Quote and Credit

Quote and Credit

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A Giant Man with a Sad (dog) Tail



"Pet refuses to leave Master's bier; derrick Needed to Lower Coffin" 1922

Captain George Auger Cabinet Card by Frank Wendt, circa 1890 and attached newspaper clip, Collection Jim Linderman
(To be posted on the circus sideshow photographer site Wondrous World of Frank Wendt as well)

First Snow Last Night (and each flake different)





Group of Child's homemade cut-out snowflakes mounted in book circa 1880.
Collection Jim Linderman
DULL TOOL DIM BULB BOOK CATALOG HERE

Jim Linderman Books How to Purchase

Get your Christmas Shopping Done early. ALL of my books were published this year and all were small press books, so none of your friends have pawed them at Barnes and Noble. Surprise them! Preview and read reviews at each click. Thanks.

SSSSH! Vintage Vern...
By Victor Minx





The Virginia Stocki...
By Victor Minx with ...

Susan Archie Master Designer (World of anArchie)











The LP cover was the perfect medium for a visual artist. A 12" x 12" square one could fill with anything. It had a good run. Some of the images are so ingrained, I carry them upstairs all the time, though haven't owned an LP or record player for years. Sticky Fingers by Warhol. Talking Heads by Rauschenberg. The Richard Pettibon covers for Black Flag and the Minutemen. "What makes a man start fires" indeed.

Susan Archie is one artist who has been able to bring both classic and innovative esthetics to the music package. Despite dropping sales and the invisible format of the download, she has designed some of the most beautiful artistic objects you can imagine, and they often come in a 5" x 5" size! I once thought the CD was too small for art..I was wrong. I'll be wrong about the 2" x 2" screen of a handheld one day too.


Here are examples of Susan's work from the last few years. They are usually thick and juicy as well, a richness I can not show with a scanner... she specializes in packages, not just covers, and the damn feel of her product (a word I hesitate to use as they are so beautiful) makes everything she does just about the least expensive piece of serious art one can buy. It is difficult to be both pure and lush, her work manages to be both. She will jam in content and information, but still present a minimal beauty that is capable of creating awe. I have not asked Susan or the labels who have hired her for permission to use these images, nor do I have the time to list all their details. I am sure she would choose others, since she also manages to be prolific, thankfully...but if there is a way to search her name you can purchase ANYTHING and I do not exaggerate. I grabbed a few here, ignore the wear. They are among the most played discs in the house.


Is the CD gone? Actually this is the glory days. I'll let you all in on a little secret too...for collectors, the most rare and valuable items are always produced in the last days of a format change. As many of the small presses and labels Ms. Archie chooses to work with press in small quantities, there won't be enough to go around in the future...and believe me, she will have a museum show one day. These images from my rack don't even BEGIN to show what she has done and what she is capable of. The music too is above reproach, she has taste AND taste!


Susan's WEBSITE is here, She should crow louder than she does. I am linking as well to her testimonial page here so you can see some of her achievements. I don't know where there is a complete discography of her work, but the one HERE will give you an indication (and buying list) Her work is consistently beautiful and that she chooses to work in a small format is no indication of her giant talent, plus when I think of her I always smile.

At the Circus in Black and White #7 (or #8 or #9?) Look them up


Light posts today, it being Mad travel day, which ended for me the day I left Times Square, thank heavens. Boy, I used to hate going to Grand Central on holidays. All I need to do now is take the medicine and drive over to see the folks. No one is going to SEE this post, however, for artists, consistency is THE virtue, so here you go, my daily post.

Untitled (Three Clowns) Anonymous circus snapshot, circa 1955. Collection Jim Linderman

Traveling? Be Safe, Don't Text and Drive. EVER


"Thanksgiving In Ye Olden Times" Handmade Postcard, Mailed from Colorado to Kansas 1911. Collection Jim Linderman

Gals Gams Garters Sample Page


In the 1960's, a student at Virginia Commonwealth University in Richmond, Virginia was dumpster-diving and made a remarkable find. A scrapbook consisting of dozens of pages of the female form (in stockings) which had been carefully assembled into a fetish object of considerable girth! With 80 pages, and despite decay, the student saved the packet for decades. They have now been published in a book which is itself a little work of art. Our anonymous artist would be proud, though his family, who likely tossed the originals hoping they would be lost for good, might not be as pleased. There is NO NUDITY as with the convention of the times, but as you can see, risque might be the appropriate word. Art Brut with scissors and tape. A perfect gift for anyone interested in fashion or retro-fashion, stockings, legs, women...and, well...anyone with an interest in the unusual. It is linked at right, and there is a free 15 page preview HERE.

Christmas Stockings This Year? GALS GAMS GARTERS Available NOW


The SECOND volume in the new limited edition
DULL TOOL DIM BULB BOOKS imprint.

Gals Gams Garters comes in a limited edition of 250 hardcover paper jacket books.
There is also an unlimited (for now) paper edition available.
Order in time for Christmas! CLICK to order or free 15 page preview.

Time for Bob Dylan to Record an Album of Charley Patton Covers


Bob Dylan once said "If I made records for my own pleasure, I would record only Charley Patton songs." For someone of his writing skills, that is a considerable proclamation and one I do not doubt. Gospel, Blues, Proto-Blues, Gut whoops and hollers, slide-finished words, gruff "voice masking" as old as Africa. Patton was so fugging good he could play 4 characters in one three minute song, make them all real and make every one of them sound like they were in a different room. His voice could be Man, Woman and God all at once and it was all done live in front of a primitive microphone while it was being etched into WAX. He could sing and talk to himself out loud at the same time! Nothing since has matched or met it. But Dylan keeps working at it and he increasingly SOUNDS like him, a compliment I am sure he would appreciate. It is no coincidence the most impressive song he has performed over the last few years is the one he specifically wrote for Patton. Like all his songs, he has played with it, shuffled it, jacked it up and down...even put a banjo in for a while. I've heard it scream with a guitar fed through a vocoder and a drum pound break Levon might be able to play, but with a sound he couldn't even imagine. I've heard a growl thrown at the song like Patton would, a genuine grit-teeth roar deep from inside somehow and as though each moment of the song was critical. A live version from 2003 was released on the Tell Tale Signs CD which spits and stutters to a fantastic finish. The song name-drops Big Joe Turner, another under-appreciated performer. They say Charlie Sexton's return to the band has brought vitality to the gigs. He certainly looks good from the audience clips I've seen.

Dylan's "never-ending tour" is an enormous misnomer, as musicians PLAY. I suppose it is born from his reclusive days, when he took time to start and raise a family, something which it is increasingly obvious he did well despite what must have been enormous pressure. I was shocked to read Sara turned 70 in October. I do not follow the offspring, but one is an accomplished performer and another a film maker who has been involved only in most laudable projects. That their father chooses to work is no surprise at all, and we should only HOPE it never ends. I recall when he did hit the road again (after what is now realized as only a brief respite) it was such an out-of-scale, stadium-filled steamroll no less than Bill Graham had to handle the ticket requests, millions of which were unfulfilled and the performers had to shout to be heard. Geffen bought the product and it set Dylan adrift a bit after, but he got back to Hammond's label and although there were some ups and downs, he's since had an artistic 5 disc run which has now matched the first one. And that is a considerable proclamation as well.

But this is about Patton. And that quote. It has been 8 years since the magnificent Charlie Patton box set by Revenant dropped. Literally. It is time to listen to it again. It is called "Screamin' and Hollerin' the Blues" and it is with no question the greatest CD box-set ever released. From the pea-vine graphics to the erudite texts, it was as fitting a tribute one could create for this part Cherokee Black man who was born and died on plantations within 20 miles of each other in Sunflower County, Mississippi. It has taken me eight years to fully appreciate the box and Mr. Patton, though I first heard him in headphones in junior high school on an LP put out the year before I was born.

Dylan had a song on an album way back in 1978 titled "New Pony" which smells just a little bit like Patton. The tribute song "High Water" which refers to the floods that put Delta citizens atop the levee (the lucky ones anyway) is even closer. But to my knowledge, Dylan has never covered the master. It might be time. In fact, might I suggest an entire album of covers? I bet I could find him a label to put it out.

SERIOUS film making from the 1930s


THIS is how to open a film.  Above is an original still photograph, collection Jim Linderman, showing the stunning opening of the film Crime Without Passion being produced.  Enjoy this clip...and marvel.

Adding some Color from Jim Linderman Sites







I took a look at the last few weeks here and decided to add some color. All images from my OTHER blogs.

Wallpaper Decline a Perfunctory Post RPPC


Sorry for no vibrant colors of late, I've been busy. THIS would have colorful, but the camera wasn't capable. Ever wonder why wallpaper isn't a happening thing much anymore? "She thinks alot of her Unk. D, Aunt Pearl, Cousins Grace, Leland, Lloyd and Frankie"

Azo Real Photo Post Card, c. 1920 Collection Jim Linderman

Blackface


To those who study or simply enjoy old time music, the interplay between minstrel shows, blackface and musicians has been understood a long time. Musicians give up prejudice as soon as someone tunes up. Some recent hyped controversy over fashion models with too much make-up points out again that race and racism is real and for the most part, like always, still manipulated for profit and power. If you think some arbitrary distinction between race matters, or even exists anymore, I suggest a train ride into Manhattan from Queens at 7 am. There IS no white or black. We are all of the human race and at 7 am all equally miserable.

Anonymous Snapshot Untitled (Children musicians practice for crappy minstrel show) 1956 Collection Jim Linderman

Review Luc Sante Folk Photography


Luc Sante was kind enough to write an essay for "my" book "Take Me to the Water: Immersion Baptism in Music and Photography 1890-1950" and Lance Ledbetter from Dust-to-Digital and I were thrilled to have him involved. Both of us knew his reputation and he gave the project authority and legitimacy. It was flattering as hell.

Mr. Sante's new book "Folk Photography: The American Real Photo Postcard 1905-1930" has just been published. I collect Real Photo Postcards as well and waited anxiously for the publication. Presto! I have some favorites...the shooting gallery rack on page 55, the Nebraska carnival girls on page 59, the Wall "o" Rabbit, a Canadian woman reading with her eyes closed while a Micmac beaded bag hangs over her head...and "STRUM" will simply break your heart with scale, beauty, form and joy...but you will most certainly have your own favorites.

This is serious book. It is tough, real and glorious.
Well over 100 images, all killer, no filler and the bonus of a sizable essay from a great New York writer who edits tighter than a Hank Williams song but aims even higher. Browsing the text to find Luc walking that section of Astor Place the same year I moved to the city is tenuous, having left two years ago...but I will muster the strength to read twice. It is a beautiful book and anyone who grazes this blog for the real deal will find sheaves of it in this book. It is linked at right.

Things to Make (Newspaper Puppet)


Primitive Handmade Newspaper Puppet c. 1950 Collection Jim Linderman

The Manipulated Paperback Privacy Pestering and Pervs







Women on the subway, particularly prior to the acceptance of ipod plugs, will bury their nose in a book so as to avoid attention from creeps. They often use homemade book covers as well, to mask the title from straphanging men who either claim to have read the book or ask if it is good. (ummm...guilty)

Never, however, have I seen a book which has had a fake cover applied by someone permanently, in particular in such a curious manner. Some goofball,
in the early 1980's, covered this paperback in a design of his own making composed of shopping bag paper, a cutout from a men's magazine, and a handwritten spine. He even wrapped her arm around it. She doesn't even appear to have red hair. Certainly not the book I would choose to read in public, but I would liked to have seen his whole library. Book courtesy of William Smith, Hangfire books. (He has better ones, and his website is great)

"Betrayed by Rita Hayworth by Manuel Puig. Vintage Books edition 1981 with handmade applied cover. Collection Jim Linderman

Alaska Tlingit and the Bear Totem Store RPPC



I feel sorry for Alaska, by FAR one of the greatest states in the Union. Since the collective attention span of the United States has been scientifically determined to be only several months, unfortunately, for most Americans when the state is mentioned they think of future failed talk show host Sarah Palin and her grandson Tripp, the future governor of the state. However, Alaska truly has a rich, historic past which reaches far beyond our increasingly shrinking memories.

Wrangell is one of the oldest non-Native cities in Alaska, yet still only has a population of a few thousand. For a little town, it has an Alaska-sized history. And I mean Petroglyph era history. The Tlingit lived there, a tribe of people with a great cultural heritage of their own and superb artistic skills. Wrangell was actually founded because of a Russian, Ferdinand Petrovich Wrangel, the Russian "go-to guy" in Alaska, in 1834. The intention was to trade with the Tlingit. And no wonder...they trapped sea otters, harvested beaver and made sublime crafts, of which the Totem Pole is one of the best known.


In 1920, Walter Waters established the above shop, The Bear Totem Store, to sell Tlingit art. Walter was a former mailman who, considering the size of Alaska, probably went though a pair of shoes a day. However, along his travels he met many natives and acquired not only a wonderful collection, but established good relations with the artists and craftspeople, thus opening the curio shop above to trade in their goods. It must have been an extraordinary place.
Unfortunately, The Bear Totem Store burned to the ground along with virtually the entire town of Wrangell in the 1950's. For those of you with family who purchased items there, the phone numbers for Sotheby's and Christie's are available online.

The Bear Totem Store Wrangel Alaska Real Photo Post Card c. 1941 Collection Jim Linderman