BRONZE THRILLS ! George Levitan Goes Black and Goes Smutty

Astoundingly, or maybe not...Bronze Thrills was published by a Caucasian.  George Levitan.  Not only that, Levitan was originally from the Upper Pennisula of Michigan and once said he never even saw a Black person until he was 18 years old,  according to Texas Monthly magazine in October 1983.  As a teen, Levitan moved to Detroit but he didn't stay long.  He moved to Forth Worth, Texas and bought the Good Publishing Company.  It was a good move.  Bronze Thrills was already being published, but George spiced it up a bit (as you can see)  more and commenced becoming a very rich man.

Not only Bronze Thrills (Breaking the Cross-Dressing barrier here with the story of a husband who got his kicks wearing women's clothes) but Hep, Jive, Sepia, Soul Confessions, Soul Teen and Soul Confessions.  A one-man Black publishing empire which was white!

That isn't to say George was a creep.  He hired African-American workers, trained them well, paid them well and promoted them to important positions.  Sure, the magazine was thrashy, but at the time there really wasn't much else for the race.  Soon his primary title, Sepia, was a moving force in the Black community.  He also helped raise funds for the United Negro College Fund. 

Issue of Bronze Thrills  "Thrill Girls: Men meant only sex and a good time to me" and "My Husband was a Transvestitie: He got his kicks from wearing women's clothes"  December 1966 Issue  Original  Collection Jim Linderman

THE BIRTH OF ROCK AND ROLL book available HERE

Black Ink Lost and Forgotten African-American Cartoonists of the Negro Pulps

Anyone out there need a doctoral project? I can't do it, my plate is full, but I do have a knack for ideas and a small pile of fairly scarce magazines aimed at the African-American market from the 1950s and 1960s.


Even the magazines are fairly hard to come by...search "Bronze Thrills" for one. A major publication which ran decades, yet it seems our major institutions and collectors have dropped the ball. Same with Copper Romance, Tan, Jive and more. Even the larger circulation magazines such as Hue and New Review are hard to come by. Ebony and Jet, both out of Chicago's Johnson Publications are far better documented, and in fact the organization recently graciously made the entire text of Jet available online (and what a resource it is.)


I started rounding up a few African-American magazines for a series I am putting together on the Vintage Sleaze site: "Afro-Antics the Black Pinup" another unfortunate neglected victim of institutional racism. Until the "Black is Beautiful" movement of the late 1960s women of color were few and far between the pulp covers, and you might enjoy the discoveries I am making for the essays.


However, as I look for dark models I could not help but to notice some wonderful, and in terms of humor and quality, "equal" cartoonists we do not know. Since cartoonists love to create indecipherable signatures and the mastheads never credited them, these Black inkers are lost in time.


There ARE some known Black cartoonists of the era. The remarkable book on Jackie Ormes by Nancy Goldstein of two years ago is wonderful. There have been exhibitions on fairly well known black cartoonists such as Ollie Harrington, E. Simms Campbell, Wilbert Holloway and Leslie Rogers. There was even an issue of "All-Negro Comics" in 1947, but there was only one issue. Ishmael Reed blamed the demise on distributors who refused to carry it. At least the comic is easily found on the web today.


But certainly someone should know of Butch Austin AKA Mr. Jive who drew strips for Hep and Jive Magazine, and the others here who I can not even identify, not being an expert. Here are but a few examples from my quite modest little pile of magazines. One day I hope someone will put together the tale better than I ever could.

DULL TOOL DIM BULB BOOKS HERE



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