Jim Linderman blog about surface, wear, form and authenticity in self-taught art, outsider art, antique american folk art, antiques and photography.
Justin McCarthy from the Jim Linderman Collection
It has been more than 100 years since Justin McCarthy began painting, and 50 years of it was with no recognition. He began drawing while instutionalized and continued to create until the 1960s with virtually no sales, but he knew he was an artist. He literally filled up the mansion where he lived alone with paintings. When artist Sterling Strauser finally visited in the 1960s, he said the paintings were stacked in the bathroom and even in the stove! Thousands of them. I was lucky to learn about Justin McCarthy from Mr. Strauser who became a friend in the 1980s. He showed me hundreds of works during the time we shared, setting aside pieces he knew I would enjoy for every visit. I cherish that time, and since I see no museum mounting a solo show for Justin, I did it myself. On the new JUSTIN MCCARTHY ART from the Jim Linderman Collection I have posted 25 pieces of his work. From his earliest primitive drawings of 1915 to the vibrant oils done in the 1960s. I have tried to represent as many facets of the painter as possible. I hope you enjoy the site.
Justin McCarthy Art from the collection of Jim Linderman is at Http:justinmccarthyart.blogspot.com
Victor Joseph Gatto Ink Drawing The Last Supper. collection Jim Linderman
Last Supper by Victor Joseph Gatto. Gatto was a bachelor and a former featherweight boxer who lived with his widowed stepmother in the section of New York known as "Little Italy." Painters Elaine and Willem De Kooning lived in the next apartment in the late 1930s, and Elaine De Kooning and other artists encouraged Gatto's painting. His work received critical acclaim through several exhibitions in New York galleries during the 1940s and 1950s, his most productive period." Lynda Roscoe Hartigan Made with Passion: The Hemphill Folk Art Collection in the National Museum of American Art (Washington, D.C. and London: National Museum of American Art with the Smithsonian Institution Press, 1990). I also have a cassette tape somewhere in which Gatto claims to be a better artist than Rousseau because he used more shades of green. The chickens in the foreground are a typical Gatto Move.
Victor Joseph Gatto. Last Supper c. 1950 - 1955. Collection Jim Linderman / Dull Tool Dim Bulb
#selftaughtart. #victorgatto. #folkart. #americanprimitive. #outsiderart.
Victor Joseph Gatto Untitled “Fan Dancer” oil 4 x 2.5 inches Collection Jim Linderman
Victor Joseph Gatto Untitled “Fan Dancer” oil 4 x 2.5 inches
“Whenever Gatto begins a painting, the color scheme is clear in his mind. If his eyes start smarting, he puts on his steel-rimmed glasses bought in the five and ten. He paints with the thinnest of brushes, some of them having no more than twenty hairs so that, as a rule, even his smallest canvas represents an enormous amount of physical application.” Harry Salpeter Esquire Magazine May 1946. Everyone from Degas to Peter Max painted a fan dancer. Here's Joe's, a former boxer and "The American Primitive".
Vincent Joseph Gatto Untitled “Fan Dancer” 4" x 2.5" collection Jim Linderman / Dull Tool Dim Bulb c. 1950 - 1960.
Subscribe to:
Posts (Atom)