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Showing posts with label At the Circus in Black and White. Show all posts
Showing posts with label At the Circus in Black and White. Show all posts

Literally a Dog and Pony Show (at the Circus in Black and White #19)


Today "Dog and Pony Show" is a phrase used when tricking prospective customers with bedazzling graphics and such. It used to mean what is shown above.

Number 19 in the "At the Circus in Black and White" series.


Untitled Anonymous Snapshot, circa 1920 Collection Jim Linderman

At the Circus in Black and White (Japan style) #18





Number 18 of "At the Circus in Black and White" provides proof the circus knows no borders.

Group of early Japanese Circus Postcards, date unknown.

At the Circus in Black and White #17


An unusual addition to the "At the Circus in Black and White" series as this is actually a unique photograph of a silent film being made at Universal Studios in 1915. Remarkable that even as early as this circus sideshow banners were familiar enough in the public consciousness to satirize them in a movie. Also remarkable that even back in the silent era, motion picture studios would go to the trouble to commission such elaborate (if primitive) backdrops for what would have been used only in a brief scene or short film. Add a scary clown, a fellow in drag and a miniature pony...it all adds up to a great photo!

Photo of Film Set Universal Studios 1915 Collection Jim Linderman

The Cookhouse by Robert D. Good At the Circus in Black and White


Chuck Wagon! "Cook House of Stevensons Brothers Circus in 1946" by Robert D. Good. For an additional photograph and biographical information on the photographer, see earlier entries in the "At the Circus in Black and White" posts.

Original Photo 5" x 7" by Robert D. Good title typed on reverse Collection Jim Linderman

Carny in a Pork Pie Hat At the Circus in Black and White (in color)


What is cooler than a slim strutting carny in a pork pie hat? One in COLOR! An exceptional exception to my "at the circus in black and white" posts. This a snapshot pasted on a page of circus scrapbook. Circa 1950? A tall drink of water, our slim striding sideshow side hand!
As a further aside, if you like sideshow folk, my Wondrous World of Frank Wendt site has some splendid examples, as does the Fringepop site.

Carnival sideshow Photograph, anonymous. Circa 1950. Collection Jim Linderman

Sparse Circus (At the Circus in Black and White)


Click to enlarge. Hard to believe, but I THINK they've set up a ticket booth, so they're CHARGING for this ride. Snapshot, circa 1925? Likely Michigan. Collection Jim Linderman

At the Circus in Black and White #7 (or #8 or #9?) Look them up


Light posts today, it being Mad travel day, which ended for me the day I left Times Square, thank heavens. Boy, I used to hate going to Grand Central on holidays. All I need to do now is take the medicine and drive over to see the folks. No one is going to SEE this post, however, for artists, consistency is THE virtue, so here you go, my daily post.

Untitled (Three Clowns) Anonymous circus snapshot, circa 1955. Collection Jim Linderman

At the Circus in Black and White Ray's in La Crosse and Helen Mae Hoeft, Early Woman Photographer



A circus photo (of a sideshow banner for a "midnight ramble" show) taken by, or developed by, Ray's Studio in La Crosse Wisconsin. One Edwin Hill recounts the tale of La Crosse early photographers in his Master thesis in 1978. Ray's photo was in fact Helen Mae Hoeft, who used the shop name as a pseudonym to avoid sex-discrimination in the photo field. She feared customers would not buy photographic services from a woman when she started up in 1924. The name of the business has changed since, but as of 1978 was still in operation. I do not know if Ms. Hoeft took this photo or merely developed it at the studio for another, but the stamp is here. (Click "At the circus in Black and White" to see other posts in the series)

Untitled circus photo c. 1930 La Crosse, WI collection Jim Linderman

At the Circus in Black and White


Starring in Snows of Kilimanjaro, Featured in Africa's Splendor, Starring in King Solomon's Mine

Untitled (Circus Performer) Anonymous Snapshot, c. 1950 Collection Jim Linderman

Robert D. Good At the Circus in Black and White





Circus Photographer Robert D. Good advertised his services, among other places, in the circus section of Billboard Magazine during the 1940's saying "If you raised the circus, see it in pictures" offering real photo size images. 20 cents would bring you a sample and lists of photographs he had taken in the past. He called his studio "Circus Snaps" and frequently typed captions on the reverse of work along with his stamp.

I love this photograph, and you'll have to enlarge it to see why. A simple enough shot of the Sparks Circus Sleeper becomes a group of boys admiring the Circus Strong Man.

Robert was not only a photographer, he was a well-informed fan of the circus. His letter to Life Magazine on July 19, 1954 tells readers the "last living driver of the 40 horse team pulling the famous Two Hemispheres Band Wagon" was celebrating his 91st birthday. Good passed away in May 1974. A splendid photograph of the photographer appears on the Circus Historical Society "Bandwagon" pages for the May 1964 issue

"Sparks Circus at Lehighton PA. in 1946 Bus Converted into Sleeper for Performers" Robert D. Good Photographer Collection Jim Linderman

At the Circus in Black and White


In the tradition of F. W. Glasier, Dull Tool Dim Bulb incorporates a new mini-series, "At the Circus in Black and White" I will post an amateur vernacular photograph of the sideshow weekly.

Untitled snapshot "Woman, Monkey, Man, Dog" anonymous c. 1950 Collection Jim Linderman

The Banner Line The String Show Ten-in-One Sideshow At the Circus in Black and White


Click to Enlarge

These circus banners, when strung in a row to attract customers, were known in the trade as a Banner Line or The String Show. "Ten in One" refers to the usual number of acts. The Lincoln Brothers, who apparently had only eight acts...lasted only a few months.

For other sideshow photographs posted on Dull Tool Dim Bulb, click blue "sideshow" subject heading below.

Anonymous Photo Snapshot 1921 Collection Jim Linderman

Amateur Diane Arbus, the Photographic OBJECT vs the Photographic IMAGE At the circus in Black and White





As I pondered posting these vernacular photographs of a 1958 circus sideshow I found last week, I was struck by their being physical objects first, images second. I am sure the entire world has gotten over this matter long ago and my even admitting to bring it up is anachronistic. However, I own these, they occupy space in my files and as they are exposed to light and dust, fingers and moisture they will age, curl and change in aesthetic and physical ways. I am interested in the physical properties of photos, the wrinkles, the spots, the foxing, the tear. Surface is just as important to a photographic object as is the image. It might be my folk art background, where authentic age, signs of use and patina is a serious precursor to value and an indicator of authenticity...why shouldn't the camera arts be the same? Invited comments. In my world, "pristine" should apply only to the magic bullet commission exhibit 399.

4 original sideshow images, circa 1958 (cropped) Collection Jim Linderman

1954 "Ten in One" Circus Sideshow Banner Photographs At the Circus in Black and White (in COLOR)






I'll post the history and such later. Until then, sometimes don't you wish you were born a few years earlier than you were?

4 Original Kodakcolor Prints (w/details) Week of December 6, 1954 Collection Jim Linderman