Quote and Credit

Quote and Credit

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What Does YOUR Swimming Suit Reveal #2


Still (or finally) summer, so an excuse for another photo of beach beauties.

Hand-Tinted Photograph, circa 1950 Collection Jim Linderman

A Mountain Lion Cub Captures Kid Johnson's Heart RPPC


Hand written on reverse "Kid Johnson's Mountain Lion when about 18 months old. Captured near Glacier Park Mont. March 1925. Now at Manhattan Mont. Showing a hold up stunt" and dated Feb. 11th 1926.

A powerful and rich photograph. Folks who collect pictures are often bitten and smitten briefly...an image is found, obtained, enjoyed and filed. Something about this one makes it an exception. Was there love and respect between the two, or a relationship based on something else? Cats are hard to train, and Kid Johnson seems a proud, loving trainer. On the other hand, we ourselves have been "trained" by now to believe animals belong in the wild, but who is to say here? Who captured who? I suspect life was difficult for all living creatures in Montana in 1926, be one collared or not. It was probably a "hold-up" stunt as Kid Johnson would feign a weapon and direct the performer to "stick-em-up." Did Kid take the time to lay out the canvas backdrop, or the photographer. Were they performing on a street corner for coins, or was the star performer taken out specifically for the photo shoot. Six months before this photo was taken, Manhattan, Montana was struck by an earthquake which damaged half the town's few structures. Manhattan thrived producing Malt until prohibition in 1916...I do not know how either event affected Kid and his pet, if at all. The town today has some 1500 inhabitants. Dig further and you will find the well-known "Real Food for Real People" advertising campaign was filmed there. I don't think that would surprise the folks at PETA.

Real Photo Postcard 1926. Collection Jim Linderman

REBUS







Rebus is not the name of a prominent country singer's spouse. It is the use of a pictogram to represent a syllabic sound. This adapts "pictograms" into "phonograms." The writing of correspondence in rebus form became popular in the 18th century and continued into the 19th century. Lewis Carroll wrote children picture-puzzle rebus letters, nonsense letters, and looking-glass letters, which had to be held in front of a mirror to be read. Rebus letters served either as a sort of code or simply as a pastime. They persisted in cheap magazines in dentist offices for a while, but the practice seems to have disappeared along with my deciduous teeth and I find the process just as tedious as a trip there today. Don't waste your time. Shown here?

Auto Rebus
The Cannibal's Puzzle
Handsome Harry's Problem
I See You Are Easy
Summer is Here (excerpt)

Group of REBUS images, Collection Jim Linderman

Writer

I am often reminded I'm so far from being a writer, there should be a quarter slot on my keyboard like the tire inflation machine at the car wash...oh, if I could edit. The internet lets us all spill words like flour in the grocery aisle, except no one comes along to clean up the mess. Here is the latest humbling example of a real writer, a blog with choice words, nothing to sweep up and nice full tires.

CLICK HERE

Anon, The Second Worst Cartoonist in History Privately Printed Postcard Set



The only thing worse than worst is one worser. This one comes close. A few months ago, I profiled the world's worst cartoonist, one Rod Raymond and his privately published set of dreadful, dreary, gruesome and just plain bad homemade postcards. (See Dull Tool Dim Bulb of June 25 2009) Rod retains his title, but barely. Along comes "Anon" to give Rod a run for his money. Again, self-published. Unfortunately, this time anonymous, he didn't even sign his name. The least he could have done was typed it. Whoever he was, I presume he learned "there ain't no money in postcards"...something I hear at antique shows all the time.

Set of five anonymous privately published postcards c. 1950. Collection Jim Linderman

Mell Kilpatrick Weegee of the West and the Dashboard Camera






Mell Kilpatrick was a self-taught master photographer with Weegee skill and fortitude. In fact, the precious few times his name is mentioned, Weegee's often follows. Living in Orange County when it was literally a county of oranges, Mell was attracted to photography young and certainly had the right eye. In the only photo I've found of him, he is posing as if squinting into a lens finder. Like a Weegee in sunshine, he traveled light...camera, flash, tripod and a trench coat when the road was slick. But he also had a camera mounted on his dashboard pointing through the windshield and I am sure these photos were shot with it. Like a hard-boiled P.O, whenever California blood was spilled, he was there. Crime, Crash, Insurance Fraud...he squinted through them all in black and white. A James Ellroy with a speed graphic camera and a police-band radio. He is probably best known for the iconic photo "It's lucky when you live in America" which depicts a car overturned in a field after having crashed through a billboard advertising a mountain fresh brand of beer. These photos of Mell's skid marks, so to speak, are mild compared to the gruesome carnage shown in his work (and which should be shown to every driver using their cellphone)

In an extraordinary article which draws comparisons with the car crash silkscreens of Andy Warhol and the car crash fetishists of J. G. Ballard, writer Nathan Callahan attributes Kilpatrick's vision to those he saw while working as a projectionist at the Laguna and Balboa Theaters in the late 1940's, where he watched film noir masterpieces while waiting to change the reels. He learned well and got used to the dark. All these photos have his identification stamp or notes, but only one provides the time: 5 am.

Kilpatrick's negative collection, well organized and labeled, sat for 35 years until being turned up by photography collector and dealer Jennifer Dumas. She compiled them into a coffee table book "Car Crashes & Other Sad Stories" in 2000 published by Taschen, linked below.

Remarkably, there was another side to Mell. As Orange County turned into Disneyland (literally) Mell turned his camera to the construction. Soon he was loaning his darkroom to other Disney photographers, and Uncle Walt himself granted him full access to the construction site. Mell's granddaughter has published no less than five books of his early Disneyland photographs. As Callahan reports, she "sold the most gruesome ones...they brought a bad vibe to the house."

Forensic Photography would seem to be a growth industry, what with all the teenage texting going on at 75 MPH. It was probably a good gig for Mell...even if most of them seem to have been taken at 5:00 AM.


Set of Original Accident Scene Photographs by Mell Kilpatrick, Each 8 x 10. Circa 1952 Collection Jim Linderman




Superior Magic-Mirror acrylic Lacquer Finish


1961 Salesman Sample Color Chevrolet Color Chart Collection Jim Linderman

David Slayeth Goliath with his Glow Stick (A SUPER-GLO PICTURE)


I hope some kind of 50's radiation hasn't messed up my scanner here, I tried to "glow" them but the chemicals are all used up. Glow-in-the-dark products contain phosphors. A phosphor is a substance that radiates visible light after being energized. They are photoluminescent...that is energized by light. Still seems like a miracle to me. In the Bible story, little David takes the sword from Goliath and cuts off his head. That seems kinda brutal...all this time I just thought he bopped him in the noggin with a pebble from his "old-style" slingshot.

"SUPER-GLO" Picture Card (EXPOSE TO LIGHT-SEE IT GLOW IN THE DARK) circa 1950 Collection Jim Linderman

The Birdhouse, American Folk Art, Good Better Best and Mr. Ivan Laycock





The late Robert Bishop, early director of the Museum of American Folk Art (now the American Folk Art Museum) had a way of evaluating the objects in the collection. "Good, Better, Best" was his mantra, and the criteria for determining which was which took into account everything from shape and form to wear and surface.

The first thing any boy makes, out of wood anyway...is a birdhouse. Some pine, a handsaw, the careful first lesson with a drill press for the window, a dowel for the perch and a dozen nails. Shop teachers grade on it, Mothers coo like birds over it and Father helps hang it in the tree. Soon the birds appear and teach additional lessons.

Sometimes, like Billy, the slow sweeping boy in Larry McMurtry's novel "The Last Picture Show" birdhouse makers can't stop. Shown here, in order...and to illustrate the concept of good, better best are the following:

1. The Garage Workshop of Mr. Ivan Laycock (real name) from Central Michigan who sold hundreds of his ramshackle, permanent marker covered houses to vacationers, circa 1992.2. A circa 1930 real photo post card showing the wares of an anonymous maker who favored the "pumpkin patch, christmas tree, pick your own" approach to selling.
3. The Granddaddy of all birdhouses being shown by, well.... someone's Granddaddy in a c. 1930 snapshot.


Birdhouses Original 35mm photography, c. 1992 Birdhouses Real Photo Postcard c. 1930 Birdhouse Snapshot c. 1930 All Collection Jim Linderman

Another BIG Camera Dull Tool Dim Bulb


A continuation of my series on huge cameras. This one has a bonus...a big man and his big guitar! For earlier posts, click "big cameras" below.

Original Press Photo, early 1960's. Collection Jim Linderman

Flip Book Interactive Media "The Sombrero Kid"





Okay, I am only going to do this once, cause that's the way I roll...er...flip. The Sombrero Kid was a dame! The first flip book (and I guess, the first example of interactive media) was patented in 1882. This one, an original circa 1930 or so, was one of a series of adult novelty books sold under the counter. ( I can tell it is an original because of the grimy, leering fingerprints, several of which are now mine) They have been reprinted... I'm reluctant to link to the vendor because I didn't think of the idea first, but here it is. And yes...my garage sale decorated living room. It is an 8 second long clip.


The Sombrero Kid (one of a series of four Animated Flippin' Flappers) circa 1930.
Collection Jim Linderman

Goat Nut Stew (Dr. Brinkley and his false cure)


Big story here for a simple postcard. One of the hospitals built by John R. Brinkley after he was hounded out of Del Rio, Texas. "Doctor" Brinkley invented a technique of implanting, I kid you not, goat testicles into men who were experiencing what is now advertised on TV more than soap...Erectile dysfunction. That's right. Big-time quack Brinkley charged thousands of pre-depression era men $750 to fix their lagging libidos by injecting them with actual goat nuggies. He is rumored to have given the goat nut cure to one of our Vice-Presidents, not to mention hundreds of poor farmers who had the unfortunate curse of being born before Viagra. He ran for Governor of Kansas and apparently won, but the election was stolen from him by legal maneuvers. As his lucrative radio advertising was being banned in the US, he opened the huge airwave busting XERA radio station in Mexico simply to promote his cure, thus bringing us border radio. No less than the Carter Family were played on his station. THOUSANDS of folk fell for his scams, including women who paid top dollar for medicine made of colored water, false fixes for STD's and more. The recent book by Pope Brock, "Charlatan" (linked on the right here) is literally one of the most incredible books I have ever read. My jaw dropped on nearly every page! Photography collectors can also collect his real photo post cards which he spread over the country like his radio broadcasts. Here is a link to a nice article by Lewis Baer from the Antique Trader which illustrates many of the RPPC images.

Brinkley Hospital Postcard by Curteich mailed from Little Rock 1944. Collection Jim Linderman

Doughnuts on Strings






TACKY TOBACCY Indian Flannel Tobacco Premiums from the 1920's





If I were asked to name the most beautiful objects produced in North America, I would not hesitate to say Navajo pre-reservation saddle blankets. To even stand next to a good one is thrilling. They often took a weaver 6 months to make, and the subtle variations in wool color, the placement of design (or the intentional lack of design) and the texture added by "lazy lines" adds up to just about the most beautiful and heart-wrenching visual treat there is. A brief search will turn up dozens of nice examples, but the essay by Joshua Baer, "The Last Blankets" explains my attraction as well as his own, and if you can find the book he printed on the same subject, you'll prize it as I do. I believe it is one of the finest essays ever written on collecting art...and why.

I would NOT, however, even think of saying "Umm...INDIAN TOBACCO FLANNEL PREMIUMS FROM THE 1920's." They are quite horrendous. These tacky fabric pieces were given away to placate the kids and wife while Daddy smoked away his health and the family funds. Most often seen representing the flags of all nations (I've even had a quilt made entirely from confederate flag felts) they are the size of a discarded paperback book and even less valuable. There is usually one laying on a table in your local antique mall with a 50 cent price safety pinned to it. Leave it there unless you need a floor rug for a child's "western theme" doll house.

Group of four Tobacco Flannel Premiums, c. 1900-1920 Collection Jim Linderman

Alcohol Fame Sinful Pleasure Lust Sensuality Sin and the Good Dr. Pace



The greatest Christian comic illustrator of all time was one Dr. E .J. Pace. I am sure he didn't imagine a blogger one day posting his work bathed in irony rather than a righteous heavenly glow...sorry, Dr. Pace. You've failed to convert me, the hands here offering pretty much my favorite things are just too tempting...but you were one hell of an artist. He is shown here with a nice bold signature so you will recognize his work henceforth. Mr. Pace's biography is available on the Christian Comics Pioneers page of Christian Comics International, a fabulous site that might just scare you right.

Illustration from Pictures that Talk by E. J. Pace, no date (but I looked it up, 1929) Collection Jim Linderman

TO SEE MY BLOG OF SIMILAR MATERIAL click OLD TIME RELIGION

Announcing THE PAINTED BACKDROP Tintype Book








Announcing "The Painted Backdrop" a major new photography book examining the previously undocumented beauty of hand-painted studio backgrounds in 19th century tintype photographs.

Common wisdom holds the lowly painter was out of work when realistic images created by the camera came along in the 19th century. Maybe not! On the contrary, this beautiful book shows that some artists thrived during the period by creating extraordinary drapes, screens and sets for photographer's studios, both primitive and elaborate. With sublime illustrations from the collection of Jim Linderman, noted photography collector whose images were last used in "Take Me to the Water: Immersion Baptism in Vintage Music and Photography 1890-1950" and essays by prominent scholars, this groundbreaking book will be of considerable interest to any art, photography and history reader, library or book collector. It will open a new dialog on the relationship between painting, art and photography.

To be published in a limited edition with a target date of early 2010, this will be the first book available with the "Dull Tool Dim Bulb" imprint, a new small press endeavor striving to produce unique, beautiful and profound books for the artistic audience in conjunction with Dust-to-Digital.

STAY TUNED to DULL TOOL DIM BULB for further announcements.

Seven Tintype Photographs, Circa 1880 Collection Jim Linderman

The Kissing Bee Probe of 1934 Minnie Haley Early Victim of Sexual Harassment



Now here is an interesting tale. This is Minnie Haley, a woman before her time AND lost in time. In fact, Wiki, our god of all things nearly accurate, fails to even mention Minnie in their entry on Sexual Harassment. (The entry seems to claim it began in the 1970's) It appears Ms. Haley was the first woman in the country to charge an employer with, as the press reports here, "being forced to kiss and date" in order to hold her job at the California State Printing Plant in 1934. She Won the case. I am pleased to enter her name into future web searches for all time forward by virtue of my blog post.

Original Press Photo, 1934 Collection Jim Linderman

Fred Smith and his Giant Concrete Friend RPPC



Until I came across this real photo postcard, I don't believe I had seen a photo of artist Fred Smith standing next to his concrete work, nor did I have an idea of the scale! The Wisconsin Concrete Park is being rigorously restored and protected by the Friends of Fred Smith, their site tells the story. I love how he constructed the wagon and horses into the trees. Astounding.

Real Photo Postcard, circa 1955 Collection Jim Linderman