Jim Linderman blog about surface, wear, form and authenticity in self-taught art, outsider art, antique american folk art, antiques and photography.
Showing posts with label Bad Art. Show all posts
Showing posts with label Bad Art. Show all posts
Painting While Hypnotized and Painting under Hypnosis
I can find virtually no artists who specialize or specialized in painting under the influence of hypnosis. I wonder why? Every manner of altered state, disability or Psychotropic drug known has been used to influence artists...as has the old stand by booze, and I do not just mean a few snifters at the opening. Some painters were drunk longer than they painted. From what little I know about hypnosis, you would think it could lead to increased concentration, wacky influences, a driven disciplined approach, who knows...so why aren't there more artists giving it a try?
Could it be that painting under hypnosis sucks?
Alter your mind and who knows what might result? In this case, what resulted is a mundane portrait with nothing trippy at all...do you suppose the artist barked like a dog or took his clothes off while under suggestion? "You are feeling VERY, VERY realistic, literal and perfectly representational today" This portrait is so straight, it could go right over the mantle in the boardroom (which it probably did,) In fact, it is so boring I would pass it by at the Salvation Army.
But wait! NO THUMB!
Don't snap your fingers until he puts one in.
Press Photograph 1963 Collection Jim Linderman
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Elmer Anderson Returns with a Powerful Show of Incomprehensible Images! Art of the Lowest Order!
My second staggering post devoted to the most remarkable talentless artist in postcard history. Previous Post is HERE. (Collect them all!)
Group of Elmer Anderson Postcards, circa 1950 Collection Jim Linderman
Tina the "go to" Surrealist from Sexology
I profiled another artist working for the digest "Sexology" on another blog (the fearless L. Sterne Stevens on Vintage Sleaze) but neglected to mention "Tina" the somewhat inept surrealist who was obviously the "go to" artist for the monthly digest. I have not been able to find the artist's full name, nor do I know if "Tina" is accurate...but then if I were working for a magazine with articles such as "Strange Objects in the Bladder" "Odd forms of Reproduction" "Polymastia-Multiple Breasts" and "When Midgets Marry" I might use a pseudonym as well. A gig is a gig. Genius Craig Yoe who has compiled pages from this journal in his book Sexology might know more about her, but I don't have the book and can't kindle it yet, so I'll wait for reader comments. The above paintings come from issues dated 1953 to 1956, and who (or what) subscribed to the magazine is a mystery. Thankfully.
I am going to guess Tina worked on artist's board...somehow can't see her stretching canvas for these. (But I CAN see racing Jim Shaw to the Salvation Army to buy one) I also do not know the process for commission...did she produce a work every month based on the editor's direction? Did she read the articles for inspiration? At any rate, our unknown, deservedly so, artist is responsible for all of the above, which were published to illustrate the following respective articles:
Narcissistic Frigidity: Virgin Wives
Musical Sex Sublimination: Conversion of Sexual Urge
Change of Life
Women who Rape Men
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