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Weegee Bettie Page and the FBI The Last (?) Unpublished Photographs and What Weegee told the FBI about Bettie Page


(c) Weegee/International Center of Photography/Getty Images


(c) Weegee/International Center of Photography/Getty Images


(c) Weegee/International Center of Photography/Getty Images


(c) Weegee/International Center of Photography/Getty Images


What if you could put Bettie Page, the most influential pinup model of the last 50 years in the same room with Weegee, certainly one of the most famous photographers in the world...and he had a camera in his hands? I'd say it would be so juicy even the FBI would be interested. And it appears they were!

Search for a photograph of Bettie Page taken by Weegee. One appears on the International Center of Photography website, which is appropriate as Weegee's widow Wilma Wilcox donated his extensive archive to the museum in 1993. The photo actually appears on Fans in a Flashbulb, the museum's exceptional blog.

Weegee (Arthur Fellig) was personal friends with the model, for years living only three blocks apart from each other just off Times Square (Weegee on West 47th Street and Ms. Page on West 46th Street), a walk one can do in less than five minutes, even Weegee with a cigar. There is a story reported that Weegee once climbed into a bathtub fully clothed with Bettie hoping for a better photo until she literally kicked him out. But until now, very few of the photographs Weegee took of his beautiful acquaintance have ever been publicly shown.
Cass Carr, Harlem jazz musician and promoter of amateur camera club outings also had a space in the very same neighborhood at 218 West 47th Street (a mere two blocks from Weegee's house) which he called the "Concorde Camera Circle" with a rudimentary studio. I believe the revealing studio shot here showing other participants snapping away was taken at Carr's place. It is typical of Weegee to create his own particular view in a photographic setting. The one thing you do NOT want to see in a photo of Bettie Page is other men, but there you go. Leave it to Weegee to turn the camera on the cameramen.

(c) Weegee/International Center of Photography/Getty Images

Carr also arranged outings to local farms and parks for camera club participants prior to forming the Concorde Club (previously known as the Lens Art Club) but he changed the club's name after being arrested along with others for promoting an outing in South Salem, New York. Some accounts have Weegee arrested at a camera club outing along with Ms. Page, if so it probably would have been the South Salem, New York shoot on July 27, 1952.

One thing I can confirm is the outdoor photographs here were taken at Headley Farm in New Jersey, as the gas pump has figured in other photographer's pictures. Also present at the shoot, which took place on September 9, 1956, were photographers Art Amsie, Arnold Kovacks, Don Baida, and an unknown woman photographer seen here on the left holding her own camera with the boys.

As far as I know, this unknown woman's pictures of Bettie have not turned up, but we can now say Bettie was photographed by at least three women, the others being Paula Klaw (Paula Kramer) and Bunny Yeager (Linnea Eleanor Yeager)

(c) Weegee/International Center of Photography/Getty Images


The Weegee photographs (and there are more) are beautiful pictures of the model in her prime. Striking poses of a young model obviously both aware of her talents and enjoying the session. That they were taken by one of the most interesting and talented photographers in history adds to their charm and importance.

The photographs Weegee took of Bettie Page have never been shown, and it is an honor I do not take lightly. It is also the reason the copyright notice I have placed under each image is not to be ignored.

One of the Weegee photos of the model taken in a studio is notable primarily for the unusual bikini Bettie wears which she would have made herself! It was a talent she was proud of, but maybe she should have stuck with store-bought. It also appears in a cropped version on a website or two, but in poor and possibly purloined quality.

(c) Weegee/International Center of Photography/Getty Images

The other Weegee image from the ICP collection which has appeared on the web is a cropped print showing Ms. Page in virtually the same pose taken at the same day by four different photographers.

Another Weegee photograph here shows Ms. Page in a make-shift studio not as yet identified. It could be either of their own apartments, as Page was known to pose individually on request and for her standard modeling fee. It is not known (to me anyway) if Weegee was in the habit of hiring individual models, but he did sell and publish other cheesecake photographs in news digests and quite likely some joke and gag publications. I would like to think Bettie gave him a freebie on this one!


(c) Weegee/International Center of Photography/Getty Images

But what of the FBI? Recently the FBI released several documents on Bettie Page, likely in response to repeated requests. As we know, the model was harassed and hounded by zealots and government agencies during her modeling years. Once being called by the Kefauver Committee in conjunction with their investigation of Irving Klaw, and earlier in relation to an obscenity bust in 1956 Harlem (in which the amateur bondage model was asked about "ping pong paddles" and a riding crop. She denied being involved, and also denied knowing of any photographs of the sort being produced in Harlem.



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In the the newly released FBI document pictured here I noticed a most interesting story hiding in the redacted print! Half way down, note the passage enlarged here which indicates photos of the model were "turned over on 5/25/60...by (name omitted) also known as (name omitted) a photographer who resides at (location omitted.) Now I do not know of any other New York City photographer working with a short pseudonym who took pictures of Bettie Page! So there you go... it now looks like we can add Weegee to the long list of artists who have been pestered by the long arm of the law.


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Now if I were writing this for a tabloid in the 1950s, when the neighborhood all three principles called home was known as "Hell's Kitchen" I would have titled this 'WEEGEE SQUAWKS TO FEDS" but to be fair, anyone with the slightest connection to "dirty" pictures was vulnerable to such puritanical procedures, when the laws attempting to define obscenity were far more strict than today. So let's call them all pioneers rather than pigeons.


(c) Weegee/International Center of Photography/Getty Images

I would like to thank the International Center of Photography for allowing me to use the above unpublished photographs from their archive to help illustrate this discovery and story. If you are not an active member or supporter of the museum, please take the time to join.



Jim Linderman is author of Times Square Smut and The Birth of Rock and Roll

 "Times Square Smut" available now covers the same time period as the above in detail and publishes numerous works by African-American artist Eugene Bilbrew unseen for over 50 years. Times Square Smut will tell the story of denizen and mobster Edward Mishkin, who printed and sold proto-porno soft-core books using the artist's work on 42nd Street at the same time Irving Klaw was publishing photographs of Bettie Page. In the meantime.  The Birth of Rock and Roll might be the most unusual music book you have ever seen!


C-Monster My Favorite Art Critic in the World, C-Mon Chases Fame (and Google)

I don't post enough about people I admire ( and rely on) as often as I should. The post below is cribbed from the outstanding, required, essential, growing and FABULOUS contemporary art survey blog C-Monster.net. and while not a characteristic post, it is delightful and I thought I'd share it.

Normally, C-Mon who writes under a real name as well (including significant cover stories for Art News and such) is one of the busiest art writers around, and she literally travels the world for unusual takes on the contemporary art climate. She is adventurous...and fearless. Insightful, hilarious, serious, well-informed, opinionated, lively, colorful...I'm just getting started. I could provide her real name, but anyone smart enough to follow the real art world at the doorstep of the museum should find it easy enough.

The site's links alone are art gold. She has entertained me for a long time, and has been my eyes in the Art World since I left New York City, and believe me, she is a comer She has a couple of other high-profile gigs which you will come to understand if you follow her regularly.

C-Monster.net is a daily visit for me. If you like any of my "nearly art" sites, you will love her 'REAL" art site, and l will personally give a free t-shirt to anyone (within reason) who doesn't agree it is a great, important and worthy site to follow.

(Offer limited to 5 free t-shirts, and I don't expect to have to mail out even one.)

My 15 Nanoseconds of Fame

Cruising in Brooklyn

I made it onto Google Street View while riding my bike in the vicinity of the Brooklyn Museum. (Full disclosure: I saw the Google car and followed it for a few of blocks because that’s the kind of cheap, internet fame whore I am. Sorry, Joerg.) The whole thing inspired me to look up some of the addresses I’d lived in over the course of my life on GSV— the vast majority of which aren’t online because my family had a penchant for inhabiting incredibly bizarre, out-of-the-way places. It was a trip back in time, except it wasn’t, because I’m seeing all of these spots in the pseudo-present. (A selection: the place I was born in, the road leading to the house we lived in when I was 10, the donut shop where I used to ditch high school English class and the college dorm that was the site of various inebriated indiscretions.) Which brings me to this highly interesting essay — which I discovered by way of Conscientious — about photography in the age of GSV.

Excerpt from the June 13, 2011 C-Monster.net HERE

Punch Card Reel Hit Art of Gambling Vintage Gambling Card Graphics



Large vintage poster-size punch card. Take a Chance!

Unused! Circa 1940? Collection Jim Linderman



Browse and Purchase Dull Tool Dim Bulb Books HERE





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Tintype Painted Backdrop Book Review The Painted Backdrop: Behind the Sitter by Jim Linderman



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A nice thoughtful review of my book The Painted Backdrop: Behind the Sitter in American Tintype Photography 1860-1920 appears on the Art Site Ululating Undulating Ungulate by Deanna. A brief excerpt below... and link to the complete article HERE

"Have you ever thought about the painted backgrounds in antique and vintage photographs?

No?

Well, you aren’t alone.

Until I read The Painted Backdrop: Behind the Sitter in American Tintype Photography, by Jim Linderman (with an essay by Kate Bloomquist), I hadn’t either.

In fact, the story of and between 19th century painters and American photography really has never been told — or, I should say, “hasn’t been explored” until Linderman came along and looked into it via his collection of antique tintype photographs."

"The author / collector states: “This is an art book about painting and photography (or vice-versa) and how they met in a certain time and place.” Ever since the camera arrived, the debate about the merits of photography as an art form has raged (admittedly Ansel Adams helped sway a lot of people that it is), and this book and its 75 antique tintype images certainly is part of that debate. It also raises the question about whether or not the painted backdrops used behind the people in the photographs are art, folk art, or ephemera from the photographic industry. But it’s that last part, “how they met in a certain time and place,” which really gets to the core of things, the thrilling things, for me. That’s where we get to the historical cultural contexts."

READ THE ARTICLE IN FULL HERE




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Rustic Vaudeville from the West Paquin Family of Performers RPPC collection Jim Linderman











What a delight to have seen this family troupe perform. Late 1930s Family Paquin who played the Western Circuit with Snake Chamers, Musicians, Contortionists and more, all from the same stock! See More HERE

Collection of Real Photo Postcards Jim Linderman Collection

Browse and Order Dull Tool Dim Bulb Books HERE



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Miniature Native American Sweetgrass Basket and Lessons from the Birds







A beautiful miniature Native American sweetgrass basket. A decorative trinket form which originated during Victorian times to provide a meager living for our noble original residents. Taking all manner of shape and form, these baskets, which are commonly made even still by many Northeastern tribes, used wood splints which were given color by native, vegetal dyes and painstakingly created adapting traditional native forms for which the makers were hardly compensated.

I believe the decorative handles, tiny and remarkable coils of wood, have been called "God's Eye" but that might be a Western application.

A recent email conversation with a friend reminded me of a myth I heard in Santa Fe, which could be quite true...that native peoples, in particular those who took care of our land before we came to trash it, learned to make baskets by watching birds make their nests. A beautiful sentiment, true or not, and either way these perfect little creations are far more affordable than they should be. You'll see them around. If there are absolutely no breaks, their value is sure to increase.


Miniature Sweetgrass Basket, (Potawatomi tribe?) Circa 1920 Collection Jim Linderman


See and order my published books HERE



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Vernacular Hand Tinted Photograph Collection 1950s













Add some color! Kodachrome is extinct,but I do not expect to see a return to hand painted photographs. I don't mean "contemporary artists" who ruin old prints by doctoring them up, I mean the real thing, usually done with Marshall's Oil Colors, an early supplier to those stuck with black and white film. One of those "art of the people" things and available to anyone who read the back pages of Popular Mechanics or home hobby publications. Gone the way of candy dishes, aperitifs, formal dress and beer steins against the basement bar wall.


Tinted by hand photographs (8 x 10 and 5 x 7) all 1948-1950 Collection Jim Linderman

There Once Was A Man From Nantucket...Wood Whirligig Folk Art


Whirligig Figure, circa 1930 Collection Jim Linderman

SEE ALSO HERE for the story of the Nantucket Sailor Whirligig

The Worst Woman in the County Addicted to Scolding and Open on Sunday



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What does it take for a woman to get arrested for just being ornery? Start with being "addicted to scolding" and to "instruct and teach her children to insult, abuse and injure children and persons in general." Mrs. Johnson also "makes a habit of using profane, vulgar and abusive language." Not only that, she keeps her store open on the Lord's day which disturbs the rest of the peaceable citizens.

Sounds like just another day at Wal-Mart to me, but to the good folks of Lycoming County in 1884, Mrs. Susan Johnson was a big pain in the Pennsylvania Dutch ass.

Your choice old lady Johnson...the can or the stocks.

Original Court Document, 1884 Collection Jim Linderman