Articulated Mechanical Dishwasher Antique Trade Sign from IN SITU American Folk Art in Place

Articulated Mechanical Dishwasher Antique Trade Sign from IN SITU American Folk Art in Place
Original vintage photograph Collection Jim Linderman

Billy Burke's Toothpick Park American Folk Art in Place IN SITU the BOOK by Jim Linderman

As the note on the reverse asks, how could anyone have so much patience?  He was in stir.  The Greybar Hotel.  The slammer, the cooler, up the river.  Actually Billy Burke was in Folsom Prison and time kept dragging on.  Joe Yerz helped.  There is a FILM!
  
Billy Burke Toothpick Victory Funzone c. 1940  Collection Jim Linderman from the book
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American Folk Art in Place IN SITU

By Jim Linderman

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Vintage Photographs of Folk Art Environments and Outsider Artists at work.  Many never before seen and many gone forever.

From the Collection of Jim Linderman

The Big Folk Art Head of Peter Fuoco Carving Sculpture

CLICK TO MAKE BIG HEAD EVEN BIGGER


Peter Fuoco of Revelstoke, British Columbia discovered a big head in a tree trunk and spent some time bringing out the features, then added an equally giant hat. Dubbed "Ol' Woodenhead." A sign was placed next to it which read: "Don't be Wooden Headed. Drive Carefully. You'll live to enjoy the scenery more and longer." So beloved, the giant fellow was moved to his own "Woodenhead Park" next to the Trans-Canada Highway bridge. The second photograph here belongs to the Revelstoke Museum.
Snapshot, circa 1940 Collection Jim Linderman

Two Million Dollars of Folk Art Cigar Store Indians Trade Store Figures Real Photo Postcard (And a Favorite Photograph)

The June 8, 2010 auction at Heritage Auction Galleries which set a record for a Cigar Store Indian (over $200,000 for the splendid figure here) may mean what you are seeing above is a few million dollars worth of wood. A Real Photo Postcard, circa 1940, of a most extraordinary collection of carved trade store figures. Quite a group. The piece sold above had exceptional original paint, and often these figures have had repaints over the years. The last photograph, a particular favorite of mine, shows my father and a friend, circa 1935, likely in upstate New York.
Anonymous Real Photo Postcard (Group of Carved Trade Figures and Cigar Store Indians) circa 1940 Kodak "EKC" logo on reverse Collection Jim Linderman

Sand Sculptures of Atlantic City Seaside Sand Sculpture without Snookie or the Situation

Working with sand! Sand Sculpture where I live is done with your toes and with every step, but the REAL art flourished in Atlantic City in the late 19th century. Talented artists began creating temporary statues and, as shown here, relief sculptures for passing boardwalk visitors.

They always had a purpose other than mere beauty. Some were commissioned by boardwalk businesses as advertising, others were sponsored by local fraternal organizations. There were independent artists as well, they worked for tips...but like all boardwalk "artists" many were con men. I don't know how you can pick the pocket of a fellow bending over to look at your sand sculpture when he is wearing bathing trunks, but it happened, and the practice of drawing crowds to sand art was outlawed in 1944.

Some artists worked close enough to the boardwalk to catch coins tossed by the strolling masses, early versions of "The Situation" and drunken shore slut "Snookie" (both who actually hang a few miles north at Seaside Heights, once one of my favorite places to escape from New York City for a weekend.) The only sculptures up there are The Situation's sculpted abdominal muscles.

Some would work on commission and create a sculpture of a paying customer. Many of the artists were African-American. Although not too well known, the Clarion magazine, (published by the American Folk Art Museum) describes Black artists working on the beach in a 1992 article, and as I recall, documenting an instance of an African-American artist being "lightened up" for a postcard.

For the silica masterpieces shown here, sand was densely packed into a box surrounded by 2 x 4 wood section and shaped with sticks and trowels. The sand surrounding the work was then painted black. I have found no less than two dozen postcards depicting the artists and their work, most dating to around 1910 (including one dated 1911 showing this very group of sculptures) but this is the only actual photograph I have seen. It dates to 1910 or so as well, I have seen the same group of works shown in a magazine around that time. As you can see, the artist added a few more works before the picture was taken for the postcard. Maybe they lugged them under the boardwalk when it rained.
Original Vernacular photograph of Atlantic City Sand Sculptures, circa 1910 collection Jim Linderman

Folk Art Sign of the Egg Rolling Out the Beatrice Trade Sign

Anonymous Snapshot, circa 1940 Collection Jim Linderman