Jim Linderman blog about surface, wear, form and authenticity in self-taught art, outsider art, antique american folk art, antiques and photography.
Captain Hadacol and the Hadacol Bounce 25 cents off token
America still runs on snake oil, but not like the good old days. Every few years, some criminal chemist discovers and markets a concoction which "health" stores and urban delis sell to the bridge and tunnel crowd. Once the FDA figures it out, it's gone. Generally related to caffeine but often far worse.
Hadacol was the one which inspired lore and legend. A Southern slop with a potent mixture of B-Vitamins and alcohol from New Orleans. While the instructions were a teaspoon four times a day, it was sold by the glass in after-hours clubs and dry counties.
The powerful stuff was invented and marketed by Lousiana State Senator Dudley J. LeBlanc and even sold in pharmacies. The senator was pretty good at promotions. Witness the Captain Hadacol SUPER HERO who appeared in an official comic book. He doesn’t look so good until he pulls himself to the fridge and pulls a draw. Even sullen kids with no pep could benefit from a swig. My Hadacol token here was good for 25 cents off.
The drink inspired all manner of celebratory songs, mostly by rockabilly types aimed at white trash. Famously Professor Longhair had the best Hadacol song, and you can find it online.
Obsessive Portrait Drawings by Miss Daisy a Shut-in Outsider Artist
Several years ago I received a package of over 200 original drawings by an elderly woman who drew one a day for a long time. Her caretaker provided me the name "Miss Daisy" who passed away. Each depicts a 1970's era woman, the time period she was creating this work. On the reverse of each 8" x ll" drawing the artist wrote the daily weather and often a short note about her day. I've had time to appreciate the slightly obsessive effort as well as the outsider art characteristics. A memorable day the
drawings arrived is shown in the above photo, and I have posted several of the works over the years since on this blog.
Bettie Boop and other drawings by Evelyn Anonymous 1935
Some things I scan just because they should be preserved.
7 Drawings by Evelyn Unknown dated 1935 include Betty Boop
and some early vamps.
Early drawing book by Evelyn 1935 Collection Dull Tool Dim Bulb
Antique carved folk art “jumping man” articulated figure with original leather string
Antique carved folk art “jumping man” articulated figure with original leather string
14” tall c. 1940 collection Jim Linderman / Dull Tool Dim Bulb
#folkart. #dancingtoy. #articulatedfigure. #dulltooldimbulb
Vixen Books of the 1950s. Vintage Sleaze from Greenwich Village and Gil Fox. (en excerpt from Times Square Smut by Jim Linderman)
Vixen Press founder Gilbert (Gil) Fox was a Greenwich Village denizen. Mr. Fox had quite a circle of friends.
Perhaps no one has paid attention to the Vixen books because they are hardbacks, and the only hardcovers here. Most of the vintage sleaze action is in lurid paperbacks, but this line of spicy stories certainly qualify.Though hardcovers, they are still cheap,tawdry and one hundred percent grade-A certified sleaze. They are also (when and if you can find them) quite affordable since no one cares. Al are now nearly 60 years old, and even harder to find in their book jackets.
Gil Fox was one of the most prolific of sleaze writers. From his early books around 1950 to a massive output of Midwood books in the 1960s. He had pseudonyms such as Kim Savage, Peter Willow, Leda Starr, Kimberly Kemp, Dallas Mayo, Paul Russo, Violet Loring and more. Paperback book scholar Lynn Monroe interviewed Gil once, and I hope there are more chats coming. He certainly has stories to share. The interview is essential for any scholar interested in popular culture of the 1950s.
Fox was born in 1917, served in the Air Force during the WW2 and married a female swinger whose swing went both ways. Next thing you know, he is living in Greenwich Village and itis 1950. At some point Gil met John Willie (real name was John Alexander Scott Coutts) who published the Bizarre series digests. Willie had his drawings published by Robert Harrison and is even rumored to have been responsible for asking Bettie Page to pose in bondage get-ups. Apocryphal tale, I think. Not long after meeting Willie, Gil Fox began writing his own books for Woodford Press. Fox also wrote for Stanley Malkan.
Some time around 1953, Gil set up Vixen Press at 125 Christopher Street in New York City. 125 Christopher Street was also the location of the Alfred Hitchcock's film
Rear Window(!) At least before they changed the address to 125 West the Street in the movie. There is an understanding in the film business that murder films use
phony addresses for the same reason every big screen telephone number starts with 555.There is no 125 West 9th Street, but Gil's place still sits at 125 Christopher.
Today apartments in the building rent for several thousand dollars a month and it remains a pre-war 6-story residential building. You can find real-estate listings online if you would like to relive the glory days of Greenwich Village... but it looks to me like they re-did the floors and I don't see any of Gil's ink stains.It is,however, nice to think of Gil typing while peering into same courtyard as James Stewart and Grace Kelly.
Vixen Books was an apartment operation and an outlet for writers other than Gil. Barry Devlin, one of the most prolific Vixen writers, was selling work which was published as Beacon paperbacks at the same time. Another was the mysterious Justin Kent, the pseudonym of a writer who testified against mobster Edward Mishkin in an obscenity case. They apparently put out a book a month. They were likely distributed in the Times Square bookshops, but they were also distributed by Associated Booksellers in Westport, CT. and at least one other outside of the Tri- state area. Several of the copies here have stickers from "Capitol Book Store" in Indiana, so they got out to the Midwest too. No wonder New York City has a bad reputation. The cover price was $2.50. Each title, regardless of who receives credit for writing, has a hoity-toity quote from Shakespeare or an ancient learned philosopher following the title page, and each is dedicated to a dame or a couple. Hmmm.
As you would imagine from the titles and covers, the Vixen line was not noted for fine literature. All the books were written as soft-core pornography. Limp-core. The characters drank and had torrid sexual adventures, even if they acted like soap opera scripts of the day. Remember, these were written in the early 1950s. Some have girl on girl action at a time it was most taboo. Plenty of lingerie too, and being taken off slowly. Some of the original Vixen titles were subsequently published as paperbacks with new titles. Moon-kissed by Barry Devlin came out under the title Forbidden Pleasures as a Berkley book. Kim Savage also had a paperback titled Helen's House published by Beacon. Mark Tryon's The Fire That Burns came out as a paperback with the byline "Girls who pose for anything" on the cover. It is more than possible others were republished in paper with entirely new titles and authors credited. For that matter, and for all I know, AL of them were written by Fox, but in particular I have seen a reference somewhere that Kim Savage was Gil Fox, though I am not sure. File under speculation.
In the notes to Girls Lie Back Everywhere: The Law of Obscenity and the Assault on Genius by Edward de Grazia (1972) one Vixen book (Sweeter Than Life by Mark Tryon) was called "the forerunner of the sex pulp novels so numerous in the sixties; It contained a prominent lesbian theme and it seems to have had no appreciable literary value. (The book) is described in some detail in Felice Flannery Lewis, Literature, Obscenity and Law (1976) 180-181." Fair enough.
There WAS an obscenity case brought against Gil Fox...U.S vs. Gilbert Fox, Vixen Press et al, involving four of the
titles. I am not sure the outcome, nor do I know if Mr. Fox spent any time in pokey. I certainly hope not.
The list of Vixen books following is the first one compiled as far as I know. The sleeve they came wrapped in is worth as much as the book. Which reminds me..the jacket illustrations are credited to NJD, de Persis, Patrika, Don Rico, who follows, and sometimes nobody.
(An excerpt from the book TIMES SQUARE SMUT by Jim Linderman available from Blurb.com
Helena's House Kim Savage 1960 Madame Big Barry Devlin 1953 Chains of Silk Barry Devlin 1954 Golf Widow ? 1953
Boss Lady Rick Lucas 1954
No Holds Barred Barry Devlin
Carnal Cargo Barry Devlin 1952
Baby Makes Three Kim Savage (Gil Fox?) 1953 Desolate Sands Michael Norday 1955
The Sinning Lens Mark Tryon 1953 Joanne Scott Stone 1955
Mask of Night Michael Norday 1954 Dreamboat Rick Lucas 1955
Lazylegs Kim Savage 1953 Gold-plated Sin Barry Devlin 1953 Fire and Ice Barry Devlin 1952 Complex Mother Rick Lucas 1955
Take tI Off! Mark Tryon 1953 Fast Curve Justin Kent 1953
Bent to Evil Kim Savage 1952 Weekend Kim Savage 1952
Rogues and Riches Rick Lucas 1954 Blaze Scott Stone 1954
Sweet and Twenty Don Morro 1955 The Fire that Burns Mark Tryon 1954 Devil's Web Scott Stone 1955
Other Loves Barry Devlin 1955 Countess Margo Scott Stone 1955 This Paris Barry Devlin 1955
Sweeter than Life Mark Tryon Acapulco Nocturne Barry Devlin 1952
Mavis Justin Kent 1953
Dark Magic Michael Norday 1954 Strange Journey Rick Lucas 1954
On with the Dance Michael Norday 1954 Gold-plated Sin Barry Devlin 1953 Lovers and Madmen Barry Devlin 1953 Hellion Kim Savage 1951
Moon-kissed Barry Devlin 1953
Justin McCarthy “Jitney Jessie the Episode of Bessie the Beautiful Bandit” by Justin McCarthy c. 1920 - 1925
“Jitney Jessie the Episode of Bessie the Beautiful Bandit” by Justin McCarthy c. 1920 - 1925
In a serial format of 13 drawings Justin McCarthy tells the story of Jitney Jessie packing a parachute to foil Bessie the Bold and Beautiful Bandit’s attempt to rob G. Hard Boyle. Jitney Jessie was Hard Boyle’s chauffeur. In these early works, McCarthy apparently used a homemade paste of flour and water to mount them on colored cardboard. Shown is a detail of four drawings and the entire piece.
ex-Phyllis Kind. Collection Jim Linderman / Dull Tool Dim Bulb
Big Nipper the RCA Dog
Giant “Nipper” the RCA dog stands guard over the Kalamazoo Humane Society building in 1979.
(Standing with him is my dog Crispus…RIP) Nipper was 150 pounds of fiberglass, and originally part of a RCA marketing campaign in 1950.
Nipper has knocked around since… he was once stolen and thrown in a river. Apparently he has been restored, tucked away and makes
appearances at various events since.
Original Snapshot 1979 by Jim Linderman
Dr. Locke Famous Phony Faith Healer? Nah...Foot Doctor! 1933
I'm a little busy today, so no story, though I am sure there is a good one. Just a few real photo postcards of a "faith healer" at work who turns out to be a Canadian Foot Doctor. NOTE: This post is also on the blog old-time-religion, where miracles such as this occur on a regular basis.
Pair of Real Photo Postcards 1933 "Dr. Locke, Faith Healer" Collection Jim Linderman
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Bettie Page unseen amateur stereoview photographs c. 1955
When I was doing research for my now out of print book Camera Club Girls (mostly the story of Bettie Page and the plethora of women who posed for amateur photographers in the 1950s) one of the notable discoveries was a small group of anonymous stereoview slides of Ms. Page taken in the mid-1950s. They were largely unseen before, if at all. The group were sold in auction some 10 years ago. They were mounted in “Craftsman Guild Easy Mount” blank stereoview holders sold to hobbyists. The photographs were taken 1955 - 1958. Collection Jim Linderman and Private Collection .