carny workers were the scariest folks i'd ever seen. Greasers with tattoos and wallets chained to their belts, slack-skin women with loose dirty print dresses, and a sweaty fat guy who was obviously the boss wandering around making sure they didn't slip any coins into their dirty pockets. Even then, I saw through their tricks and scams, and I figured anyone who would cheat a kid out of a dime would certainly not mind giving you a shiv in the parking lot if you stayed around after closing. Every time I saw a child gypped out of a coin, I resented the local cops wandering around oblivious. They seemed much more interested in "preserving order" than in protecting allowances.

Who would guess carnies could even read, much less pay attention to rules other than "don't trip over the wires, dude." Well, they could, at least some of them, and the others could "see picturs." So here are selected pieces from "Employee's Manual for Amusement Parks" no date.

Carny Rule book, c. 1960 Collection Jim Linderman