Jim Linderman blog about surface, wear, form and authenticity in self-taught art, outsider art, antique american folk art, antiques and photography.
Rolling Stones Glitz, Glamor, Truman Capote and Authenticity
I seldom write about music here, as music is personal. I've said before, there is nothing more pathetic than a fellow making an "I love you" mix tape (or whatever they call a compilation these days) for a woman who has left him. It won't work, it never does, and don't do it. You can't talk someone into loving your music, OR you.
There is a point or two here, I guess. First of all, The Rolling Stones Facebook page has been posting extraordinary footage for their followers. So join up.
Second, one of the most audacious moves in the entire 20th century was for two pale, war-torn skinny British kids to somehow decide to become the greatest blues band in history. Read Keith's autobiography and marvel. How two kids, one of whom had obtained the mail order address for Chess Records in Chicago, met and not only dreamed but DID is one of the most extraordinary accomplishments to happen during my life. Their odds would have been better had they decided to be basketball players. I need not point out the two little goofballs were white and in the wrong country.
Second, in these clips, both from 1972 I believe, what you see is what you get. 7 or 8 guys on a stage playing. No bullshit. You hear it, they played it. Someone tinkered around with it a bit later, editing and such...but this was probably one of the last times a handful of guys, including the TRUE history of rock and roll Bobby Keys on saxophone (who figures prominently in Keith's book and is today a living connection to the entire history of 20th century rock) got on stage, plugged into their amps themselves and played their songs...simple. They could create this exact sound in Mum's garage or an estate in the south of France.
Am I nostalgic or a grumpy old man? Nope. I just like authenticity. And through all the glitz and glamour of Truman Capote on the plane with them for this tour writing the story up for Jackie O, Andy Warhol and the rich folks back at Studio 54 doesn't matter anymore. These guys were a blessing.
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